Wednesday, April 28, 2010

Crimson

Garden
Plano

Fusion

Uno
Cordial

 
Heb. 13:4
"Marriage is honourable in all, and the bed undefiled: but whoremongers and adulterers God will judge."



A DIFFERENT PERSPECTIVE
How Does Your Garden Grow?


4 Point landing


Dogwood Blooms


Chess: "Summit" "Cordial" "Perspective" "Crimson" "Uno" "Fusion" "Plano" "Garden"

Monday, April 26, 2010

Heat

Brooklyn Bridge
Johnny Weissmüller

Prov.1:8-9

"My son, hear the instruction of thy father, and forsake not the law of thy mother: For they shall be an ornament of grace unto thy head, and chains about thy neck."

8 audi fili mi disciplinam patris tui et ne dimittas legem matris tuae


Chess: "Brooklyn Bridge" "Johnny Weissmüller"

How Long for the Sun's Heat to Reach Earth?

How long does it take heat created on the Sun's surface to reach Earth? Is it the same as the speed of light?

Heat is transmitted through conduction, convection, and radiation. The heat that reaches us from the Sun is infrared radiation, which travels at the speed of light. So, it takes about 8 minutes for it to reach Earth from the Sun.


"R" Times of London ….. Preserve….Ancient Greek is the preserve of scholars… "A great slow-moving press of men and women in evening dress filled the vestibule" [Frank Norris ("Pentagon")] "La Nación" "La Central" …the Pentagon: a five sided building in Arlington, Virginia containing the Department of Defense and the offices of the various branches of the U.S. Armed Forces.





Thursday, April 22, 2010

Evita Perón

Vado
Step
El Paso
Eccles. 1:2
"Vanity of vanities, saith the Preacher, vanity of vanities; all is vanity."


Chess: "step" "el paso" "vado" evita"

Saturday, April 17, 2010

Plumbing

Mess
CE
Civil Engineering

"charlie"
"Stonewall"

Prov. 3:5

"Trust in the LORD with all thine heart; and lean not unto thine own understanding.Blick auf den Bryce Canyon-
Bryce Canyon
Chess: "CE" "C" "charlie" "wall" "lead" "plumbing" "Civil Engineering" "Stonewall" "mess" "Leo Messi"

The Skin of our Teeth

I am standing on the Pont des Arts in Paris. On one side of the Seine is the harmonious, reasonable façade of the institute of France, built as a college in about 1670. On the other bank is the Louvre, built continuously from the Middle Ages to the nineteenth century: classical architecture at its most splendid and assured. Just visible upstream is the Cathedral of Notre Dame--not perhaps the most lovable of cathedrals, but the most rigorously intellectual façade in the whole of Gothic art. The houses that line the banks of the river are also a humane and reasonable solutions of what town architecture should be should be, and in front of them, under the trees, are the open bookstalls where generations of students have found intellectual nourishment and generations of amateurs have indulged in the civilised pastime of book collecting. Across this bridge, for the last one hundred and fifty years, students from art schools of Paris have hurried to the Louvre to study the works of art that it contains, and then back to their studios to talk and dream of doing something worthy of the great tradition. And on this bridge how many pilgrims from America, from Henry James downwards, have paused and breathed in the aroma of a long-established culture, and felt themselves to be at the very centre of civilisation.
What is civilisation? I don't know. I can't define it in abstract terms--yet. But I think I can recognise it when I see it; and I am looking at it right now. Ruskin said : 'Great nations write their autobiographies in three manuscripts, the book of their deeds, the book of their words and the book of their art. Not one of these books can be understood unless we read the two others, but of the three the only the only trustworthy one is the last.' On the whole I think this is true. Writers and politicians may come out with all sorts of edifying sentiments, but they are what is known as declarations of intent. If I had to say which was telling the truth about society, a speech by a Minister of Housing or the actual buildings put up in his time, I should believe the buildings.
Civilisation, by Kenneth Clark


"Messaic":

"there is nothing…half so much worth doing as simply
messing about in boats" [ Kenneth Grahame (oenomel)]

"Arabia had become entangled in the meshes of …politics" [W. Montgomery Watt ("Civil Engineering")]

mesquite (algarroba, "honey locust" "carao") Prosopis juliflora "

'I just couldn't seem to mesh with the job,' he says." [New York Times ( "The Red Sea: or "Pollera Colorá")]

"Strange faces come through the streets to me/ like messengers" [Archibald MacLeish ("Washington Irving")]
"the life of Britain, her message, and her glory" [Winston Churchill ("Alhambra")]
"at their savory dinner set / Of herbs, and other country messes"[Milton ("Dieta Mediterránea")]
Mesolithic : designating the cultural period between the Paleolithic and Neolithic Ages, marked by the appearance of the bow and of cutting tools.

Thursday, April 15, 2010

Beowulf


Beowulf
Alfred North Whitehead
Roman Eagle
Prov. 1:17

"Surely in vain the net is spread in the sight of any bird".


Spring is in the Air
Chess: "Alfred North Whitehead" "Beowulf" "Roman Eagle"






Wednesday, April 14, 2010

Manuel Antonio

April Showers
May Flowers

Ingenio Taboga
Manuel Antonio
Ephesians 1:18
"The eyes of your understanding being enlightened; that ye may know what is the hope of his calling, and what the riches of the glory of his inheritance in the saints,"
After The Rain
April showers bring May flowers! Congratulations to our Creative Challenge: April Showers winner, member antaver59.

Stephanie Arias (Sanchez)
Chess: "April showers and May flowers" "Manuel Antonio" "Ingenio Taboga"

Tuesday, April 13, 2010

Solar

Solar
Dominical
Psalm19 :4
" Their line is gone out through all the earth,
"Duvar Fotoğrafları" by Hilal Fatma Solak
and their words to the end of the world. Rom. 10.18
In them hath he set a tabernacle for the sun,"





Chess: "Solar" "Dominical"

Thursday, April 8, 2010

Stone Temple Pilots

Jefferson Airplane
Lord Pacal

Tepezcuintle

Palenque

Amores Perros

Jer.17:1


"The sin of Judah is written with a pen of iron, and with the point of a diamond: it is graven upon the table of their heart, and upon the horns of your altars;"Lauser

What do you think about our Neighbours? Featured May 25 on home page
What do you Think About Our Neighbours?

Chess: "Jefferson Airplane" "Stone Temple Pilots" "Palenque" "Lord Pacal" "Mayan Lord""Tepezcuintle"(Paca cunniculus)


The Statues

William Butler Yeats

Pythagoras planned it.  Why did the people stare?
His numbers, though they moved or seemed to move
In marble or in bronze, lacked character.
But boys and girls, pale from the imagined love
Of solitary beds, knew what they were,
That passion could bring character enough,
And pressed at midnight in some public place
Live lips upon a plummet-measured face.

No! Greater than Pythagoras, for the men
That with a mallet or a chisel” modelled these
Calculations that look but casual flesh, put down
All Asiatic vague immensities,
And not the banks of oars that swam upon
The many-headed foam at Salamis.
Europe put off that foam when Phidias
Gave women dreams and dreams their looking-glass.

One image crossed the many-headed, sat
Under the tropic shade, grew round and slow,
No Hamlet thin from eating flies, a fat
Dreamer of the Middle Ages.  Empty eyeballs knew
That knowledge increases unreality, that
Mirror on mirror mirrored is all the show.
When gong and conch declare the hour to bless
Grimalkin crawls to Buddha’s emptiness.

When Pearse summoned Cuchulain to his side.
What stalked through the post Office? What intellect,
What calculation, number, measurement, replied?
We Irish, born into that ancient sect
But thrown upon this filthy modern tide
And by its formless spawning fury wrecked,
Climb to our proper dark, that we may trace
The lineaments of a plummet-measured face.

W B Yeats
Tragic Joy: Yeats's Attitude Towards Art in Last Poems

by Ian Mackean

Irrational streams of blood are staining earth;
Empedocles has thrown all things about;
Hector is dead and there's a light in Troy;
We that look on but laugh in tragic joy.
['The Gyres']


Yeats's collection Last Poems (1936-1939) opens with one of his best-known poems 'The Gyres', which sets out the main theme of the collection: that our civilization is coming to an end, but it does not matter - in fact we should 'Rejoice!' Instead of despairing he finds an attitude of 'tragic joy' with which to view the decay of both the historical epoch and his own body. This essentially antithetical line of thought is expressed repeatedly throughout Last Poems, taking on many different forms and being applied to many different aspects of life. For example the decay is seen in Irish politics, the monarchy, and modern art, while the joy is seen in nature, art, dance, sensual pleasure, madness, and intoxication. The range of aspects of life Yeats deals with is matched by his range of tones, from the colloquial of 'The Old Stone Cross, to 'the prophetic of 'Under Ben Bulben'.
The states of mind Yeats adopts in place of despair are usually associated with art in one form or another, and in Last Poems we see him examining his attitude towards art, both his own art and the major world traditions of art. 'Lapis Lazuli' begins as a defence of art against the attacks of 'hysterical women'; people who respond to life in an immediate, emotional way, their minds limited to the here and now. Set against their hysterics is the noble attitude of the tragic actor:
The great stage curtain about to drop,
If worthy their prominent part in the play,
Do not break up their lines to weep.
They know that Hamlet and Lear are gay;
These actors represent the attitude of mind Yeats has found, as does the nobility of tone in such phrases as 'The great stage curtain', in contrast to the slangy colloquialism of 'Pitch like King Billy bomb-balls in'.
In the midst of this poem, separate from the rest in a short stanza on its own, we have a description of the actual work of art, the carving itself which stands unmoved by the rise and fall of civilizations around it. The calmness and objectivity of this stanza, as well as its separate place in the structure of the poem, reflect the nature of the object. The carving also has a symbol of its significance for Yeats built into it.
Over them flies a long-legged bird,
A symbol of longevity;
  
The image reminds us of the poem 'Long-Legged Fly' in which 'great' people are shown to have a mental faculty which Yeats calls 'silence'; an ability of the artist to look into the silent source of all things. Yeats shows how the surface of the work of art stimulates his imagination in random ways:
Every accidental crack or dent,
Seems a water-course or an avalanche,
Or lofty slope where still it snows
Though doubtless plum or cherry-branch
Sweetens the little half-way house.
These personal meanings exist only in the mind of the viewer, and Yeats's inclusion of them here strengthens, by contrast, the tone of objectivity given to the final section of the poem in which he outlines the deeper meaning of the carving.
The Chinamen climbing the mountain reflect Yeats's own climb through old age towards death, and just as Yeats has achieved a stable and final attitude of 'tragic joy', the Chinamen on the mountain stare at the 'tragic scene' while:
Their eyes mid many wrinkles, their eyes,
Their ancient, glittering eyes are gay.
Yeats sees the carving as a timeless object reflecting a timeless outlook; the creation of an artist embodying and communicating the state of mind of the artist, and simultaneously a medium for Yeats's own personal vision. As in the 'Byzantium' poems, Yeats identifies himself with both the artist and the artefact.
Yeats continually looks back to the origins of civilizations, the starting points of the gyres of history. In 'Lapis Lazuli' he refers to Callimachus, inventor of the Corinthian column from the germinal point of western culture, and representing the east the Chinese statue.
In 'The Statues' these two world traditions are taken up again and contrasts are made between the characterisations of each. Rational thought as we know it began with The Greeks, and in the first stanzas of 'The Statues' Yeats takes us back to the origins of Greek art.
In the first stanza he postulates that it was the abstract mathematical laws behind art which were the key to its beauty. The 'character', or individual personality which abstract mathematics lacks was supplied by the passions of observer. In the second stanza he shifts the importance of the statues from the mathematical basis to the actual work of carving and creation performed by the sculptor. Both were necessary; abstract and technical skills combining to assert themselves and ensure the triumph of Greek culture over the 'vague enormities' of the east.
In the third stanza an antithesis is set up between the two cultures, and Yeats would seem to prefer the east. The image of Buddha combines with a pre-Renaissance image in the image 'round and slow' with 'Empty eyeballs'. Here the intellectual thought of The Greeks is belittled.
. . . Empty eyeballs knew
That knowledge increases unreality, that
Mirror on mirror mirrored is all they show. [The Statues]
The true wisdom of spiritual knowledge, needed when 'gong and conch declare the hour to bless', is found in 'Buddha emptiness'. Again this is reminiscent of that 'silence' found in great minds in 'Long-Legged Fly'.
Yeats's concept of 'tragic joy' seems to be more in tune with eastern transcendental religion than anything from western culture, yet in the final stanza it is evident that he thinks a rediscovery of Greek methods is necessary for the reconstruction of Irish art. Thus Yeats's thought embodies both western rational and eastern mystical elements.
Yeats's dislike of modern art is evident throughout Last Poems. In 'Under Ben Bulben' he says of painting:
Nor let the modish painter shirk
What his great forefathers did,
And of poetry:
Scorn the sort now growing up
All out of shape from toe to top,
Yeats believes that a new era will emerge from the modern corrupt state. In 'The Gyres' his attitude was one of objective acceptance, but in other poems his personal feelings show through clearly enough. In 'The Circus Animals' Desertion' modern culture is a 'mound of refuse'.
Old kettles, old bottles, and a broken can,
Old iron, old bones, old rags, that raving slut
Who keeps the till
This decay is not only in the rest of the world, bit is affecting him too.
I must lie down where all the ladders start,
In the foul rag-and-bone shop of the heart.
Again, and as usual in Yeats, a double attitude is maintained, for if the heart is a 'foul rag-and-bone shop' it is still, as he says in 'The Spur', the source of motivation for his art.
You think it horrible that lust and rage
Should dance attention upon my old age;
They were not such a plague when I was young;
What else have I to spur me into song?
These sensual feelings are the bass counterpart of tragic joy, and are expressed less 'horribly' in the art of dance which is referred to throughout Last Poems.
Dance is the most primitive and perhaps the oldest art form known to man. In 'Imitated from the Japanese' Yeats sounds a note of regret that he has never 'danced for joy', and in the next poem, 'Sweet Dance', he admires a girl who can escape the gloom of life through dance, which, after all, is a natural, rhythmic, cyclic action. The gyre itself is perhaps a kind of dance, and in 'A Drunken Man's Praise of Sobriety' it seems that dancing is the best way to wear out drunkenness and return to sobriety, just as the gyre will spin itself out and give rise to a new beginning.
Last Poems ends with 'Under Ben Bulben', a prophetic poem written with a conscious air of finality. The poem makes a sweep from the abstract to the concrete; from the wisdom of sages, through art, to the earth, and finally into the grave. Here again we see Yeats contemplating art, particularly in relation to tradition. 'Measurement', the abstract knowledge of The Greeks, 'began our might', and for Yeats 'our might' lasted through the Renaissance and through the seventeenth century with 'Calvert and Wilson, Blake and Claude,' but has now run itself out.
. . . but after that
confusion fell upon our thought.
The reason why modern art is in a state of confusion is that the artists 'unremembering hearts and heads' have lost touch with tradition. They are like the falcon in 'The Second Coming'.
Turning and turning in the widening gyre
The falcon cannot hear the falconer.
It is not only the intellectual artistic tradition which Yeats values; he finds another valuable tradition in the myths of the Irish peasantry. He reflects this interest in poems such as 'The Three Bushes', which with its simple diction, narrative structure, and repeated refrain has the tone of a folk ballad. This aspect of Irish culture, born of the peasants and their toil in the fields, is as important to preserve, in Yeats's view, as the Classical principles of art. Addressing himself, in 'Under Ben Bulben', to Irish poets of the present and future, he exhorts them to:
Sing the peasantry, and then
Hard-riding country gentlemen,
The holiness of monks, and after,
Porter drinkers' randy laughter;
The final verse takes us to the land, the actual earth of Ireland itself. Ben Bulben stands, like 'Old Rocky Face' from 'The Gyres', a symbol of our unchanging silent origins, of nature, proud and noble, which like its offspring art outlives the human tragedy. It is to his Irish roots that Yeats ultimately wants to return. He chooses his grave near a church were one of his forefathers was rector, and chooses for his grave-stone not marble, associated with the Greek culture he admires intellectually, but 'limestone quarried near the spot', to which his strongest roots are attached.
Bibliography
Yeats, W. B. The Collected Poems of W. B. Yeats. Macmillan. 1958.
See also: An Introduction to W B Yeats and The Celtic Revival






Wednesday, April 7, 2010

Day

DA
David
Vida
Da Vinci

Prov. 4:1

"Hear, ye children, the instruction of a father, and attend to know understanding."



Magic of Stonehenge


Chess: "DA" David" "Vida" "affirmative" "Day" "Dayton" "Darién"

Tuesday, April 6, 2010

ON THE CITY WALL

Honda Accord
The Great Wall
La Piedra Blanca

Josh. 2:15
"Then she let them down by a cord through the window: for her house was upon the town wall, and she dwelt upon the wall."

Chess: "Steppenwolf" "La Piedra Blanca" "Honda Accord" "The Great Wall"ON THE CITY WALL

Rudyard Kipling

Then she let them down by a cord through the window; for her house was
upon the town-wall, and she dwelt upon the wall.--Joshua ii. 15.
Lalun is a member of the most ancient profession in the world. Lilith was
her very-great-grandmamma, and that was before the days of Eve as every
one knows. In the West, people say rude things about Lalun's profession,
and write lectures about it, and distribute the lectures to young persons
in order that Morality may be preserved. In the East where the profession
is hereditary, descending from mother to daughter, nobody writes lectures
or takes any notice; and that is a distinct proof of the inability of the
East to manage its own affairs.
Lalun's real husband, for even ladies of Lalun's profession in the East
must have husbands, was a big jujube-tree. Her Mamma, who had married a
fig-tree, spent ten thousand rupees on Lalun's wedding, which was blessed
by forty-seven clergymen of Mamma's church, and distributed five thousand
rupees in charity to the poor. And that was the custom of the land. The
advantages of having a jujube-tree for a husband are obvious. You cannot
hurt his feelings, and he looks imposing.
Lalun's husband stood on the plain outside the City walls, and Lalun's
house was upon the east wall facing the river. If you fell from the broad
window-seat you dropped thirty feet sheer into the City Ditch. But if you
stayed where you should and looked forth, you saw all the cattle of the
City being driven down to water, the students of the Government College
playing cricket, the high grass and trees that fringed the river-bank, the
great sand bars that ribbed the river, the red tombs of dead Emperors
beyond the river, and very far away through the blue heat-haze, a glint of
the snows of the Himalayas.
Wali Dad used to lie in the window-seat for hours at a time watching this
view. He was a young Muhammadan who was suffering acutely from education
of the English variety and knew it. His father had sent him to a
Mission-school to get wisdom, and Wali Dad had absorbed more than ever his
father or the Missionaries intended he should. When his father died, Wali
Dad was independent and spent two years experimenting with the creeds of
the Earth and reading books that are of no use to anybody.
After he had made an unsuccessful attempt to enter the Roman Catholic
Church and the Presbyterian fold at the same time (the Missionaries found
135
him out and called him names, but they did not understand his trouble), he
discovered Lalun on the City wall and became the most constant of her few
admirers. He possessed a head that English artists at home would rave over
and paint amid impossible surroundings--a face that female novelists would
use with delight through nine hundred pages. In reality he was only a
clean-bred young Muhammadan, with penciled eyebrows, small-cut nostrils,
little feet and hands, and a very tired look in his eyes. By virtue of his
twenty-two years he had grown a neat black beard which he stroked with
pride and kept delicately scented. His life seemed to be divided between
borrowing books from me and making love to Lalun in the window-seat. He
composed songs about her, and some of the songs are sung to this day in
the City from the Street of the Mutton-Butchers to the Copper-Smiths'
ward.
One song, the prettiest of all, says that the beauty of Lalun was so great
that it troubled the hearts of the British Government and caused them to
lose their peace of mind. That is the way the song is sung in the streets;
but, if you examine it carefully and know the key to the explanation, you
will find that there are three puns in it--on "beauty," "heart," and
"peace of mind,"--so that it runs: "By the subtlety of Lalun the
administration of the Government was troubled and it lost such and such a
man." When Wali Dad sings that song his eyes glow like hot coals, and
Lalun leans back among the cushions and throws bunches of jasmine-buds at
Wali Dad.
But first it is necessary to explain something about the Supreme
Government which is above all and below all and behind all. Gentlemen come
from England, spend a few weeks in India, walk round this great Sphinx of
the Plains, and write books upon its ways and its works, denouncing or
praising it as their own ignorance prompts. Consequently all the world
knows how the Supreme Government conducts itself, But no one, not even the
Supreme Government, knows everything about the administration of the
Empire. Year by year England sends out fresh drafts for the first
fighting-line, which is officially called the Indian Civil Service. These
die, or kill themselves by overwork, or are worried to death or broken in
health and hope in order that the land may be protected from death and
sickness, famine and war, and may eventually become capable of standing
alone. It will never stand alone, but the idea is a pretty one, and men
are willing to die for it, and yearly the work of pushing and coaxing and
scolding and petting the country into good living goes forward. If an
advance be made all credit is given to the native, while the Englishmen
stand back and wipe their foreheads. If a failure occurs the Englishmen
step forward and take the blame. Overmuch tenderness of this kind has bred
a strong belief among many natives that the native is capable of
administering the country, and many devout Englishmen believe this also,
because the theory is stated in beautiful English with all the latest
political color.
There be other men who, though uneducated, see visions and dream dreams,
and they, too, hope to administer the country in their own way--that is to
say, with a garnish of Red Sauce. Such men must exist among two hundred
million people, and, if they are not attended to, may cause trouble and
even break the great idol called Pax Britannic, which, as the newspapers
136
say, lives between Peshawur and Cape Comorin. Were the Day of Doom to dawn
to-morrow, you would find the Supreme Government "taking measures to allay
popular excitement" and putting guards upon the graveyards that the Dead
might troop forth orderly. The youngest Civilian would arrest Gabriel on
his own responsibility if the Archangel could not produce a Deputy
Commissioner's permission to "make music or other noises" as the license
says.
Whence it is easy to see that mere men of the flesh who would create a
tumult must fare badly at the hands of the Supreme Government. And they
do. There is no outward sign of excitement; there is no confusion; there
is no knowledge. When due and sufficient reasons have been given, weighed
and approved, the machinery moves forward, and the dreamer of dreams and
the seer of visions is gone from his friends and following. He enjoys the
hospitality of Government; there is no restriction upon his movements
within certain limits; but he must not confer any more with his brother
dreamers. Once in every six months the Supreme Government assures itself
that he is well and takes formal acknowledgment of his existence. No one
protests against his detention, because the few people who know about it
are in deadly fear of seeming to know him; and never a single newspaper
"takes up his case" or organizes demonstrations on his behalf, because the
newspapers of India have got behind that lying proverb which says the Pen
is mightier than the Sword, and can walk delicately.
So now you know as much as you ought about Wali Dad, the educational
mixture, and the Supreme Government.
Lalun has not yet been described. She would need, so Wali Dad says, a
thousand pens of gold and ink scented with musk. She has been variously
compared to the Moon, the Dil Sagar Lake, a spotted quail, a gazelle, the
Sun on the Desert of Kutch, the Dawn, the Stars, and the young bamboo.
These comparisons imply that she is beautiful exceedingly according to the
native standards, which are practically the same as those of the West. Her
eyes are black and her hair is black, and her eyebrows are black as
leeches; her mouth is tiny and says witty things; her hands are tiny and
have saved much money; her feet are tiny and have trodden on the naked
hearts of many men. But, as Wali Dad sings: "Lalun is Lalun, and when
you have said that, you have only come to the Beginnings of Knowledge."
The little house on the City wall was just big enough to hold Lalun, and
her maid, and a pussy-cat with a silver collar. A big pink and blue
cut-glass chandelier hung from the ceiling of the reception room. A petty
Nawab had given Lalun the horror, and she kept it for politeness' sake.
The floor of the room was of polished chunam, white as curds. A latticed
window of carved wood was set in one wall; there was a profusion of
squabby pluffy cushions and fat carpets everywhere, and Lalun's silver
huqa, studded with turquoises, had a special little carpet all to its
shining self. Wali Dad was nearly as permanent a fixture as the
chandelier. As I have said, he lay in the window-seat and meditated on
Life and Death and Lalun--specially Lalun. The feet of the young men of
the City tended to her doorways and then--retired, for Lalun was a
particular maiden, slow of speech, reserved of mind, and not in the least
inclined to orgies which were nearly certain to end in strife. "If I am of
137
no value, I am unworthy of this honor," said Lalun. "If I am of value,
they are unworthy of Me," And that was a crooked sentence.
In the long hot nights of latter April and May all the City seemed to
assemble in Lalun's little white room to smoke and to talk. Shiahs of the
grimmest and most uncompromising persuasion; Sufis who had lost all belief
in the Prophet and retained but little in God; wandering Hindu priests
passing southward on their way to the Central India fairs and other
affairs; Pundits in black gowns, with spectacles on their noses and
undigested wisdom in their insides; bearded headmen of the wards; Sikhs
with all the details of the latest ecclesiastical scandal in the Golden
Temple; red-eyed priests from beyond the Border, looking like trapped
wolves and talking like ravens; M.A.'s of the University, very superior
and very voluble--all these people and more also you might find in the
white room. Wali Dad lay in the window-seat and listened to the talk.
"It is Lalun's salon," said Wali Dad to me, "and it is electic--is not
that the word? Outside of a Freemason's Lodge I have never seen such
gatherings. There I dined once with a Jew--a Yahoudi!" He spat into the
City Ditch with apologies for allowing national feelings to overcome him.
"Though I have lost every belief in the world," said he, "and try to be
proud of my losing, I cannot help hating a Jew. Lalun admits no Jews
here."
"But what in the world do all these men do?" I asked.
"The curse of our country," said Wali Dad. "They talk. It is like the
Athenians--always hearing and telling some new thing. Ask the Pearl and
she will show you how much she knows of the news of the City and the
Province. Lalun knows everything."
"Lalun," I said at random--she was talking to a gentleman of the Kurd
persuasion who had come in from God-knows-where--"when does the 175th
Regiment go to Agra?"
"It does not go at all," said Lalun, without turning her head. "They have
ordered the 118th to go in its stead. That Regiment goes to Lucknow in
three months, unless they give a fresh order."
"That is so," said Wali Dad without a shade of doubt. "Can you, with your
telegrams and your newspapers, do better? Always hearing and telling some
new thing," he went on. "My friend, has your God ever smitten a European
nation for gossiping in the bazars? India has gossiped for
centuries--always standing in the bazars until the soldiers go by.
Therefore--you are here to-day instead of starving in your own country,
and I am not a Muhammadan--I am a Product--a Demnition Product. That also
I owe to you and yours: that I cannot make an end to my sentence without
quoting from your authors." He pulled at the huqa and mourned, half
feelingly, half in earnest, for the shattered hopes of his youth. Wali Dad
was always mourning over something or other--the country of which he
despaired, or the creed in which he had lost faith, or the life of the
English which he could by no means understand.
138
Lalun never mourned. She played little songs on the sitar, and to hear
her sing, "O Peacock, cry again," was always a fresh pleasure. She knew
all the songs that have ever been sung, from the war-songs of the South
that make the old men angry with the young men and the young men angry
with the State, to the love-songs of the North where the swords
whinny-whicker like angry kites in the pauses between the kisses, and the
Passes fill with armed men, and the Lover is torn from his Beloved and
cries, Ai, Ai, Ai! evermore. She knew how to make up tobacco for the
huqa so that it smelled like the Gates of Paradise and wafted you gently
through them. She could embroider strange things in gold and silver, and
dance softly with the moonlight when it came in at the window. Also she
knew the hearts of men, and the heart of the City, and whose wives were
faithful and whose untrue, and more of the secrets of the Government
Offices than are good to be set down in this place. Nasiban, her maid,
said that her jewelry was worth ten thousand pounds, and that, some night,
a thief would enter and murder her for its possession; but Lalun said that
all the City would tear that thief limb from limb, and that he, whoever he
was, knew it.
So she took her sitar and sat in the windowseat and sang a song of old
days that had been sung by a girl of her profession in an armed camp on
the eve of a great battle--the day before the Fords of the Jumna ran red
and Sivaji fled fifty miles to Delhi with a Toorkh stallion at his horse's
tail and another Lalun on his saddle-bow. It was what men call a Mahratta
Laonee, and it said:
Their warrior forces Chimnajee
Before the Peishwa led,
The Children of the Sun and Fire
Behind him turned and fled.
And the chorus said:
With them there fought who rides so free
With sword and turban red,
The warrior-youth who earns his fee
At peril of his head,
"At peril of his head," said Wali Dad in English to me, "Thanks to your
Government, all our heads are protected, and with the educational
facilities at my command"--his eyes twinkled wickedly--"I might be a
distinguished member of the local administration. Perhaps, in time, I
might even be a member of a Legislative Council."
"Don't speak English," said Lalun, bending over her sitar afresh. The
chorus went out from the City wall to the blackened wall of Fort Amara
which dominates the City. No man knows the precise extent of Fort Amara.
Three kings built it hundreds of years ago, and they say that there are
miles of underground rooms beneath its walls. It is peopled with many
ghosts, a detachment of Garrison Artillery and a Company of Infantry. In
its prime it held ten thousand men and filled its ditches with corpses.
"At peril of his head," sang Lalun, again and again.
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A head moved on one of the Ramparts--the grey head of an old man--and a
voice, rough as shark-skin on a sword-hilt, sent back the last line of the
chorus and broke into a song that I could not understand, though Lalun and
Wali Dad listened intently.
"What is it?" I asked. "Who is it?"
"A consistent man," said Wali Dad. "He fought you in '46, when he was a
warrior-youth; refought you in '57, and he tried to fight you in '71, but
you had learned the trick of blowing men from guns too well. Now he is
old; but he would still fight if he could."
"Is he a Wahabi, then? Why should he answer to a Mahratta laonee if he
be Wahabi--or Sikh?" said I.
"I do not know," said Wali Dad. "He has lost perhaps, his religion.
Perhaps he wishes to be a King. Perhaps he is a King. I do not know his
name."
"That is a lie, Wali Dad. If you know his career you must know his name."
"That is quite true. I belong to a nation of liars. I would rather not
tell you his name. Think for yourself."
Lalun finished her song, pointed to the Fort, and said simply: "Khem
Singh."
"Hm," said Wali Dad. "If the Pearl chooses to tell you the Pearl is a
fool."
I translated to Lalun, who laughed. "I choose to tell what I choose to
tell. They kept Khem Singh in Burma," said she. "They kept him there for
many years until his mind was changed in him. So great was the kindness of
the Government. Finding this, they sent him back to his own country that
he might look upon it before he died. He is an old man, but when he looks
upon this his country his memory will come. Moreover, there be many who
remember him."
"He is an Interesting Survival," said Wali Dad, pulling at the huqa. "He
returns to a country now full of educational and political reform, but, as
the Pearl says, there are many who remember him. He was once a great man.
There will never he any more great men in India. They will all, when they
are boys, go whoring after strange gods, and they will become
citizens--'fellow-citizens'--'illustrious fellow-citizens.' What is it
that the native papers call them?"
Wali Dad seemed to be in a very bad temper. Lalun looked out of the window
and smiled into the dust-haze. I went away thinking about Khem Singh who
had once made history with a thousand followers, and would have been a
princeling but for the power of the Supreme Government aforesaid.
The Senior Captain Commanding Fort Amara was away on leave, but the
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Subaltern, his Deputy, drifted down to the Club, where I found him and
inquired of him whether it was really true that a political prisoner had
been added to the attractions of the Fort. The Subaltern explained at
great length, for this was the first time that he had held Command of the
Fort, and his glory lay heavy upon him.
"Yes," said he, "a man was sent in to me about a week ago from down the
line--a thorough gentleman whoever he is. Of course I did all I could for
him. He had his two servants and some silver cooking-pots, and he looked
for all the world like a native officer. I called him Subadar Sahib; just
as well to be on the safe side, y'know. 'Look here, Subadar Sahib,' I
said, 'you're handed over to my authority, and I'm supposed to guard you.
Now I don't want to make your life hard, but you must make things easy for
me. All the Fort is at your disposal, from the flagstaff to the dry ditch,
and I shall be happy to entertain you in any way I can, but you mustn't
take advantage of it. Give me your word that you won't try to escape,
Subadar Sahib, and I'll give you my word that you shall have no heavy
guard put over you.' I thought the best way of getting him was by going at
him straight, y'know, and it was, by Jove! The old man gave me his word,
and moved about the Fort as contented as a sick crow. He's a rummy
chap--always asking to be told where he is and what the buildings about
him are. I had to sign a slip of blue paper when he turned up,
acknowledging receipt of his body and all that, and I'm responsible,
y'know, that he doesn't get away. Queer thing, though, looking after a
Johnnie old enough to be your grandfather, isn't it? Come to the Fort one
of these days and see him?"
For reasons which will appear, I never went to the Fort while Khem Singh
was then within its walls. I knew him only as a grey head seen from
Lalun's window--a grey head and a harsh voice. But natives told me that,
day by day, as he looked upon the fair lands round Amara, his memory came
back to him and, with it, the old hatred against the Government that had
been nearly effaced in far-off Burma. So he raged up and down the West
face of the Fort from morning till noon and from evening till the night,
devising vain things in his heart, and croaking war-songs when Lalun sang
on the City wall. As he grew more acquainted with the Subaltern he
unburdened his old heart of some of the passions that had withered it.
"Sahib," he used to say, tapping his stick against the parapet, "when I
was a young man I was one of twenty thousand horsemen who came out of the
City and rode round the plain here. Sahib, I was the leader of a hundred,
then of a thousand, then of five thousand, and now!"--he pointed to his
two servants. "But from the beginning to to-day I would cut the throats of
all the Sahibs in the land if I could. Hold me fast, Sahib, lest I get
away and return to those who would follow me. I forgot them when I was in
Burma, but now that I am in my own country again, I remember everything."
"Do you remember that you have given me your Honor not to make your
tendance a hard matter?" said the Subaltern.
"Yes, to you, only to you, Sahib," said Khem Singh. "To you, because you
are of a pleasant countenance. If my turn comes again, Sahib, I will not
hang you nor cut your throat."
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"Thank you," said the Subaltern, gravely, as he looked along the line of
guns that could pound the City to powder in half an hour. "Let us go into
our own quarters, Khem Singh. Come and talk with me after dinner."
Khem Singh would sit on his own cushion at the Subaltern's feet, drinking
heavy, scented anise-seed brandy in great gulps, and telling strange
stories of Fort Amara, which had been a palace in the old days, of Begums
and Ranees tortured to death--aye, in the very vaulted chamber that now
served as a Mess-room; would tell stories of Sobraon that made the
Subaltern's cheeks flush and tingle with pride of race, and of the Kuka
rising from which so much was expected and the foreknowledge of which was
shared by a hundred thousand souls. But he never told tales of '57
because, as he said, he was the Subaltern's guest, and '57 is a year that
no man, Black or White, cares to speak of. Once only, when the anise-seed
brandy had slightly affected his head, he said: "Sahib, speaking now of a
matter which lay between Sobraon and the affair of the Kukas, it was ever
a wonder to us that you stayed your hand at all, and that, having stayed
it, you did not make the land one prison. Now I hear from without that you
do great honor to all men of our country and by your own hands are
destroying the Terror of your Name which is your strong rock and defence.
This is a foolish thing. Will oil and water mix? Now in '57"--
"I was not born then, Subadar Sahib," said the Subaltern, and Khem Singh
reeled to his quarters,
The Subaltern would tell me of these conversations at the Club, and my
desire to see Khem Singh increased. But Wali Dad, sitting in the
window-seat of the house on the City wall, said that it would be a cruel
thing to do, and Lalun pretended that I preferred the society of a
grizzled old Sikh to hers.
"Here is tobacco, here is talk, here are many friends and all the news of
the City, and, above all, here is myself. I will tell you stories and sing
you songs, and Wali Dad will talk his English nonsense in your ears. Is
that worse than watching the caged animal yonder? Go to-morrow then, if
you must, but to-day such and such an one will be here, and he will speak
of wonderful things."
It happened that To-morrow never came, and the warm heat of the latter
Rains gave place to the chill of early October almost before I was aware
of the flight of the year. The Captain commanding the Fort returned from
leave and took over charge of Khem Singh according to the laws of
seniority. The Captain was not a nice man. He called all natives
"niggers," which, besides being extreme bad form, shows gross ignorance.
"What's the use of telling off two Tommies to watch that old nigger?" said
he.
"I fancy it soothes his vanity," said the Subaltern. "The men are ordered
to keep well out of his way, but he takes them as a tribute to his
importance, poor old wretch."
"I won't have Line men taken off regular guards in this way. Put on a
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couple of Native Infantry."
"Sikhs?" said the Subaltern, lifting his eyebrows.
"Sikhs, Pathans, Dogras--they're all alike, these black vermin," and the
Captain talked to Khem Singh in a manner which hurt that old gentleman's
feelings. Fifteen years before, when he had been caught for the second
time, every one looked upon him as a sort of tiger. He liked being
regarded in this light. But he forgot that the world goes forward in
fifteen years, and many Subalterns are promoted to Captaincies,
"The Captain-pig is in charge of the Fort?" said Khem Singh to his native
guard every morning. And the native guard said: "Yes, Subadar Sahib," in
deference to his age and his air of distinction; but they did not know who
he was.
In those days the gathering in Lalun's little white room was always large
and talked more than before,
"The Greeks," said Wali Dad who had been borrowing my books, "the
inhabitants of the city of Athens, where they were always hearing and
telling some new thing, rigorously secluded their women--who were fools.
Hence the glorious institution of the heterodox women--is it not?--who
were amusing and not fools. All the Greek philosophers delighted in
their company. Tell me, my friend, how it goes now in Greece and the other
places upon the Continent of Europe. Are your women-folk also fools?"
"Wali Dad," I said, "you never speak to us about your women-folk and we
never speak about ours to you. That is the bar between us."
"Yes," said Wali Dad, "it is curious to think that our common
meeting-place should be here, in the house of a common--how do you call
her?" He pointed with the pipe-mouth to Lalun.
"Lalun is nothing but Lalun," I said, and that was perfectly true. "But if
you took your place in the world, Wali Dad, and gave up dreaming dreams"--
"I might wear an English coat and trouser. I might be a leading Muhammadan
pleader. I might be received even at the Commissioner's tennis-parties
where the English stand on one side and the natives on the other, in order
to promote social intercourse throughout the Empire. Heart's Heart," said
he to Lalun quickly, "the Sahib says that I ought to quit you."
"The Sahib is always talking stupid talk," returned Lalun, with a laugh.
"In this house I am a Queen and thou art a King. The Sahib"--she put her
arms above her head and thought for a moment--"the Sahib shall be our
Vizier--thine and mine, Wali Dad--because he has said that thou shouldst
leave me."
Wali Dad laughed immoderately, and I laughed too. "Be it so," said he. "My
friend, are you willing to take this lucrative Government appointment?
Lalun, what shall his pay be?"
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But Lalun began to sing, and for the rest of the time there was no hope of
getting a sensible answer from her or Wall Dad. When the one stopped, the
other began to quote Persian poetry with a triple pun in every other line.
Some of it was not strictly proper, but it was all very funny, and it only
came to an end when a fat person in black, with gold pince-nez, sent up
his name to Lalun, and Wali Dad dragged me into the twinkling night to
walk in a big rose-garden and talk heresies about Religion and Governments
and a man's career in life.
The Mohurrum, the great mourning-festival of the Muhammadans, was close at
hand, and the things that Wali Dad said about religious fanaticism would
have secured his expulsion from the loosest-thinking Muslim sect. There
were the rose-bushes round us, the stars above us, and from every quarter
of the City came the boom of the big Mohurrum drums, You must know that
the City is divided in fairly equal proportions between the Hindus and the
Musalmans, and where both creeds belong to the fighting races, a big
religious festival gives ample chance for trouble. When they can--that is
to say when the authorities are weak enough to allow it--the Hindus do
their best to arrange some minor feast-day of their own in time to clash
with the period of general mourning for the martyrs Hasan and Hussain, the
heroes of the Mohurrum. Gilt and painted paper presentations of their
tombs are borne with shouting and wailing, music, torches, and yells,
through the principal thoroughfares of the City, which fakements are
called tazias. Their passage is rigorously laid down beforehand by the
Police, and detachments of Police accompany each tazias, lest the Hindus
should throw bricks at it and the peace of the Queen and the heads of Her
loyal subjects should thereby be broken. Mohurrum time in a "fighting"
town means anxiety to all the officials, because, if a riot breaks out,
the officials and not the rioters are held responsible. The former must
foresee everything, and while not making their precautions ridiculously
elaborate, must see that they are at least adequate.
"Listen to the drums!" said Wali Dad. "That is the heart of the
people--empty and making much noise. How, think you, will the Mohurrum go
this year? I think that there will be trouble."
He turned down a side-street and left me alone with the stars and a sleepy
Police patrol. Then I went to bed and dreamed that Wali Dad had sacked the
City and I was made Vizier, with Lalun's silver huqa for mark of office.
All day the Mohurrum drums beat in the City, and all day deputations of
tearful Hindu gentlemen besieged the Deputy Commissioner with assurances
that they would be murdered ere next dawning by the Muhammadans. "Which,"
said the Deputy Commissioner, in confidence to the Head of Police, "is a
pretty fair indication that the Hindus are going to make 'emselves
unpleasant. I think we can arrange a little surprise for them. I have
given the heads of both Creeds fair warning. If they choose to disregard
it, so much the worse for them."
There was a large gathering in Lalun's house that night, but of men that I
had never seen before, if I except the fat gentleman in black with the
gold pince-nez. Wali Dad lay in the window-seat, more bitterly scornful
of his Faith and its manifestations than I had ever known him. Lalun's
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maid was very busy cutting up and mixing tobacco for the guests. We could
hear the thunder of the drums as the processions accompanying each tazia
marched to the central gathering-place in the plain outside the City,
preparatory to their triumphant reentry and circuit within the walls. All
the streets seemed ablaze with torches, and only Fort Amara was black and
silent.
When the noise of the drums ceased, no one in the white room spoke for a
time. "The first tazia has moved off," said Wali Dad, looking to the
plain.
"That is very early," said the man with the pince-nez.
"It is only half-past eight." The company rose and departed.
"Some of them were men from Ladakh," said Lalun, when the last had gone.
"They brought me brick-tea such as the Russians sell, and a tea-turn from
Peshawur. Show me, now, how the English Memsahibs make tea."
The brick-tea was abominable. When it was finished Wali Dad suggested
going into the streets. "I am nearly sure that there will be trouble
to-night," he said. "All the City thinks so, and Vox Populi is Vox
Dei, as the Babus say. Now I tell you that at the corner of the Padshahi
Gate you will find my horse all this night if you want to go about and to
see things. It is a most disgraceful exhibition. Where is the pleasure of
saying 'Ya Hasan, Ya Hussain,' twenty thousand times in a night?"
All the processions--there were two and twenty of them--were now well
within the City walls. The drums were beating afresh, the crowd were
howling "Ya Hasan! Ya Hussain!" and beating their breasts, the brass
bands were playing their loudest, and at every corner where space allowed,
Muhammadan preachers were telling the lamentable story of the death of the
Martyrs. It was impossible to move except with the crowd, for the streets
were not more than twenty feet wide. In the Hindu quarters the shutters of
all the shops were up and cross-barred. As the first tazia, a gorgeous
erection ten feet high, was borne aloft on the shoulders of a score of
stout men into the semi-darkness of the Gully of the Horsemen, a brickbat
crashed through its talc and tinsel sides.
"Into thy hands, O Lord?" murmured Wali Dad. profanely, as a yell went up
from behind, and a native officer of Police jammed his horse through the
crowd. Another brickbat followed, and the tazia staggered and swayed
where it had stopped.
"Go on! In the name of the Sirkar, go forward!" shouted the Policeman;
but there was an ugly cracking and splintering of shutters, and the crowd
halted, with oaths and growlings, before the house whence the brickbat had
been thrown.
Then, without any warning, broke the storm--not only in the Gully of the
Horsemen, but in half a dozen other places. The tazias rocked like ships
at sea, the long pole-torches dipped and rose round them while the men
shouted: "The Hindus are dishonoring the tazias! Strike! Strike! Into
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their temples for the faith!" The six or eight Policemen with each tazia
drew their batons, and struck as long as they could in the hope of forcing
the mob forward, but they were overpowered, and as contingents of Hindus
poured into the streets, the fight became general. Half a mile away where
the tazias were yet untouched the drums and the shrieks of "Ya Hasan!
Ya Hussain!" continued, but not for long. The priests at the corners of
the streets knocked the legs from the bedsteads that supported their
pulpits and smote for the Faith, while stones fell from the silent houses
upon friend and foe, and the packed streets bellowed: "Din! Din! Din!" A
tazia caught fire, and was dropped for a flaming barrier between Hindu
and Musalman at the corner of the Gully. Then the crowd surged forward,
and Wali Dad drew me close to the stone pillar of a well.
"It was intended from the beginning!" he shouted in my ear, with more heat
than blank unbelief should be guilty of. "The bricks were carried up to
the houses beforehand. These swine of Hindus! We shall be gutting kine in
their temples to-night!"
Tazia after tazia, some burning, others torn to pieces, hurried past
us and the mob with them, howling, shrieking, and striking at the house
doors in their flight. At last we saw the reason of the rush. Hugonin, the
Assistant District Superintendent of Police, a boy of twenty, had got
together thirty constables and was forcing the crowd through the streets.
His old grey Police-horse showed no sign of uneasiness as it was spurred
breast-on into the crowd, and the long dog-whip with which he had armed
himself was never still.
"They know we haven't enough Police to hold 'em," he cried as he passed
me, mopping a cut on his face, "They know we haven't! Aren't any of the
men from the Club coming down to help? Get on, you sons of burned
fathers!" The dog-whip cracked across the writhing backs, and the
constables smote afresh with baton and gun-butt. With these passed the
lights and the shouting, and Wali Dad began to swear under his breath.
From Fort Amara shot up a single rocket; then two side by side. It was the
signal for troops.
Petitt, the Deputy Commissioner, covered with dust and sweat, but calm and
gently smiling, cantered up the clean-swept street in rear of the main
body of the rioters, "No one killed yet," he shouted. "I'll keep 'em on
the run till dawn! Don't let 'em halt, Hugonin! Trot 'em about till the
troops come."
The science of the defence lay solely in keeping the mob on the move. If
they had breathing-space they would halt and fire a house, and then the
work of restoring order would be more difficult, to say the least of it.
Flames have the same effect on a crowd as blood has on a wild beast.
Word had reached the Club and men in evening-dress were beginning to show
themselves and lend a hand in heading off and breaking up the shouting
masses with stirrup-leathers, whips, or chance-found staves. They were not
very often attacked, for the rioters had sense enough to know that the
death of a European would not mean one hanging but many, and possibly the
appearance of the thrice-dreaded Artillery. The clamor in the City
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redoubled. The Hindus had descended into the streets in real earnest and
ere long the mob returned. It was a strange sight. There were no
tazias--only their riven platforms--and there were no Police. Here and
there a City dignitary, Hindu or Muhammadan, was vainly imploring his
co-religionists to keep quiet and behave themselves--advice for which his
white beard was pulled. Then a native officer of Police, unhorsed but
still using his spurs with effect, would be borne along, warning all the
crowd of the danger of insulting the Government. Everywhere men struck
aimlessly with sticks, grasping each other by the throat, howling and
foaming with rage, or beat with their bare hands on the doors of the
houses.
"It is a lucky thing that they are fighting with natural weapons," I said
to Wali Dad, "else we should have half the City killed."
I turned as I spoke and looked at his face. His nostrils were distended,
his eyes were fixed, and he was smiting himself softly on the breast. The
crowd poured by with renewed riot--a gang of Musalmans hard-pressed by
some hundred Hindu fanatics. Wali Dad left my side with an oath, and
shouting: "Ya Hasan! Ya Hussain!" plunged into the thick of the fight
where I lost sight of him.
I fled by a side alley to the Padshahi Gate where I found Wali Dad's
house, and thence rode to the Fort. Once outside the City wall, the tumult
sank to a dull roar, very impressive under the stars and reflecting great
credit on the fifty thousand angry able-bodied men who were making it. The
troops who, at the Deputy Commissioner's instance, had been ordered to
rendezvous quietly near the Fort, showed no signs of being impressed. Two
companies of Native Infantry, a squadron of Native Cavalry and a company
of British Infantry were kicking their heels in the shadow of the East
face, waiting for orders to march in. I am sorry to say that they were all
pleased, unholily pleased, at the chance of what they called "a little
fun." The senior officers, to be sure, grumbled at having been kept out of
bed, and the English troops pretended to be sulky, but there was joy in
the hearts of all the subalterns, and whispers ran up and down the line:
"No ball-cartridge--what a beastly shame!" "D'you think the beggars will
really stand up to us?" "'Hope I shall meet my money-lender there. I owe
him more than I can afford." "Oh, they won't let us even unsheathe
swords." "Hurrah! Up goes the fourth rocket. Fall in, there!"
The Garrison Artillery, who to the last cherished a wild hope that they
might be allowed to bombard the City at a hundred yards' range, lined the
parapet above the East gateway and cheered themselves hoarse as the
British Infantry doubled along the road to the Main Gate of the City. The
Cavalry cantered on to the Padshahi Gate, and the Native Infantry marched
slowly to the Gate of the Butchers. The surprise was intended to be of a
distinctly unpleasant nature, and to come on top of the defeat of the
Police who had been just able to keep the Muhammadans from firing the
houses of a few leading Hindus. The bulk of the riot lay in the north and
northwest wards. The east and southeast were by this time dark and silent,
and I rode hastily to Lalun's house for I wished to tell her to send some
one in search of Wali Dad. The house was unlighted, but the door was open,
and I climbed upstairs in the darkness. One small lamp in the white room
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showed Lalun and her maid leaning half out of the window, breathing
heavily and evidently pulling at something that refused to come.
"Thou art late--very late," gasped Lalun, without turning her head. "Help
us now, O Fool, if thou hast not spent thy strength howling among the
tazias. Pull! Nasiban and I can do no more! O Sahib, is it you? The
Hindus have been hunting an old Muhammadan round the Ditch with clubs. If
they find him again they will kill him. Help us to pull him up."
I put my hands to the long red silk waist-cloth that was hanging out of
the window, and we three pulled and pulled with all the strength at our
command. There was something very heavy at the end, and it swore in an
unknown tongue as it kicked against the City wall.
"Pull, oh, pull!" said Lalun, at the last. A pair of brown hands grasped
the window-sill and a venerable Muhammadan tumbled upon the floor, very
much out of breath. His jaws were tied up, his turban had fallen over one
eye, and he was dusty and angry.
Lalun hid her face in her hands for an instant and said something about
Wali Dad that I could not catch,
Then, to my extreme gratification, she threw her arms round my neck and
murmured pretty things. I was in no haste to stop her; and Nasiban, being
a handmaiden of tact, turned to the big jewel-chest that stands in the
corner of the white room and rummaged among the contents. The Muhammadan
sat on the floor and glared.
"One service more, Sahib, since thou hast come so opportunely," said
Lalun. "Wilt thou"--it is very nice to be thou-ed by Lalun--"take this old
man across the City--the troops are everywhere, and they might hurt him
for he is old--to the Kumharsen Gate? There I think he may find a carriage
to take him to his house. He is a friend of mine, and thou art--more than
a friend--therefore I ask this."
Nasiban bent over the old man, tucked something into his belt, and I
raised him up, and led him into the streets. In crossing from the east to
the west of the City there was no chance of avoiding the troops and the
crowd. Long before I reached the Gully of the Horsemen I heard the shouts
of the British Infantry crying cheeringly: "Hutt, ye beggars! Hutt, ye
devils! Get along! Go forward, there!" Then followed the ringing of
rifle-butts and shrieks of pain. The troops were banging the bare toes of
the mob with their gun-butts--for not a bayonet had been fixed. My
companion mumbled and jabbered as we walked on until we were carried back
by the crowd and had to force our way to the troops. I caught him by the
wrist and felt a bangle there--the iron bangle of the Sikhs--but I had no
suspicions, for Lalun had only ten minutes before put her arms round me.
Thrice we were carried back by the crowd, and when we made our way past
the British Infantry it was to meet the Sikh Cavalry driving another mob
before them with the butts of their lances.
"What are these dogs?" said the old man.
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"Sikhs of the Cavalry, Father," I said, and we edged our way up the line
of horses two abreast and found the Deputy Commissioner, his helmet
smashed on his head, surrounded by a knot of men who had come down from
the Club as amateur constables and had helped the Police mightily.
"We'll keep 'em on the run till dawn," said Petitt, "Who's your villainous
friend?"
I had only time to say: "The Protection of the Sirkar!" when a fresh
crowd flying before the Native Infantry carried us a hundred yards nearer
to the Kumharsen Gate, and Petitt was swept away like a shadow.
"I do not know--I cannot see--this is all new to me!" moaned my companion.
"How many troops are there in the City?"
"Perhaps five hundred," I said.
"A lakh of men beaten by five hundred--and Sikhs among them! Surely,
surely, I am an old man, but--the Kumharsen Gate is new. Who pulled down
the stone lions? Where is the conduit? Sahib, I am a very old man, and,
alas, I--I cannot stand." He dropped in the shadow of the Kumharsen Gate
where there was no disturbance. A fat gentleman wearing gold pince-nez
came out of the darkness.
"You are most kind to bring my old friend," he said, suavely. "He is a
landholder of Akala. He should not be in a big City when there is
religious excitement. But I have a carriage here. You are quite truly
kind. Will you help me to put him into the carriage? It is very late."
We bundled the old man into a hired victoria that stood close to the gate,
and I turned back to the house on the City wall. The troops were driving
the people to and fro, while the Police shouted, "To your houses! Get to
your houses!" and the dog-whip of the Assistant District Superintendent
cracked remorselessly. Terror-stricken bunnias clung to the stirrups of
the cavalry, crying that their houses had been robbed (which was a lie),
and the burly Sikh horsemen patted them on the shoulder, and bade them
return to those houses lest a worse thing should happen. Parties of five
or six British soldiers, joining arms, swept down the side-gullies, their
rifles on their backs, stamping, with shouting and song, upon the toes of
Hindu and Musalman. Never was religious enthusiasm more systematically
squashed; and never were poor breakers of the peace more utterly weary and
footsore. They were routed out of holes and corners, from behind
well-pillars and byres, and bidden to go to their houses. If they had no
houses to go to, so much the worse for their toes.
On returning to Lalun's door I stumbled over a man at the threshold. He
was sobbing hysterically and his arms flapped like the wings of a goose.
It was Wali Dad, Agnostic and Unbeliever, shoeless, turbanless, and
frothing at the mouth, the flesh on his chest bruised and bleeding from
the vehemence with which he had smitten himself. A broken torch-handle lay
by his side, and his quivering lips murmured, "Ya Hasan! Ya Hussain!" as I
stooped over him. I pushed him a few steps up the staircase, threw a
pebble at Lalun's City window and hurried home.
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Most of the streets were very still, and the cold wind that comes before
the dawn whistled down them. In the centre of the Square of the Mosque a
man was bending over a corpse. The skull had been smashed in by gun-butt
or bamboo-stave.
"It is expedient that one man should die for the people," said Petitt,
grimly, raising the shapeless head. "These brutes were beginning to show
their teeth too much."
And from afar we could hear the soldiers singing "Two Lovely Black Eyes,"
as they drove the remnant of the rioters within doors.
*
*
*
*
*
Of course you can guess what happened? I was not so clever. When the news
went abroad that Khem Singh had escaped from the Fort, I did not, since I
was then living this story, not writing it, connect myself, or Lalun, or
the fat gentleman of the gold pince-nez, with his disappearance. Nor did
it strike me that Wali Dad was the man who should have convoyed him across
the City, or that Lalun's arms round my neck were put there to hide the
money that Nasiban gave to Kehm Singh, and that Lalun had used me and my
white face as even a better safeguard than Wali Dad who proved himself so
untrustworthy. All that I knew at the time was that, when Fort Amara was
taken up with the riots, Khem Singh profited by the confusion to get away,
and that his two Sikh guards also escaped.
But later on I received full enlightenment; and so did Khem Singh. He fled
to those who knew him in the old days, but many of them were dead and more
were changed, and all knew something of the Wrath of the Government. He
went to the young men, but the glamour of his name had passed away, and
they were entering native regiments of Government offices, and Khem Singh
could give them neither pension, decorations, nor influence--nothing but a
glorious death with their backs to the mouth of a gun. He wrote letters
and made promises, and the letters fell into bad hands, and a wholly
insignificant subordinate officer of Police tracked them down and gained
promotion thereby. Moreover, Khem Singh was old, and anise-seed brandy was
scarce, and he had left his silver cooking-pots in Fort Amara with his
nice warm bedding, and the gentleman with the gold pince-nez was told by
those who had employed him that Khem Singh as a popular leader was not
worth the money paid.
"Great is the mercy of these fools of English!" said Khem Singh when the
situation was put before him. "I will go back to Fort Amara of my own free
will and gain honor. Give me good clothes to return in,"
So, at his own time, Khem Singh knocked at the wicket-gate of the Fort and
walked to the Captain and the Subaltern, who were nearly grey-headed on
150
account of correspondence that daily arrived from Simla marked "Private,"
"I have come back, Captain Sahib," said Khem Singh, "Put no more guards
over me. It is no good out yonder."
A week later I saw him for the first time to my knowledge, and he made as
though there were an understanding between us.
"It was well done, Sahib," said he, "and greatly I admired your astuteness
in thus boldly facing the troops when I, whom they would have doubtless
torn to pieces, was with you. Now there is a man in Fort Ooltagarh whom a
bold man could with ease help to escape. This is the position of the Fort
as I draw it on the sand"--
But I was thinking how I had become Lalun's Vizier after all.