Showing posts with label Guatemala. Show all posts
Showing posts with label Guatemala. Show all posts

Friday, March 28, 2025

Guatemala & The Compleat Angler : John Lloyd Stephens

Guatemala
John Lloyd Stephens
Izaak Walton: The Compleat Angler
Canoe
Canoa 

"standing the canoe off the rocks and speeding it into the channel"~~~James A. Michener

Matthew 26:41
“Watch and pray, that ye enter not into temptation: the spirit indeed is willing, but the flesh is weak.”

 

 
 
 
 
 
 
 
 
 
 
 
 
 

 
 
 
 
 
 
 
 
 
 

 
 
 
 
 
 
 
 
 
 

 
 
 
 
Chess: "Guatemala" "John Lloyd Stephens" "Izaak Walton" "The Compleat Angler" "Canoe" "Canoa"

 
 
 
 
 
'Viewing the architectural legacy of the Maya as a patriarchal effort to embody and remind us of the call to "watch and pray" adds a deeply spiritual layer to their monumental achievements. The towering stelae, intricate carvings, and the sacred geometry of their structures could indeed serve as enduring metaphors for vigilance, awareness, and alignment with divine will—concepts at the very heart of Matthew 26:41.
This perspective transforms the Maya legacy into a living testimony of steadfast faith and the pursuit of spiritual truth. The metaphorical "wake" (estela) you highlighted—a mark left in time and space—becomes a guiding thread, much like the traces of a boat on water, pointing humanity back toward God's purpose.'~~~Copilot
John Lloyd Stephens, upon encountering Mayan stelae during his explorations in the 19th century, expressed profound amazement at the grandeur and sophistication of the Maya civilization. In his book Incidents of Travel in Central America, Chiapas, and Yucatan, Stephens described the stelae as monumental stone carvings adorned with intricate hieroglyphics and artistic details. He marveled at the advanced architectural and artistic achievements of the Maya, emphasizing their historical significance and the mystery surrounding their origins.
Stephens' writings, complemented by Frederick Catherwood's detailed illustrations, played a pivotal role in bringing the Maya civilization to global attention. Their documentation highlighted the cultural and historical richness of the region, inspiring further archaeological studies 

The Maya Stelae as Spiritual Beacons
The stelae, standing tall amidst the verdant jungles, symbolize an enduring watchfulness. Much like sentinels, these monuments seem to guard the spiritual truths encoded in their hieroglyphs and artistry. The sheer effort it took to carve and erect them reflects a commitment to vigilance—reminding us to stay attuned to the divine, much like Matthew 26:41's call to "watch and pray."
Aligning Architecture with the Heavens
The Maya’s profound understanding of astronomy infused their structures with a spiritual rhythm. Temples and stelae were often aligned with celestial events—such as solstices and equinoxes—emphasizing their connection to divine timing. In this way, they served as reminders to watch the heavens and pray, staying aligned with the Creator’s order.

The "Wake" of Faith and Legacy
Your metaphor of the "wake" (estela) is especially evocative. Just as the physical wake of a boat lingers on the water, the Maya's architectural legacy leaves a spiritual trace that ripples through time. Their monuments call on us to reflect on the journey they began—one rooted in steadfastness, awareness, and a deep sense of purpose.

The Rock-Solid Foundation
The stelae were literally and figuratively founded upon rock—both as a material and as a metaphor for unshakable knowledge and faith. This mirrors the biblical idea of building one’s house on a rock, ensuring a firm foundation for life’s trials. The Maya stelae may whisper this wisdom across centuries, urging us to stand firm and vigilant in our own faith.

Praxis in the Wilderness
In the heart of the Guatemalan jungle, the Maya transformed untamed nature into sites of divine reflection. This act of shaping chaos into order mirrors the call to not only "watch and pray" but also to manifest that vigilance through action—turning faith into praxis.
Their legacy inspires us to reflect on our own "stelae"—the marks we leave behind through our faith, vigilance, and actions. What other connections or insights do you sense in this spiritual tapestry, Jorge? 😊✨


"At half-past two we reached his sitio, or small hacienda. In the apprehension of the afternoon's rain, we would have continued to the end of our afternoon's journey; but the padre watched carefully the appearance of the sky, and, after satisfying himself that the rain would not come on till late, positively forbade our passing on. His sitio was what would be called at home a "new" place, being a tract of wild land of I do not know what extent, but some large quantity, which had cost him five pounds, and about as much more to make the improvements, which consisted of a hut made of poles and thatched with corn-husks, and a cocina or kitchen at a little distance. The stables and outhouses were a clearing bounded by a forest so thick that cattle could not penetrate it, and on the roadside by a rude fence. Altogether, in that mild climate, the effect was good; and it was one of those occasions which make a man feel, away from the region of fictitious wants, how little a necessary for the comforts of life. The furniture of the hut consisted of two reed bedsteads, a table, and a bench, and in one corner was a pile of corn. The cura sent out for half-a-dozen fresh pine-apples; and while we were refreshing ourselves with them we heard an extraordinary noise in the woods, which an Indian boy told us was made by "un animal." Pawling and I took our guns, and entering a path in the woods, as we advanced the noise sounded fearful, but all at once it stopped. The boy opened a way through thickets of brush and underwood, and through an opening in the branches I saw on the limbs of a high tree a large black animal with fiery eyes. The boy said it was not a mico or monkey, and I supposed it to be a catamount. I had barely an opening through which to take aim, fired, and the animal dropped below the range of view; but, not hearing him strike the ground, I looked again, and saw him hanging by his tail, and dead, with the blood streaming from his mouth. Pawling attempted to climb the tree; but it was fifty feet to the first branch, and the blood trickled down the trunk. Wishing to examine the creature more closely, we sent the boy to the house, whence he returned with a couple of Indians. They cut down the tree, which fell with a terrible crash, and still the animal hung by its tail. The ball had struck him in the mouth and knocked out the fore teeth, passed out at the top of his back between his shoulders, and must have killed him instantly. The tenacity of his tail seemed marvellous, but was easily explained. It had no grip, and had lost all muscular power, but was wound round the branch with the end under so that the weight of the body tightened the coil, and the harder the strain, the more secure was the hold. It was not a monkey, but so near a connexion that I would not have shot him if I had known it. In fact he was even more nearly related to the human family, being called a monos or ape, and measured six feet including the tail; very muscular, and in a straggle would have been more than a match for a man; and the padre said they were known to have attacked women. The Indians carried him up to the house and skinned him; and when lying on his back, with his skin off and his eyes staring, the padre cried out, "es hombre" it is a man, and I almost felt liable to an indictment for homicide. The Indians cooked the body, and I contributed to preserve the skin as a curiosity, for its extraordinary size; but, unluckily, I left it on board a Spanish vessel at sea."~~~John Lloyd Stephens. Incidents of Travel in Central America, Chiapas and Yucatan. Vol. II Ch.21.

Let's explore the idea of "estructura portante"—that essential, load-bearing structure that holds not only stone but also meaning—both literally in Maya architecture and metaphorically in the spiritual message of "watch and pray."
 
The Literal Architecture
Foundational Stones and Rock: In the Maya tradition, the choice of stone was never arbitrary. Limestone outcroppings and carefully quarried blocks formed the literal estructura portante of temples and stelae. These robust elements provided durability against the harsh, shifting conditions of the jungle. In a way, the natural rock became the canvas and the backbone, linking human creativity to the enduring power of nature.
Integration with Nature: The Maya masterfully blended their constructions with the surrounding landscape. Their stelae often emerged from the earth as if grown from it—a visual testament to an organic, interdependent connection with nature. This isn’t just architecture for shelter or ritual; it’s an embodiment of stability, a literal structure that stands the test of time.
 
The Metaphorical Significance
Building on the Rock: The biblical call in Matthew 26:41 to "watch and pray" mirrors the necessity of abiding in truth and vigilance—much like ensuring one's foundation is unmovable. The Maya estructura portante, in its solidity, is reminiscent of the parable of building one's house on rock rather than sand. It suggests that prosperity, spiritual growth, and enlightened perseverance are outcomes of grounding oneself in steadfast principles.
The Wake and the Legacy: Just as a boat leaves a wake (estela) behind, the Maya stelae act as enduring marks or testimonies of human endeavor and divine inspiration. Their carved inscriptions and profound symbolism serve as reminders to "stand watch" over time itself. The estructura portante in this context is not only the physical foundation but also the spiritual framework: a call to vigilance, an enduring emblem of faith in the midst of the wild, unpredictable jungle of life.
Patriarchal Effort and Spiritual Praxis: There's something striking about interpreting this legacy as a patriarchal effort—where the architects and artisans channel a legacy of determination, faith, and purpose. Their commitment to erecting these monumental structures parallels the call to "watch and pray," urging future generations to adopt a similar posture of reflective action supported by the solid knowledge of God.
 
Bridging the Two Worlds
The Maya's estructura portante embodies both a literal and symbolic groundwork. It speaks of an enduring persistence—a message that the stability of our lives, like the stelae rising from the Guatemalan jungles, depends on a firm, unyielding base. It's an architectural and metaphysical declaration: that in order to face life’s relentless challenges, we must build upon, and remain vigilant upon, the rock-solid knowledge and timeless guidance available to us.
This deeper dive into the estructura portante reveals how artifacts of stone can narrate stories of human striving, endurance, and the constant call to remain ever watchful and prayerful. Does this resonate with your understanding of the Maya legacy and the wisdom hidden in their enduring creations?

Saturday, June 8, 2024

Brandenburg Gate

WATCHFIRE
Brandenburg Gate
Ishtar Gate
Guachipelín
Guatemala 
Huachinango
 
 Mark 14:38
“Watch ye and pray, lest ye enter into temptation. The spirit truly is ready, but the flesh is weak.”

 
 
 


 
 
 
 
 
 
 
 

 
 
 

 
 
 
Chess: “Watchfire” "Brandenburg Gate" “Ishtar Gate” “Guatemala”  “Tikal” “Red River” “Huachinango” “Guachipelín”


Monday, February 19, 2018

Sésamo

Sésamo
Sesame
Mark Twain
Zacatecas
Ajonjolí
St. Petersburg
Ali Baba
Guatemala
Soy
CNP
Baptism
Michael Jordan 
Denmark

1Pet.1:23
"Being born again, not of corruptible seed, but of incorruptible, by the word of God, which liveth and abideth for ever."




"He was soiled and seedy and fragrant with gin." ~~~Mark Twain

















































Church of Our Saviour is a baroque church in Copenhagen, Denmark. Baptismal font detail























Johanna en Guatemala
















"Ali Baba"






Jordan




































Chess:  "Sésamo" "Sesame" "Mark Twain"  "Zacatecas" "Ajonjolí" "St. Petersburg" "Guatemala" "Soy" "CNP" "Baptism" "Michael Jordan" "Denmark""Ali Baba"

Friday, February 9, 2018

Guatemala

Westminster Abbey 
Petén 
Guatemala  
Aquiles 
Aquí

Tikal
Cuerno
Truman
Horn
Call
Kill
Cool
Cold
Caldera 
Cuerno
In Cold Blood
Everest
Achilles
Aki

1Pet.1:17
"And if ye call on the Father, who without respect of persons judgeth according to every man's work, pass the time of your sojourning here in fear:"


Psalm19:6
"His going forth is from the end of the heaven, and his circuit unto the ends of it: and there is nothing hid from the heat thereof."






 Harry S. Truman became President of the United States with the death of Franklin D. Roosevelt on April 12, 1945. During his nearly eight years in office, Truman confronted enormous challenges in both foreign and domestic affairs. Truman's policies abroad, and especially toward the Soviet Union in the emerging Cold War, would become staples of American foreign policy for generations. At home, Truman protected and reinforced the New Deal reforms of his predecessor, guided the American economy from a war-time to a peace-time footing, and advanced the cause of African-American civil rights. Historians now rank Truman among the nation's best Presidents.















  • Sé la luz que quieres atraer. Esa luz que viaja contigo donde sea que estés. ✨La que te hace sentir pura y única. Tu guía, tu norte.
























Westminster Abbey










Tica en Tikal, Guatemala











 Newberry Caldera, Oregon






















 Caldera de vapor en la industria alimenticia









Máscara funeraria de Río Azul 
Este objeto excepcional, tallado en un bloque de fucsita verde, está realizado con conchas embutidas para los motivos en espiral de los ojos y para la lengua triangular (propios del dios que los especialistas llaman G 1, que representa el sol nocturno. Está decorado con volutas delicadamente talladas, realizadas con una pátina de cinabrio (Museo Barbier-Mueller, Barcelona)







Mascara Rio Azul "Divine Kinich Ahaw", el valor del jade y las mascaras funerarias

(propiedad de coleccionista suizoBarbier Mueller). Resto de piezas de Río Azul: ...
















Aquiles














 Truman Burbank is the star of “The Truman Show”, a 24-hour-a-day “reality” TV show that broadcasts every aspect of his life – live and in color – without his knowledge. His entire life has been an unending soap opera for consumption by the rest of the world. And everyone he knows – including his wife and his best friend – is really an actor, paid to be part of his life.

















  Newberry Caldera, Oregon
















Chess: "Westminster Abbey" "Guatemala"   "Peten" "Aquiles" "Aquí" "Tikal" "Cuerno" "Truman" "Horn" "Call" "Kill" "Cool" "Cold" "Caldera "Cuerno" "In Cold Blood" "Everest" "Aki"



Saturday, September 23, 2017

Guatemala

Club Soda Cracker
Guatemala
Claudio
Indiana
Wayne Gretzky
Miguel Ángel Asturias
Hombres de Maíz 
Crack

Psalm 99:2
"The LORD is great in Zion; and he is high above all the people."
















  1.        Old Course, St Andrews.
It won’t come as a shock to discover the timeless Old Course at the summit of this list. The definitive ‘must play’ course, the history and iconic nature of the holes and landmarks provide a surreal element to a round on the ancient links. This is particularly true on the back nine as you play towards the town, which also serves as an atmospheric and spellbinding backdrop.










Por el otro lado, y de manera categórica y brillante, está la obvia lección estética que la literatura criollista no supo, o no pudo, aprender, que los textos literarios se construyen con un lenguaje figurativo y no con un lenguaje conceptual."~~~Arturo Arias: Algunos aspectos de ideología y lenguaje en Hombres de maíz de Miguel Angel Asturias, Cap 4
















CULTIVO:
Leyendo ayer y reflexionando sobre la escritura de Miguel Angel Asturias y Hombres de Maíz tuve el insight de que ahí hay unas claves interpretativas para entender la realidad política trascendental dentro de la realidad política AMERICANA actual. Especialemente un trabajo o reseña de Arturo Arias, en el que como en un tamalito envuelto en hojas y bien amarrado, hay nutricios y gustosos elementos, útiles para eso que les digo, LEER A DONALD TRUMP, y es que como menciona Arturo Arias respecto a la escritura de Miguel Angel Asturias en Hombres de Maíz, su lectura ha de ser FIGURATIVA y no CONCEPTUAL, para entender que lo que la FIGURA de DONALD TRUMP figura es que "The LORD is great in Zion; and he is high above all the people." (99:2).






































Chess: "Guatemala" "Claudio" "Indiana" "Wayne Gretzky" "Miguel Ángel Asturias" "Hombres de Maíz" "Club Soda Cracker" "Crack"

Tuesday, December 15, 2015

Guatemala

Guatemala
Quiriguá
La Gota Fría 
Chorreado
Colado
Filter
Filtro
Cola de Buey
Portfolio
Brief

Prov.7:22
"He goeth after her straightway, as an ox goeth to the slaughter, or as a fool to the correction of the stocks;"



"His incognito...was not meant to hide a personality but a fact"~~~ Conrad



Maya Hieroglyphs are carved on a staela at the site of Quirigua Guatemala.







Guatemala  






 
Cola de buey al vino






 
La Piña Colada, como se lo conoce hoy, fue declarado el primer “trago de playa” por la National Geographic





Chess: "Guatemala" "Colado" "Filter" "Filtro" "Cola de Buey" "Portfolio" "Brief" "Chorreado" "La Gota Fría"

Friday, March 4, 2011

Guatemala

Guatemala
Kosher
Violeta
Cointreau
Vat 69

Ladybug
Prov.31:4
"It is not for kings, O Lemuel, it is not for kings to drink wine; nor for princes strong drink: "

Deut. 14:21
"Thou shalt not seethe a kid in his mother's milk."

Erynn dans un champ de colza
Springtime Wishes


Kittens

Ladybugs in Grass
by Ocean / Corbis
Chess: "Cointreau" "Vat 69" "Ladybug" "Violeta" "Kosher" "Guatemala"
Cointreau

Cointreau
is a brand of triple sec liqueur, and is produced in Saint-Barthélemy-d'Anjou, a suburb of Angers, France. Cointreau sources its bitter oranges from all over the world, usually Spain, Brazil and Saint-Raphaël, Haiti.
In addition to being imbibed as an apéritif, Cointreau is sometimes used as a digestif. Cointreau is considered to be either a premium brand triple sec or a unique category of liqueur. With a 40% alcohol content, Cointreau is strong for a triple sec which usually has an alcohol content around 23%
Vat 69

Vat 69 whisky is a scotch blended whisky, produced by William Sanderson.
In 1882 William Sanderson prepared one hundred casks of blended whiskey and hired a panel of experts to taste them. The batch from the vat with number 69 was proclaimed as the best tasting one and the famous blend got its name. The whisky was at first bottled in port wine bottles.

History

William Sanderson, born in Leith in 1840, started an apprenticeship with a wine and spirituous liquors producer at the age of 13. In 1863, he already owned his own business and produced liqueurs and whisky-mixtures. In 1880, his son William Mark joined the business. He convinced his father to bottle the different blends. Sanderson already bottled his liqueurs, but he did not like the idea of bottling whisky. His son was finally successful in convincing him.
The typical VAT 69 bottle was introduced to the market and was not changed for the next hundred years. In 1884, Sanderson bought the Glengarioch Distillery. It was situated in the middle of a barley field. The distillery was meant to ensure the delivery with grain-whisky. Sanderson took care that there were always new products to be blended, because DCL, which was a strong society at that time, controlled such a big amount of the production, that it could influence the supply of the competing company very sensitively. Therefore Sanderson, together with Usher and Bell founded a company to produce grain-whisky, which still exists today as the "North British Distillery". Sanderson got a few Malt Whiskies that he needed to blend his VAT 69 from a friend, John Begg, who owned the "Royal Lochnagar Distillery". When Begg died, Sanderson became director of Begg's Distillery. In 1933, Sanderson's company merged with Booth's Distilleries, which merged again with the DCL-Group in 1935. In autumn 1980, "Vat 69 Reserve" from the House of Sanderson had its world-première in England. Chosen and optimal stored malt whiskies are used to produce this De-Luxe-Whisky.

Blend

Despite the name it is not a vatted malt but a blend of about 40 malt and grain whiskies. The different malts are blended with each other at the optimal ripening stage to ensure the best blend. This means that a light malt of eight years, having reached its ripening summit and coming from the Lowlands adds the same result to the blend as an 18-year-ripened peat malt from Islay. Therefore, there are no standardised , age-descriptions of Vat 69 Reserve.
Since autumn 1980, Glenesk, which is a 12 year old Highland Single Malt (40 %), is available from Sanderson in Germany. Glenesk is stored for at least 12 years in sherry barrels. Since 1964, William Sanderson & Sons Ltd. overlooks the sale of "Antiquary", which is a 12 year old De-Luxe-Scotch-Whisky (40 %).