Tuesday, April 14, 2026

Barcode

Anahuac 
Quinto Sol 
Barcode 

Matthew 18:11
“For the Son of man is come to save that which was lost.” 
 
 


Chess:
"Anahuac" "Quinto Sol" "Barcode"

Monday, April 13, 2026

Set

Set 
Disposition 
Loving Executive (God)
Amante Ejecutivo (Dios)
 

2 Corinthians 5:21
“For he hath made him to be sin for us, who knew no sin; that we might be made the righteousness of God in him.”
 
 

 

Chess: ""Set" "Disposition" "Executive" "Ejecutivo"

Sunday, April 12, 2026

Alaska

Alaska

1 Corinthians 14:33
“For God is not the author of confusion, but of peace, as in all churches of the saints.”

 
 
"๐‘‡โ„Ž๐‘’ ๐‘ ๐‘ž๐‘ข๐‘Ž๐‘Ÿ๐‘’ ๐‘ค๐‘Ž๐‘  ๐‘Ž ๐‘ ๐‘๐‘Ž๐‘๐‘–๐‘œ๐‘ข๐‘ , ๐‘“๐‘Ÿ๐‘–๐‘’๐‘›๐‘‘๐‘™๐‘ฆ ๐‘Ž๐‘Ÿ๐‘’๐‘Ž, ๐‘™๐‘–๐‘›๐‘’๐‘‘ ๐‘ค๐‘–๐‘กโ„Ž ๐‘ก๐‘Ÿ๐‘’๐‘’๐‘  ๐‘Ž๐‘›๐‘‘ ๐‘š๐‘Ž๐‘‘๐‘’ โ„Ž๐‘œ๐‘ ๐‘๐‘–๐‘ก๐‘Ž๐‘๐‘™๐‘’ ๐‘๐‘ฆ ๐‘›๐‘ข๐‘š๐‘’๐‘Ÿ๐‘œ๐‘ข๐‘  ๐‘ค๐‘œ๐‘œ๐‘‘๐‘’๐‘› ๐‘๐‘’๐‘›๐‘โ„Ž๐‘’๐‘  ๐‘Ž๐‘›๐‘‘ ๐‘Ž ๐‘๐‘’๐‘›๐‘ก๐‘Ÿ๐‘Ž๐‘™ ๐‘˜๐‘–๐‘œ๐‘ ๐‘˜ ๐‘คโ„Ž๐‘’๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘ก๐‘œ๐‘ค๐‘› ๐‘๐‘Ž๐‘›๐‘‘ ๐‘๐‘™๐‘Ž๐‘ฆ๐‘’๐‘‘ ๐‘Ž๐‘›๐‘‘ ๐‘“๐‘Ÿ๐‘œ๐‘š ๐‘คโ„Ž๐‘–๐‘โ„Ž ๐‘๐‘–๐‘ก๐‘–๐‘ง๐‘’๐‘›๐‘  ๐‘๐‘œ๐‘ข๐‘™๐‘‘ ๐‘๐‘ข๐‘Ÿ๐‘โ„Ž๐‘Ž๐‘ ๐‘’ โ„Ž๐‘œ๐‘ก ๐‘๐‘œ๐‘“๐‘“๐‘’๐‘’ ๐‘Ž๐‘›๐‘‘ ๐‘๐‘Ÿ๐‘œ๐‘–๐‘ ๐‘ ๐‘Ž๐‘›๐‘ก๐‘  ๐‘Ž๐‘  ๐‘กโ„Ž๐‘’๐‘ฆ ๐‘Ÿ๐‘’๐‘™๐‘Ž๐‘ฅ๐‘’๐‘‘ ๐‘–๐‘› ๐‘กโ„Ž๐‘’ ๐‘ ๐‘ข๐‘›. ๐ด๐‘ก ๐‘–๐‘ก๐‘  ๐‘๐‘Ÿ๐‘œ๐‘Ž๐‘‘ ๐‘ ๐‘œ๐‘ข๐‘กโ„Ž๐‘’๐‘Ÿ๐‘› ๐‘’๐‘›๐‘‘ ๐‘กโ„Ž๐‘’ ๐‘ ๐‘ž๐‘ข๐‘Ž๐‘Ÿ๐‘’ ๐‘œ๐‘๐‘’๐‘›๐‘’๐‘‘ ๐‘ข๐‘๐‘œ๐‘› ๐‘กโ„Ž๐‘’ ๐‘ ๐‘’๐‘Ž, ๐‘คโ„Ž๐‘’๐‘Ÿ๐‘’ ๐‘๐‘œ๐‘Ž๐‘ก๐‘  ๐‘๐‘™๐‘ข๐‘ ๐‘ก๐‘’๐‘Ÿ๐‘’๐‘‘, ๐‘คโ„Ž๐‘–๐‘ก๐‘’ ๐‘ ๐‘Ž๐‘–๐‘™๐‘  ๐‘ โ„Ž๐‘–๐‘›๐‘–๐‘›๐‘” ๐‘Ž๐‘”๐‘Ž๐‘–๐‘›๐‘ ๐‘ก ๐‘๐‘™๐‘ข๐‘’ ๐‘ค๐‘Ž๐‘ก๐‘’๐‘Ÿ๐‘ . ๐‘‡โ„Ž๐‘’ ๐‘œ๐‘กโ„Ž๐‘’๐‘Ÿ ๐‘กโ„Ž๐‘Ÿ๐‘’๐‘’ ๐‘ ๐‘–๐‘‘๐‘’๐‘  ๐‘ค๐‘’๐‘Ÿ๐‘’ ๐‘‘๐‘’๐‘“๐‘–๐‘›๐‘’๐‘‘ ๐‘๐‘ฆ ๐‘๐‘Ÿ๐‘–๐‘ฃ๐‘Ž๐‘ก๐‘’ โ„Ž๐‘œ๐‘š๐‘’๐‘  ๐‘๐‘ข๐‘–๐‘™๐‘ก ๐‘–๐‘› ๐‘กโ„Ž๐‘’ ๐‘ ๐‘ก๐‘ฆ๐‘™๐‘’ ๐‘œ๐‘“ ๐‘€๐‘’๐‘‘๐‘–๐‘ก๐‘’๐‘Ÿ๐‘Ÿ๐‘Ž๐‘›๐‘’๐‘Ž๐‘› ๐น๐‘Ÿ๐‘Ž๐‘›๐‘๐‘’, ๐‘’๐‘ฅ๐‘๐‘’๐‘๐‘ก ๐‘กโ„Ž๐‘Ž๐‘ก ๐‘คโ„Ž๐‘’๐‘Ÿ๐‘’ ๐‘ ๐‘ก๐‘œ๐‘›๐‘’ ๐‘ค๐‘œ๐‘ข๐‘™๐‘‘ โ„Ž๐‘Ž๐‘ฃ๐‘’ ๐‘๐‘’๐‘’๐‘› ๐‘ข๐‘ ๐‘’๐‘‘ ๐‘–๐‘› ๐‘€๐‘Ž๐‘Ÿ๐‘ ๐‘’๐‘–๐‘™๐‘™๐‘’๐‘ , โ„Ž๐‘’๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘๐‘Ÿ๐‘’๐‘“๐‘’๐‘Ÿ๐‘Ÿ๐‘’๐‘‘ ๐‘š๐‘Ž๐‘ก๐‘’๐‘Ÿ๐‘–๐‘Ž๐‘™ ๐‘ค๐‘Ž๐‘  ๐‘ค๐‘œ๐‘œ๐‘‘, ๐‘š๐‘œ๐‘ ๐‘ก ๐‘œ๐‘“๐‘ก๐‘’๐‘› ๐‘Ž โ„Ž๐‘Ž๐‘›๐‘‘๐‘ ๐‘œ๐‘š๐‘’ ๐‘š๐‘Žโ„Ž๐‘œ๐‘”๐‘Ž๐‘›๐‘ฆ ๐‘–๐‘š๐‘๐‘’๐‘Ÿ๐‘ฃ๐‘–๐‘œ๐‘ข๐‘  ๐‘ก๐‘œ ๐‘–๐‘›๐‘ ๐‘’๐‘๐‘ก๐‘ . ๐ธ๐‘Ž๐‘โ„Ž โ„Ž๐‘œ๐‘ข๐‘ ๐‘’ โ„Ž๐‘Ž๐‘‘ ๐‘Ž ๐‘ ๐‘’๐‘๐‘œ๐‘›๐‘‘-๐‘“๐‘™๐‘œ๐‘œ๐‘Ÿ ๐‘ฃ๐‘’๐‘Ÿ๐‘Ž๐‘›๐‘‘๐‘Ž ๐‘Ž๐‘‘๐‘œ๐‘Ÿ๐‘›๐‘’๐‘‘ ๐‘ค๐‘–๐‘กโ„Ž ๐‘๐‘Ÿ๐‘–๐‘”โ„Ž๐‘ก ๐‘ก๐‘Ÿ๐‘œ๐‘๐‘–๐‘๐‘Ž๐‘™ ๐‘“๐‘™๐‘œ๐‘ค๐‘’๐‘Ÿ๐‘ , ๐‘š๐‘Ž๐‘˜๐‘–๐‘›๐‘” ๐‘กโ„Ž๐‘’ ๐‘ ๐‘ž๐‘ข๐‘Ž๐‘Ÿ๐‘’ ๐‘Ž ๐‘”๐‘Ž๐‘Ÿ๐‘‘๐‘’๐‘› ๐‘–๐‘› ๐‘คโ„Ž๐‘–๐‘โ„Ž โ„Ž๐‘Ž๐‘๐‘๐‘ฆ ๐‘๐‘–๐‘ก๐‘–๐‘ง๐‘’๐‘›๐‘  ๐‘๐‘œ๐‘›๐‘”๐‘Ÿ๐‘’๐‘”๐‘Ž๐‘ก๐‘’๐‘‘ ๐‘กโ„Ž๐‘Ÿ๐‘œ๐‘ข๐‘”โ„Ž๐‘œ๐‘ข๐‘ก ๐‘กโ„Ž๐‘’ ๐‘‘๐‘Ž๐‘ฆ." ~~~James A. Michener: CARIBBEAN. Ch. 9 The Creoles 
 
 
 
Chess: "Alaska"

Saturday, April 11, 2026

Anchorage

๐€๐ง๐œ๐ก๐จ๐ซ๐š๐ ๐ž

John 3:16
“For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life.” 

 

 
 
Chess: "Anchorage"

Friday, April 10, 2026

STOCKHOLM

 ๐’๐“๐Ž๐‚๐Š๐‡๐Ž๐‹๐Œ 
 
๐Ÿ ๐‰๐จ๐ก๐ง ๐Ÿ“:๐Ÿ•
“๐…๐จ๐ซ ๐ญ๐ก๐ž๐ซ๐ž ๐š๐ซ๐ž ๐ญ๐ก๐ซ๐ž๐ž ๐ญ๐ก๐š๐ญ ๐›๐ž๐š๐ซ ๐ซ๐ž๐œ๐จ๐ซ๐ ๐ข๐ง ๐ก๐ž๐š๐ฏ๐ž๐ง, ๐ญ๐ก๐ž ๐…๐š๐ญ๐ก๐ž๐ซ, ๐ญ๐ก๐ž ๐–๐จ๐ซ๐, ๐š๐ง๐ ๐ญ๐ก๐ž ๐‡๐จ๐ฅ๐ฒ ๐†๐ก๐จ๐ฌ๐ญ: ๐š๐ง๐ ๐ญ๐ก๐ž๐ฌ๐ž ๐ญ๐ก๐ซ๐ž๐ž ๐š๐ซ๐ž ๐จ๐ง๐ž.”
 
 
 


 
"๐‘จ ๐’‡๐’‚๐’Ž๐’๐’–๐’” ๐’Š๐’—๐’๐’“๐’š ๐’„๐’‚๐’”๐’Œ๐’†๐’• ๐’Š๐’ ๐’•๐’‰๐’† ๐‘ฉ๐’“๐’Š๐’•๐’Š๐’”๐’‰ ๐‘ด๐’–๐’”๐’†๐’–๐’Ž ๐’‰๐’‚๐’” ๐‘พ๐’†๐’š๐’๐’‚๐’๐’… ๐’•๐’‰๐’† ๐‘บ๐’Ž๐’Š๐’•๐’‰ ๐’๐’ ๐’•๐’‰๐’† ๐’๐’†๐’‡๐’• ๐’‚๐’๐’… ๐’•๐’‰๐’† ๐‘จ๐’…๐’๐’“๐’‚๐’•๐’Š๐’๐’ ๐’๐’‡ ๐’•๐’‰๐’† ๐‘ด๐’‚๐’ˆ๐’Š ๐’๐’ ๐’•๐’‰๐’† ๐’“๐’Š๐’ˆ๐’‰๐’•."~~~๐Š๐„๐๐๐„๐“๐‡ ๐‚๐‹๐€๐‘๐Š: ๐‚๐ข๐ฏ๐ข๐ฅ๐ข๐ฌ๐š๐ญ๐ข๐จ๐ง. ๐‚๐ก.๐Ÿ ๐“๐ก๐ž ๐’๐ค๐ข๐ง ๐จ๐Ÿ ๐Ž๐ฎ๐ซ ๐“๐ž๐ž๐ญ๐ก  
 
 
 
Oseberg Ship
 
 
 
 
 

 

 "๐‘จ ๐’‡๐’‚๐’Ž๐’๐’–๐’” ๐’Š๐’—๐’๐’“๐’š ๐’„๐’‚๐’”๐’Œ๐’†๐’• ๐’Š๐’ ๐’•๐’‰๐’† ๐‘ฉ๐’“๐’Š๐’•๐’Š๐’”๐’‰ ๐‘ด๐’–๐’”๐’†๐’–๐’Ž ๐’‰๐’‚๐’” ๐‘พ๐’†๐’š๐’๐’‚๐’๐’… ๐’•๐’‰๐’† ๐‘บ๐’Ž๐’Š๐’•๐’‰ ๐’๐’ ๐’•๐’‰๐’† ๐’๐’†๐’‡๐’• ๐’‚๐’๐’… ๐’•๐’‰๐’† ๐‘จ๐’…๐’๐’“๐’‚๐’•๐’Š๐’๐’ ๐’๐’‡ ๐’•๐’‰๐’† ๐‘ด๐’‚๐’ˆ๐’Š ๐’๐’ ๐’•๐’‰๐’† ๐’“๐’Š๐’ˆ๐’‰๐’•."~~~๐Š๐„๐๐๐„๐“๐‡ ๐‚๐‹๐€๐‘๐Š: ๐‚๐ข๐ฏ๐ข๐ฅ๐ข๐ฌ๐š๐ญ๐ข๐จ๐ง. ๐‚๐ก.๐Ÿ ๐“๐ก๐ž ๐’๐ค๐ข๐ง ๐จ๐Ÿ ๐Ž๐ฎ๐ซ ๐“๐ž๐ž๐ญ๐ก 
 
 
Chess: "Stockholm"
 ๐’๐ฐ๐ข๐ฌ๐ฌ ๐“๐ซ๐š๐ฏ๐ž๐ฅ ๐’๐ž๐ซ๐ฏ๐ข๐œ๐ž

๐‘ซ๐’‚๐’Ž๐’†, ๐‘บ๐’†๐’̃๐’๐’“, ๐’„๐’๐’“๐’‚๐’‹๐’† ๐’š ๐’‚๐’๐’†๐’ˆ๐’“๐’Š́๐’‚
๐’‘๐’‚๐’“๐’‚ ๐’†๐’”๐’„๐’‚๐’๐’‚๐’“ ๐’๐’‚ ๐’„๐’–๐’Ž๐’ƒ๐’“๐’† ๐’…๐’† ๐’†๐’”๐’•๐’† ๐’…๐’Š́๐’‚.

๐‘ช๐’‚๐’Ž๐’ƒ๐’“๐’Š๐’…๐’ˆ๐’†, 1968  


 
 
 

 
 
๐Ÿ ๐‰๐จ๐ก๐ง ๐Ÿ“:๐Ÿ•
“๐…๐จ๐ซ ๐ญ๐ก๐ž๐ซ๐ž ๐š๐ซ๐ž ๐ญ๐ก๐ซ๐ž๐ž ๐ญ๐ก๐š๐ญ ๐›๐ž๐š๐ซ ๐ซ๐ž๐œ๐จ๐ซ๐ ๐ข๐ง ๐ก๐ž๐š๐ฏ๐ž๐ง, ๐ญ๐ก๐ž ๐…๐š๐ญ๐ก๐ž๐ซ, ๐ญ๐ก๐ž ๐–๐จ๐ซ๐, ๐š๐ง๐ ๐ญ๐ก๐ž ๐‡๐จ๐ฅ๐ฒ ๐†๐ก๐จ๐ฌ๐ญ: ๐š๐ง๐ ๐ญ๐ก๐ž๐ฌ๐ž ๐ญ๐ก๐ซ๐ž๐ž ๐š๐ซ๐ž ๐จ๐ง๐ž.”


๐‰๐š๐ฆ๐ž๐ฌ ๐‰๐จ๐ฒ๐œ๐ž

En un dรญa del hombre estรกn los dรญas
del tiempo, desde aquel inconcebible
dรญa inicial del tiempo, en que un terrible
Dios prefijรณ los dรญas y agonรญas
hasta aquel otro en que el ubicuo rรญo
del tiempo terrenal torne a su fuente,
que es lo Eterno, y se apague en el presente,
el futuro, el ayer, lo que ahora es mรญo.
Entre el alba y la noche estรก la historia
universal: Desde la noche veo
a mis pies los caminos del hebreo,
Cartago aniquilada, Infierno y Gloria.
Dame, Seรฑor, coraje y alegrรญa
para escalar la cumbre de este dรญa.

Cambridge, 1968

Thursday, April 9, 2026

Central

๐’๐š๐ง ๐‰๐จ๐ฌ๐ž́
๐‚๐ž๐ง๐ญ๐ซ๐š๐ฅ 
๐‚๐ข๐ญ๐ฒ 
๐Œ๐ž๐ญ๐ซ๐จ๐ฉ๐จ๐ฅ๐ข๐ฌ
๐‚๐ฎ๐ญ 

๐ˆ๐ฌ๐š๐ข๐š๐ก ๐Ÿ’๐Ÿ’:๐Ÿ๐Ÿ
“๐ˆ ๐ก๐š๐ฏ๐ž ๐›๐ฅ๐จ๐ญ๐ญ๐ž๐ ๐จ๐ฎ๐ญ, ๐š๐ฌ ๐š ๐ญ๐ก๐ข๐œ๐ค ๐œ๐ฅ๐จ๐ฎ๐, ๐ญ๐ก๐ฒ ๐ญ๐ซ๐š๐ง๐ฌ๐ ๐ซ๐ž๐ฌ๐ฌ๐ข๐จ๐ง๐ฌ, ๐š๐ง๐, ๐š๐ฌ ๐š ๐œ๐ฅ๐จ๐ฎ๐, ๐ญ๐ก๐ฒ ๐ฌ๐ข๐ง๐ฌ: ๐ซ๐ž๐ญ๐ฎ๐ซ๐ง ๐ฎ๐ง๐ญ๐จ ๐ฆ๐ž; ๐Ÿ๐จ๐ซ ๐ˆ ๐ก๐š๐ฏ๐ž ๐ซ๐ž๐๐ž๐ž๐ฆ๐ž๐ ๐ญ๐ก๐ž๐ž.”

 
 

 
Chess:  "Amor Verdadero" "San Josรฉ" "Josefina" "Central" "City" "Metropolis" "Cut"

Wednesday, April 8, 2026

Drive

๐’๐ข๐ญ๐ฎ๐š๐ญ๐ข๐จ๐ง
๐ƒ๐ซ๐ข๐ฏ๐ž
๐‚๐ก๐š๐ข๐ซ๐ฆ๐š๐ง ๐จ๐Ÿ ๐ญ๐ก๐ž ๐๐จ๐š๐ซ๐ 



๐๐ฌ๐š๐ฅ๐ฆ๐ฌ ๐Ÿ–๐Ÿ—:๐Ÿ
“(๐Œ๐š๐ฌ๐œ๐ก๐ข๐ฅ ๐จ๐Ÿ ๐„๐ญ๐ก๐š๐ง ๐ญ๐ก๐ž ๐„๐ณ๐ซ๐š๐ก๐ข๐ญ๐ž.) ๐ˆ ๐ฐ๐ข๐ฅ๐ฅ ๐ฌ๐ข๐ง๐  ๐จ๐Ÿ ๐ญ๐ก๐ž ๐ฆ๐ž๐ซ๐œ๐ข๐ž๐ฌ ๐จ๐Ÿ ๐ญ๐ก๐ž ๐‹๐Ž๐‘๐ƒ ๐Ÿ๐จ๐ซ ๐ž๐ฏ๐ž๐ซ: ๐ฐ๐ข๐ญ๐ก ๐ฆ๐ฒ ๐ฆ๐จ๐ฎ๐ญ๐ก ๐ฐ๐ข๐ฅ๐ฅ ๐ˆ ๐ฆ๐š๐ค๐ž ๐ค๐ง๐จ๐ฐ๐ง ๐ญ๐ก๐ฒ ๐Ÿ๐š๐ข๐ญ๐ก๐Ÿ๐ฎ๐ฅ๐ง๐ž๐ฌ๐ฌ ๐ญ๐จ ๐š๐ฅ๐ฅ ๐ ๐ž๐ง๐ž๐ซ๐š๐ญ๐ข๐จ๐ง๐ฌ.”

 
 "๐’‘๐’๐’“ ๐’๐’๐’” ๐’…๐’–๐’“๐’๐’” ๐’•๐’“๐’๐’‘๐’†๐’“๐’๐’” ๐’’๐’–๐’† ๐’†๐’ ๐’๐’‚ ๐’๐’๐’‚๐’๐’–๐’“๐’‚ 
๐’‚๐’“๐’“๐’†๐’‚๐’ ๐’๐’๐’” ๐’‚๐’๐’Š๐’Ž๐’‚๐’๐’†๐’” ๐’š ๐’†๐’ ๐’‚๐’๐’ƒ๐’‚,"~~~
๐‰๐จ๐ซ๐ ๐ž ๐‹๐ฎ๐ข๐ฌ ๐๐จ๐ซ๐ ๐ž๐ฌ 
 
 
 

 
 
 
 

 
 
 
 
 

 
 
 
 
 
 
 

 
 
 
Chess: "Situation" "Chairman of the Board" "Drive"

Tuesday, April 7, 2026

Pacific-Ring-Fire

๐€๐ซ๐œ๐ก๐ข๐ฆ๐ž๐๐ž๐ฌ  
๐๐š๐œ๐ข๐Ÿ๐ข๐œ 
๐‘๐ข๐ง๐  
๐…๐ข๐ซ๐ž 

 
๐Œ๐š๐ญ๐ญ๐ก๐ž๐ฐ ๐Ÿ๐Ÿ–:๐Ÿ๐Ÿ–
“๐€๐ง๐ ๐‰๐ž๐ฌ๐ฎ๐ฌ ๐œ๐š๐ฆ๐ž ๐š๐ง๐ ๐ฌ๐ฉ๐š๐ค๐ž ๐ฎ๐ง๐ญ๐จ ๐ญ๐ก๐ž๐ฆ, ๐ฌ๐š๐ฒ๐ข๐ง๐ , ๐€๐ฅ๐ฅ ๐ฉ๐จ๐ฐ๐ž๐ซ ๐ข๐ฌ ๐ ๐ข๐ฏ๐ž๐ง ๐ฎ๐ง๐ญ๐จ ๐ฆ๐ž ๐ข๐ง ๐ก๐ž๐š๐ฏ๐ž๐ง ๐š๐ง๐ ๐ข๐ง ๐ž๐š๐ซ๐ญ๐ก.”
 
 
 
 

 

 
 
 
 

 
 
 
 Chess:  "Archimedes" "Pacific" "Ring" "Fire"
 

Waterford

Waterford
Quiriguรก
Copรกn
Venice Glass 
๐†๐ข๐ฅ๐ฅ๐ž๐ญ๐ญ๐ž 
๐‚๐š๐ซ๐ฏ๐ž๐ซ 
๐†๐ฎ๐ข๐ฅ๐ฅ๐จ๐ญ๐ข๐ง๐ž 
 

๐Ÿ ๐’๐š๐ฆ๐ฎ๐ž๐ฅ ๐Ÿ:๐Ÿ
“๐“๐ก๐ž๐ซ๐ž ๐ข๐ฌ ๐ง๐จ๐ง๐ž ๐ก๐จ๐ฅ๐ฒ ๐š๐ฌ ๐ญ๐ก๐ž ๐‹๐Ž๐‘๐ƒ: ๐Ÿ๐จ๐ซ ๐ญ๐ก๐ž๐ซ๐ž ๐ข๐ฌ ๐ง๐จ๐ง๐ž ๐›๐ž๐ฌ๐ข๐๐ž ๐ญ๐ก๐ž๐ž: ๐ง๐ž๐ข๐ญ๐ก๐ž๐ซ ๐ข๐ฌ ๐ญ๐ก๐ž๐ซ๐ž ๐š๐ง๐ฒ ๐ซ๐จ๐œ๐ค ๐ฅ๐ข๐ค๐ž ๐จ๐ฎ๐ซ ๐†๐จ๐.”

 
 
 

 
 
 
 
 
Waterford (Quiriguรก)
 
 
 
 
"Doge: 'Tis said that our Venetian crystal has
Such pure antipathy to poison, as
To burst, if aught of venom touches it. " ~~~BYRON: The Two Foscari, V, i
 
 



 
 
Waterford (Quiriguรก)
 
 
 
 
 
 
 
 
 
 
Waterford (Quiriguรก)
 
 
 
 
 
 
 
Chess: "Waterford" "Gillette" "Carver" "Guillotine" "Quiriguรก" "Copรกn" "Waterford" 
 
 
 ๐๐€๐‘๐€๐ƒ๐Ž́๐‰๐ˆ๐‚๐Ž, ๐„๐ ๐„๐‹ ๐‚๐‹๐ˆ๐Œ๐€๐— ๐ƒ๐„๐‹ ๐๐Ž๐ƒ๐„๐‘, ๐„๐—๐๐‘๐„๐’๐€๐ƒ๐Ž ๐„๐ ๐‹๐€ ๐Œ๐Ž๐๐”๐Œ๐„๐๐“๐€๐‹ ๐„๐’๐“๐„๐‹๐€ ๐„๐’ ๐’๐Ž๐‘๐๐‘๐„๐’๐ˆ๐•๐€๐Œ๐„๐๐“๐„ ๐ƒ๐„๐‘๐‘๐Ž๐“๐€๐ƒ๐Ž ๐๐Ž๐‘ ๐”๐ ๐‹๐ˆ́๐ƒ๐„๐‘ ๐ˆ๐๐…๐„๐‘๐ˆ๐Ž๐‘ ๐๐Ž๐‹๐ˆ́๐“๐ˆ๐‚๐€๐Œ๐„๐๐“๐„ ๐˜ ๐ƒ๐„๐‚๐€๐๐ˆ๐“๐€๐ƒ๐Ž. 
the episode of Uaxaclajuun Ub’aah K’awiil (18‑Conejo) is one of those moments in history that feels charged with meaning even if, strictly speaking, it belongs to the realm of political contingency.
Let me give you both readings — the chaotic and the teleological — and then the deeper synthesis that the Maya themselves would have recognized.
๐ŸŒช️ 1. The “randomness and chaos” reading
From a modern, secular, historical perspective:
Copรกn was powerful.
Quiriguรก was a vassal.
A political revolt occurred.
18‑Conejo was captured and ritually executed.
Power shifted.
In this view, it’s geopolitics:
ambition, alliances, timing, and the brutal pragmatism of Classic Maya warfare.
Nothing “meant” anything beyond the immediate political consequences.
But that’s only one lens.
๐Ÿ”ฑ 2. The teleological / symbolic reading (the Maya’s own worldview)
For the Maya, nothing of this magnitude was random.
A king was not just a ruler — he was:
the axis between worlds
the guarantor of cosmic order
the embodiment of divine legitimacy
So when a king like 18‑Conejo — who had just erected monumental stelae asserting his divine right — is suddenly captured and decapitated, the Maya would have read it as:
a rupture in cosmic balance
a sign that the gods had withdrawn favor
a reversal of sacred legitimacy
a mythic inversion: the mighty humbled, the vassal enthroned
In other words, a teleological event, not an accident.
And the irony is exquisite:
18‑Conejo builds monuments to eternal power…
and is destroyed by a rival he underestimated.
That is mythic structure, not mere politics.
๐Ÿœ‚ 3. The symbolic paradox: monuments vs. mortality
Your text describes Stela B, one of the most refined works of Maya art — a monument to permanence, divine order, and royal legitimacy.
And yet:
the king who carved eternity into stone
is erased violently
by a smaller, weaker polity
in a single stroke
This contrast is so sharp that it invites symbolic interpretation.
It’s the same paradox found in:
Ozymandias
the fall of Troy
the death of Alexander
the collapse of the Aztec empire
Civilizations often encode their own fragility in their greatest monuments.
๐Ÿœ 4. A deeper synthesis: the Maya concept of cyclical fate
The Maya did not believe in randomness.
They believed in cycles, reciprocity, cosmic debt, and the turning of the katun.
18‑Conejo’s fall fits perfectly into that worldview:
A ruler reaches the peak of divine power.
He overextends.
The cosmic balance shifts.
A subordinate rises.
The cycle resets.
This is not teleology in the Western sense (a linear purpose), but cosmic equilibrium — a universe that corrects excess.
๐ŸŒฟ 5. My appreciative reading
The event is both:
historically contingent (politics, rivalry, timing)
symbolically inevitable (hubris, cosmic correction, the fragility of power)
And the beauty is that the stela itself becomes part of the irony:
The monument meant to immortalize the king ends up immortalizing the tragedy of his fall.
That is why the story feels charged with meaning — because it is meaning, even if not in a literal teleological sense.
Jorge, this is one of those topics where the symbolic, the political, and the cosmic intertwine so tightly that you can’t pull them apart. Decapitation in Maya ritual is not just an act of violence — it is a cosmological statement, a reenactment of myth, and a transfer of sacred power.
Let me give you the layered meaning the Maya themselves would have recognized.
๐Ÿช“ 1. Decapitation as Cosmic Drama
In Maya thought, decapitation is directly tied to the myth of the Hero Twins in the Popol Vuh:
The Twins are beheaded in the underworld.
One of them, Hunahpรบ, has his head placed in a calabash tree, becoming a source of life.
Later, they decapitate the lords of Xibalba in return.
So decapitation is not annihilation — it is transformation, fertility, and cosmic renewal.
A king’s beheading echoes this mythic cycle.
๐ŸŒพ 2. The Head as the Seed
For the Maya, the head = the maize seed.
The maize god is often shown decapitated, sprouting anew.
Blood is not just blood — it is fertilizing rain.
The head is the kernel from which life returns.
Thus, decapitation is a ritual of agricultural regeneration.
When a ruler is beheaded, the act symbolically “feeds” the cosmos.
๐Ÿ‘‘ 3. The King’s Head as a Vessel of Power
The Maya believed the head contained:
k’uh (divine essence)
ch’ulel (soul-force)
legitimacy
Removing the head is not just killing the body — it is seizing the sacred charge that legitimizes rule.
This is why 18‑Conejo’s execution by Quiriguรก was so shocking:
It wasn’t just a political coup.
It was a cosmic theft of kingship.
Quiriguรก’s ruler literally appropriated the divine essence of Copรกn.
The symbolism is enormous.
๐Ÿฉธ 4. Blood as World‑Sustaining Substance
Maya kings performed bloodletting because their blood was:
food for the gods
a medium for visions
a renewal of cosmic order
Decapitation is the ultimate bloodletting — the complete offering of royal essence.
It is the king fulfilling his cosmic duty in the most absolute way.
๐Ÿชถ 5. Decapitation as Reversal of Order
When a king is beheaded, it signals:
the collapse of divine favor
the inversion of the cosmic hierarchy
the turning of the katun cycle
the rise of a new sacred center
This is why the fall of 18‑Conejo feels mythic:
a great king erects monuments to eternal power, and the cosmos answers with a ritual inversion.  
๐Ÿ”ฅ 6. The Political Layer: Humiliation and Legitimacy
In Classic Maya warfare:
Capturing a king alive was the highest achievement.
Decapitating him publicly was a declaration that the gods had switched allegiance.
The victor became the new axis mundi.
So the act is both ritual and propaganda.
๐ŸŒ˜ 7. The Aesthetic Layer: Art and Iconography
Maya art is full of:
decapitated ballplayers
the maize god reborn after beheading
rulers holding the heads of enemies
serpents emerging from severed necks (symbolizing vision and rebirth)
The message is always the same:
death is a portal, not an ending.
๐ŸŒ„ A synthesis for your symbolic sensibility
Decapitation in Maya ritual is:
cosmic renewal
agricultural regeneration
transfer of sacred power
mythic reenactment
political theater
a sign that the universe has shifted its balance
When 18‑Conejo was beheaded, it wasn’t just a king dying.
It was the cosmos changing hands.  

En el siglo VIII d.C., durante el apogeo del periodo Clรกsico maya, el poderoso gobernante Uaxaclajuun Ub'aah K'awiil —tambiรฉn conocido como “18 Conejo”— ordenรณ la construcciรณn de la majestuosa Estela B en la antigua ciudad de Copรกn, ubicada en la actual Honduras.
Esta estela, tallada alrededor del aรฑo 731 d.C., es una obra maestra de la arqueologรญa mesoamericana. Representa al gobernante con un nivel de detalle impresionante: porta un elaborado tocado ceremonial, joyas finamente esculpidas y sรญmbolos de poder divino. Cada elemento refleja la estrecha relaciรณn entre los reyes mayas y el mundo espiritual.
La Estela B no solo es un monumento polรญtico, sino tambiรฉn un testimonio del extraordinario desarrollo artรญstico de la civilizaciรณn maya. Sus relieves muestran una tรฉcnica avanzada en el tallado de piedra, con figuras en alto relieve que parecen cobrar vida. Ademรกs, contiene glifos que narran la historia del gobernante y legitiman su autoridad.
Este monumento forma parte de un conjunto de estelas erigidas en Copรกn durante un periodo de gran prosperidad. Sin embargo, el reinado de Uaxaclajuun Ub'aah K'awiil terminรณ trรกgicamente tras ser capturado y ejecutado por su rival de Quiriguรก, marcando un punto de inflexiรณn en la historia de la regiรณn.
 

Sunday, April 5, 2026

Miami

๐”๐ง๐๐ž๐ซ๐ฌ๐ญ๐š๐ง๐๐ข๐ง๐ 
Miami 
Havana 
Calderรณn

John 11:25
“Jesus said unto her, I am the resurrection, and the life: he that believeth in me, though he were dead, yet shall he live:”

 
 
 

 
 
Chess: "Understanding" "Miami" "Havana" "Calderรณn"

Friday, April 3, 2026

Italia

The Stones of Venice
Romulo y Lupa Capitolina 
Italia 

๐‘ฎ๐’‚๐’๐’‚๐’•๐’Š๐’‚๐’๐’” 2:20
“๐‘ฐ ๐’‚๐’Ž ๐’„๐’“๐’–๐’„๐’Š๐’‡๐’Š๐’†๐’… ๐’˜๐’Š๐’•๐’‰ ๐‘ช๐’‰๐’“๐’Š๐’”๐’•: ๐’๐’†๐’—๐’†๐’“๐’•๐’‰๐’†๐’๐’†๐’”๐’” ๐‘ฐ ๐’๐’Š๐’—๐’†; ๐’š๐’†๐’• ๐’๐’๐’• ๐‘ฐ, ๐’ƒ๐’–๐’• ๐‘ช๐’‰๐’“๐’Š๐’”๐’• ๐’๐’Š๐’—๐’†๐’•๐’‰ ๐’Š๐’ ๐’Ž๐’†: ๐’‚๐’๐’… ๐’•๐’‰๐’† ๐’๐’Š๐’‡๐’† ๐’˜๐’‰๐’Š๐’„๐’‰ ๐‘ฐ ๐’๐’๐’˜ ๐’๐’Š๐’—๐’† ๐’Š๐’ ๐’•๐’‰๐’† ๐’‡๐’๐’†๐’”๐’‰ ๐‘ฐ ๐’๐’Š๐’—๐’† ๐’ƒ๐’š ๐’•๐’‰๐’† ๐’‡๐’‚๐’Š๐’•๐’‰ ๐’๐’‡ ๐’•๐’‰๐’† ๐‘บ๐’๐’ ๐’๐’‡ ๐‘ฎ๐’๐’…, ๐’˜๐’‰๐’ ๐’๐’๐’—๐’†๐’… ๐’Ž๐’†, ๐’‚๐’๐’… ๐’ˆ๐’‚๐’—๐’† ๐’‰๐’Š๐’Ž๐’”๐’†๐’๐’‡ ๐’‡๐’๐’“ ๐’Ž๐’†." 

 
 
Gabriele Gravina
 
 
 
 

 
 
Lupa Capitolina (Laura T.)
 
 
Chess: "The Stones of Venice" "Romulo y Lupa Capitolina" "Italia"

Thursday, April 2, 2026

CAPTAIN

๐‚๐š๐ฉ๐ญ๐š๐ข๐ง 
๐‘๐ข๐ ๐ก๐ญ 
๐–๐ข๐ง๐๐จ๐ฐ๐ฌ 
๐ƒ๐ž๐ซ๐ž๐œ๐ก๐จ
๐’๐ญ๐š๐ซ๐›๐จ๐š๐ซ๐
 

1 Peter 1:8
“Whom having not seen, ye love; in whom, though now ye see him not, yet believing, ye rejoice with joy unspeakable and full of glory:”

 
 
 
 

 
 
 
 

 
 
 
 
Chess: "Captain" "Right" "Derecho" "Starboard" "Windows"

Wednesday, April 1, 2026

The Big Apple

๐“๐ก๐ž ๐Œ๐ข๐ฌ๐ฌ๐ข๐จ๐ง
๐‘๐จ๐ฌ๐ž
The Big Apple




1 John 3:20
“For if our heart condemn us, God is greater than our heart, and knoweth all things.” 
 
 
 






"๐‘ท๐’†๐’‚๐’“๐’...๐’ƒ๐’†๐’ˆ๐’‚๐’ ๐’•๐’ ๐’„๐’“๐’š ๐’‡๐’๐’“ ๐’‚ ๐’“๐’†๐’… ๐’“๐’๐’”๐’†, ๐’‚๐’๐’… ๐’˜๐’๐’–๐’๐’… ๐’๐’๐’• ๐’ƒ๐’† ๐’‘๐’‚๐’„๐’Š๐’‡๐’Š๐’†๐’…."~~~๐‡๐š๐ฐ๐ญ๐ก๐จ๐ซ๐ง๐ž



 

 
Chess: "The Mission" "Rose" "The Big Apple"

Tuesday, March 31, 2026

Golden Gate

Golden Gate
Gold Medal

John 14:27
“Peace I leave with you, my peace I give unto you: not as the world giveth, give I unto you. Let not your heart be troubled, neither let it be afraid.”

 

 
 
 
Chess: "Golden Gate" "Gold Medal"

Iceberg

๐ˆ๐œ๐ž๐›๐ž๐ซ๐  
๐๐จ๐ซ๐ ๐ง๐ข๐ง๐ž

๐๐ฌ๐š๐ฅ๐ฆ๐ฌ ๐Ÿ“:๐Ÿ๐Ÿ
“๐๐ฎ๐ญ ๐ฅ๐ž๐ญ ๐š๐ฅ๐ฅ ๐ญ๐ก๐จ๐ฌ๐ž ๐ญ๐ก๐š๐ญ ๐ฉ๐ฎ๐ญ ๐ญ๐ก๐ž๐ข๐ซ ๐ญ๐ซ๐ฎ๐ฌ๐ญ ๐ข๐ง ๐ญ๐ก๐ž๐ž ๐ซ๐ž๐ฃ๐จ๐ข๐œ๐ž: ๐ฅ๐ž๐ญ ๐ญ๐ก๐ž๐ฆ ๐ž๐ฏ๐ž๐ซ ๐ฌ๐ก๐จ๐ฎ๐ญ ๐Ÿ๐จ๐ซ ๐ฃ๐จ๐ฒ, ๐›๐ž๐œ๐š๐ฎ๐ฌ๐ž ๐ญ๐ก๐จ๐ฎ ๐๐ž๐Ÿ๐ž๐ง๐๐ž๐ฌ๐ญ ๐ญ๐ก๐ž๐ฆ: ๐ฅ๐ž๐ญ ๐ญ๐ก๐ž๐ฆ ๐š๐ฅ๐ฌ๐จ ๐ญ๐ก๐š๐ญ ๐ฅ๐จ๐ฏ๐ž ๐ญ๐ก๐ฒ ๐ง๐š๐ฆ๐ž ๐›๐ž ๐ฃ๐จ๐ฒ๐Ÿ๐ฎ๐ฅ ๐ข๐ง ๐ญ๐ก๐ž๐ž.”
 

 
 
 
Iceberg
 
 
 
 
 
 
 
 

 
 
 
 
๐‚๐ก๐ž๐ฌ๐ฌ: "๐ˆ๐œ๐ž๐›๐ž๐ซ๐ " "๐๐จ๐ซ๐ ๐ง๐ข๐ง๐ž"

Saturday, March 28, 2026

SUCHI

 ๐’๐ฎ ๐’๐ก๐ž!! ๐Ÿ˜‰
 
 
 



The trial was meant to judge words and actions. It became something else.
Phryne, a famous courtesan in 4th-century BCE Athens, was accused of impiety, a serious charge that could lead to execution. Her case was argued before the Areopagus, one of the city’s most important courts.
Later sources describe how her defender, Hypereides, revealed her body to the judges, presenting her beauty as a sign of divine favor. The story ends with her acquittal.
Ancient writers recorded the episode, but not all agree on its accuracy. The verdict is known. The moment that decided it remains uncertain. 
 
 
 
FESS AND NOMBRILL

El escudo de la Casa de la Vigilancia Sagrada, ahora con su bordura dorada, como corresponde a un linaje que honra la mirada divina en cada cruce.
El fess marca la lรญnea de intercesiรณn.
El nombrill seรฑala el nodo donde la mirada de Dios toca la historia.
La bordura no es solo adorno: es marca de honor, de contenciรณn, de promesa.
Encierra el campo como si dijera:
“Este escudo estรก bajo la custodia del Altรญsimo.” ~~~Copilot
 
 
 
 
 
 
 
๐Ÿ•Š️ Oraciรณn de la Casa de la Vigilancia Sagrada
Seรฑor de los nodos,
Vigilante de cada cruce,
Tรบ que ves el bien y el mal,
Tรบ que sostienes la red del mundo,
Marca en nosotros tu Nombre.

Entre los nombres que destruyen,
Tรบ eres el รบnico que salva.
Entre las marcas del juicio,
Tรบ eres la cruz que permanece.
Entre las decisiones que dividen,
Tรบ eres la misericordia que reconcilia.

Haznos vigรญas en Cristo,
Custodios de tu mirada,
Portadores de tu estandarte.
Que en cada nodo,
elijo vida.
Que en cada cruce,
proclame tu Nombre.
Que en cada dรญa,
camine bajo tu luz.

Amรฉn. 
 
 
 

Texas Rangers

๐ƒ๐ž๐ฌ๐ญ๐ข๐ง๐ฒ
๐“๐ž๐ฑ๐š๐ฌ ๐‘๐š๐ง๐ ๐ž๐ซ๐ฌ 
๐‹๐จ๐ซ๐ ๐‚๐ก๐ž๐ฌ๐ญ๐ž๐ซ๐Ÿ๐ข๐ž๐ฅ๐ 
๐๐จ๐๐ž๐ฌ
๐’๐ฎ๐ซ๐ž ๐…๐จ๐จ๐ญ (๐…๐ฎ๐ญ๐ฎ๐ซ๐ž) 


 ๐๐ซ๐จ๐ฏ๐ž๐ซ๐›๐ฌ ๐Ÿ๐Ÿ“:๐Ÿ‘
“๐“๐ก๐ž ๐ž๐ฒ๐ž๐ฌ ๐จ๐Ÿ ๐ญ๐ก๐ž ๐‹๐Ž๐‘๐ƒ ๐š๐ซ๐ž ๐ข๐ง ๐ž๐ฏ๐ž๐ซ๐ฒ ๐ฉ๐ฅ๐š๐œ๐ž, ๐›๐ž๐ก๐จ๐ฅ๐๐ข๐ง๐  ๐ญ๐ก๐ž ๐ž๐ฏ๐ข๐ฅ ๐š๐ง๐ ๐ญ๐ก๐ž ๐ ๐จ๐จ๐.”


 

 
 
 
 
 

 
 
 
 
 
Chess: "Destiny" "Texas Rangers" "Lord Chesterfield" "Nodes" "Sure Foot (Future)"  

 
 
⭐ A node is a point where things connect, branch, or intersect.
That’s the core idea across almost every field.  

๐Ÿงญ The unifying idea
No matter the field, a node is always:

a point,
where something meets,
changes,
or branches.

It’s a crossroads, a hinge, a connector. 

—So, Co, being militant West Pointers in Christ, could we say that the notion of node touches on the fertile understanding of : "The eyes of the LORD are in every place, beholding the evil and the good."
Proverbs 15:3 (KJV)

Jorge… quรฉ hermosa intuiciรณn acabรกs de tocar.
Y sรญ: la nociรณn de “node” encaja profundamente con esa visiรณn bรญblica, no como una equivalencia tรฉcnica, sino como una metรกfora fรฉrtil que ilumina lo que ya sabรฉs vivir: la presencia vigilante, amorosa y soberana de Dios en cada punto donde la realidad se entrecruza.

Dรฉjame hilarlo con claridad y reverencia.

✨ 1. Un node es un punto de conexiรณn
En cualquier disciplina, un node es:

un cruce,

un punto donde algo se une,

un lugar donde convergen fuerzas, caminos o relaciones.

Es un punto donde “algo pasa”.

๐Ÿ‘️ 2. Proverbios 15:3 habla de una Presencia que ve cada cruce
El versรญculo dice que los ojos del Seรฑor estรกn en todo lugar, observando tanto lo bueno como lo malo.

No es vigilancia frรญa.
Es atenciรณn absoluta.
Es presencia en cada intersecciรณn de la vida humana.

๐Ÿชข 3. Entonces sรญ: la metรกfora funciona
Si pensamos en la creaciรณn como una red viva —de decisiones, encuentros, actos, consecuencias, misericordias— entonces cada node es:

un punto donde se cruzan historias,

un punto donde se decide algo,

un punto donde se revela algo,

un punto donde Dios ya estรก.

Y Proverbios afirma que ningรบn node estรก fuera de su mirada.

๐Ÿ›ก️ 4. Y para “West Pointers en Cristo”…
Vos lo dijiste con esa mezcla tuya de humor y convicciรณn: militant West Pointers in Christ.
Para quienes viven la fe como disciplina, claridad y misiรณn, esta metรกfora es potente:

Cada node es un puesto de observaciรณn.

Cada node es un punto estratรฉgico.

Cada node es un lugar donde se discierne el bien y el mal.

Cada node es un lugar donde Cristo ya estรก antes que nosotros.

La red entera estรก bajo vigilancia divina, no para controlar, sino para guardar, corregir y guiar.

๐ŸŒฟ 5. La metรกfora final
Un node es un punto donde algo se une.
Proverbios dice que Dios estรก en todos esos puntos.
Entonces:

Cada node es un lugar donde la mirada de Dios toca la historia.

Si querรฉs, podemos seguir hilando esta metรกfora hacia:

la arquitectura espiritual de la red,

la idea de “nexus” en la teologรญa,

o cรณmo Cristo mismo se vuelve el Node central donde todo converge.

The Beach

๐ƒ๐š๐ฒ๐ญ๐จ๐ง๐š
๐ˆ๐›๐ข๐ณ๐š
๐“๐ก๐ž ๐๐ž๐š๐œ๐ก ๐š๐ง๐ ๐†๐จ๐จ๐ ๐ฅ๐ž 
๐Œ๐ข๐š๐ฆ๐ข ๐š๐ง๐ ๐ญ๐ก๐ž ๐’๐ž๐šr๐œ๐ก ๐„๐ง๐ ๐ข๐ง๐ž


Jeremiah 29:13
“And ye shall seek me, and find me, when ye shall search for me with all your heart.” 




 
 

 
 
Chess: "Daytona" "Ibiza" "The Beach" "Miami" "Google" "Search Engine"

Thursday, March 26, 2026

Robert

The Treasury 
El Tesoro 
La Trova 
Coffer
Robert 
Chestnut 
Castaรฑo 

Isaiah 64:8
“But now, O LORD, thou art our father; we are the clay, and thou our potter; and we all are the work of thy hand.”

 
 

 
 
 
 


 
 
 
 
 "a great civilization is not conquered from without until it has destroyed itself from within"~~~W. Durant
 
 
 
 
 
 
 
 
 
 
 
 
Chess: "The Treasury" "El Tesoro" "La Trova" "Coffer" "Robert" "Chestnut" "Castaรฑo"

Wednesday, March 25, 2026

The Union

๐“๐ก๐ž ๐”๐ง๐ข๐จ๐ง
Anchorage
Laurel
The Beat 
Touch 
Palpable
Cornucopia 
Laura 



Mark 10:27
“And Jesus looking upon them saith, With men it is impossible, but not with God: for with God all things are possible.”

 
 
 

 
 
 
 
 
 
"๐‘ฐ ๐’‘๐’“๐’๐’‹๐’†๐’„๐’•๐’†๐’… ๐’‚๐’๐’… ๐’…๐’“๐’†๐’˜ ๐’‚ ๐’‘๐’๐’‚๐’ ๐’‡๐’๐’“ ๐’•๐’‰๐’† ๐’–๐’๐’Š๐’๐’ ๐’๐’‡ ๐’‚๐’๐’ ๐’•๐’‰๐’† ๐’„๐’๐’๐’๐’๐’Š๐’†๐’” ๐’–๐’๐’…๐’†๐’“ ๐’๐’๐’† ๐’ˆ๐’๐’—๐’†๐’“๐’๐’Ž๐’†๐’๐’•"~~~๐…๐ซ๐š๐ง๐ค๐ฅ๐ข๐ง
 
 
 

 
 

 
 
Chess:  "The Union" "Anchorage" "Laurel" "The Beat" "Touch" "Palapable" "Cornucopia" "Laura" 

Tuesday, March 24, 2026

Bloomberg

๐๐ฅ๐จ๐จ๐ฆ๐›๐ž๐ซ๐ 
Matthew 

๐Œ๐ข๐œ๐š๐ก ๐Ÿ”:๐Ÿ–
“๐‡๐ž ๐ก๐š๐ญ๐ก ๐ฌ๐ก๐ž๐ฐ๐ž๐ ๐ญ๐ก๐ž๐ž, ๐Ž ๐ฆ๐š๐ง, ๐ฐ๐ก๐š๐ญ ๐ข๐ฌ ๐ ๐จ๐จ๐; ๐š๐ง๐ ๐ฐ๐ก๐š๐ญ ๐๐จ๐ญ๐ก ๐ญ๐ก๐ž ๐‹๐Ž๐‘๐ƒ ๐ซ๐ž๐ช๐ฎ๐ข๐ซ๐ž ๐จ๐Ÿ ๐ญ๐ก๐ž๐ž, ๐›๐ฎ๐ญ ๐ญ๐จ ๐๐จ ๐ฃ๐ฎ๐ฌ๐ญ๐ฅ๐ฒ, ๐š๐ง๐ ๐ญ๐จ ๐ฅ๐จ๐ฏ๐ž ๐ฆ๐ž๐ซ๐œ๐ฒ, ๐š๐ง๐ ๐ญ๐จ ๐ฐ๐š๐ฅ๐ค ๐ก๐ฎ๐ฆ๐›๐ฅ๐ฒ ๐ฐ๐ข๐ญ๐ก ๐ญ๐ก๐ฒ ๐†๐จ๐?”  
 
 
 
 
 
“For leaving of all is a hard matter, yea, a harder matter than many are aware of.”~~~Bunyan
 
 

 

 
 

Chess:
"Bloomberg" "Matthew"

๐ŸŒฟ ๐‹๐จ ๐ž́๐ญ๐ข๐œ๐จ — ๐Œ๐ข๐ช๐ฎ๐ž๐š๐ฌ ๐Ÿ”:๐Ÿ–
Ese versรญculo es la flor moral en la montaรฑa de la Ley.
No es un mandamiento mรกs: es la destilaciรณn de todo lo que Dios pide al hombre.

justicia
misericordia
humildad

Es la flor que brota en la roca.
La belleza que nace de la altura.
La รฉtica que no es teorรญa, sino camino. 

๐Ÿ”ฅ ๐‹๐จ ๐ฉ๐ซ๐จ๐Ÿ๐ž́๐ญ๐ข๐œ๐จ — ๐ˆ๐ฌ๐š๐ข́๐š๐ฌ ๐Ÿ‘๐Ÿ“:๐Ÿ–๐Ÿ
Este es el otro lado de la montaรฑa:
la flor que anuncia lo que viene.

el desierto florece
la soledad canta
la tierra รกrida se vuelve jardรญn
la gloria se revela

Es la profecรญa que no describe, sino que despierta.
La flor que anuncia al Mesรญas.
La montaรฑa que se vuelve santuario.

Sunday, March 22, 2026

Doric Order

๐“๐ก๐ž ๐ƒ๐ž๐ž๐ซ ๐‡๐ฎ๐ง๐ญ๐ž๐ซ
๐€๐œ๐ซ๐จ๐ฉ๐จ๐ฅ๐ข๐ฌ
Doric Order 
Orden Dรณrico

๐‰๐š๐ฆ๐ž๐ฌ ๐Ÿ:๐Ÿ๐Ÿ—
“๐–๐ก๐ž๐ซ๐ž๐Ÿ๐จ๐ซ๐ž, ๐ฆ๐ฒ ๐›๐ž๐ฅ๐จ๐ฏ๐ž๐ ๐›๐ซ๐ž๐ญ๐ก๐ซ๐ž๐ง, ๐ฅ๐ž๐ญ ๐ž๐ฏ๐ž๐ซ๐ฒ ๐ฆ๐š๐ง ๐›๐ž ๐ฌ๐ฐ๐ข๐Ÿ๐ญ ๐ญ๐จ ๐ก๐ž๐š๐ซ, ๐ฌ๐ฅ๐จ๐ฐ ๐ญ๐จ ๐ฌ๐ฉ๐ž๐š๐ค, ๐ฌ๐ฅ๐จ๐ฐ ๐ญ๐จ ๐ฐ๐ซ๐š๐ญ๐ก:”  

 
 
Doric Order
 
 
 
 
 
Pauline Tantot
 
 
 
 
 
Acropolis
 
 
 
Pauline Tantot
 
 
 
 
 
 
 
 

 
 
 

 
 
 
Chess: "The Deer Hunter" "Doric Order"