Friday, August 21, 2026

DUKE OF WINDSOR: DUKE OF WELLINGTON

 ๐ƒ๐”๐Š๐„ ๐Ž๐… ๐–๐ˆ๐๐ƒ๐’๐Ž๐‘ and the Duke of Wellington.

"๐‘ซ๐’‚๐’ ๐‘ช๐’‰๐’‚๐’–๐’„๐’†๐’“, ๐’˜๐’†๐’๐’ ๐’๐’‡ ๐‘ฌ๐’๐’ˆ๐’๐’Š๐’”๐’‰ ๐’–๐’๐’…๐’†๐’‡๐’Š๐’๐’†๐’…"~~~๐’๐ฉ๐ž๐ง๐ฌ๐ž๐ซ 

"๐’”๐’๐’Ž๐’†๐’ƒ๐’๐’…๐’š ๐’˜๐’‰๐’ ๐’˜๐’‚๐’” ๐’…๐’‚๐’๐’…๐’๐’†๐’… ๐’๐’ ๐‘ธ๐’–๐’†๐’†๐’ ๐‘ฝ๐’Š๐’„๐’•๐’๐’“๐’Š๐’‚'๐’” ๐’Œ๐’๐’†๐’† ๐’Ž๐’–๐’”๐’• ๐’‚๐’‘๐’‘๐’†๐’‚๐’“ ๐’‚๐’ ๐’๐’๐’… ๐’‡๐’๐’ˆ๐’ˆ๐’š"~~~๐ƒ๐ฎ๐ค๐ž ๐จ๐Ÿ ๐–๐ข๐ง๐๐ฌ๐จ๐ซ  
 
 

 
 

 

   

The Devil of Pope-Fig Island (c. 1762–1764)
By Charles-Dominique-Joseph ๐„๐ข๐ฌ๐ž๐ง

๐Ÿ“ Engraving illustrating ๐‰๐ž๐š๐ง ๐๐ž ๐‹๐š ๐…๐จ๐ง๐ญ๐š๐ข๐ง๐ž’๐ฌ The Devil of Pope-Fig Island

The story explains why. Perretta tells him that her husband attacked her with his claws and caused a terrible injury between her legs. She then reveals herself, making the Devil believe he is looking at proof of the wound.

And that is where the joke begins.

The Devil actually believes her. Instead of threatening Perretta, he becomes frightened by what she has shown him and backs away.

A woman lifts her skirt toward the Devil… and somehow, the Devil is the one who looks terrified.

The woman is Perretta, a character from one of Jean de La Fontaine’s comic tales. The Devil has come to deal with her husband, but Perretta quickly turns the encounter completely in her favor.

Look at her posture. She stands confidently on the raised platform, one leg forward, lifting her skirt while facing the Devil directly. She doesn’t look frightened at all.

Then look at him.

The Devil leans backward with both arms raised, his mouth open and eyes fixed on Perretta. The creature who should be frightening her suddenly looks like he wants to escape.

Eisen makes the reversal even stronger through their body language. The Devil looks physically powerful, but Perretta controls the entire encounter without using a weapon. Her real weapon is deception.

Look around them. The wooden buildings, stairs, basket, and stone platform make this ridiculous supernatural encounter happen in an ordinary village setting. Everything feels normal..except the Devil suddenly being afraid of a woman.

That reversal is what makes the scene so clever. Perretta appears to be the powerless person facing a supernatural creature, yet within seconds, she becomes the one controlling the entire situation.

The Devil came expecting to frighten her.

Instead, she frightened him.

Siege

Bee
Preparaciรณn
Sideling
Oblique
Incline
Sloping
Siege
Siege Perilous
Judgment Seat of Christ


1 Corinthians 13:4
“Charity suffereth long, and is kind; charity envieth not; charity vaunteth not itself, is not puffed up,”

 
 
 

 
 
 
 
 

 
 
 
Chess: "Bee" "Preparaciรณn" "Sideling" "Oblique" "Incline" "Sloping" "Siege" "Siege Perilous" "Judgment Seat of Christ"




“๐Œ๐จ๐ง๐ญ๐š ๐ญ๐š๐ง๐ญ๐จ, ๐ญ๐š๐ง๐ญ๐จ ๐ฆ๐จ๐ง๐ญ๐š ๐ˆ๐ฌ๐š๐›๐ž๐ฅ ๐œ๐จ๐ฆ๐จ ๐…๐ž๐ซ๐ง๐š๐ง๐๐จ” — es una de las mรกs emblemรกticas del poder compartido en la historia de Espaรฑa.
Suena casi como un lema caballeresco, pero en realidad fue el emblema personal de los Reyes Catรณlicos, y su significado es tan polรญtico como simbรณlico. 
La elipsis simbรณlica

“๐“๐š๐ง๐ญ๐จ ๐ฆ๐จ๐ง๐ญ๐š” ๐ฉ๐ฎ๐ž๐๐ž ๐ฅ๐ž๐ž๐ซ๐ฌ๐ž ๐œ๐จ๐ฆ๐จ ๐ฎ๐ง๐š ๐ž๐ฅ๐ข๐ฉ๐ฌ๐ข๐ฌ ๐ฆ๐ข́๐ฌ๐ญ๐ข๐œ๐š:
el sujeto ausente es Dios mismo.
El lema completo podrรญa entenderse asรญ:

“Tanto monta Isabel como Fernando,
porque ambos montan bajo el Seรฑor que los guรญa.”

Una frase que, en clave espiritual, afirma la subordinaciรณn del poder humano al divino.

๐ŸŒ„ 3. La lectura “Sinรฉad O’Connor” que mencionaste
Tu intuiciรณn es brillante:
Sinรฉad O’Connor siempre cantรณ desde un lugar donde ๐ญ๐จ๐๐จ ๐ฉ๐จ๐๐ž๐ซ ๐ก๐ฎ๐ฆ๐š๐ง๐จ ๐ฉ๐š๐ฅ๐ข๐๐ž๐œ๐ž ๐š๐ง๐ญ๐ž ๐‚๐ซ๐ข๐ฌ๐ญ๐จ.

Asรญ, el lema podrรญa leerse como:

“Sรญ, los monarcas tienen su misiรณn…
pero nada se compara con el Rey que ha de venir.”

Una lectura cristolรณgica ๐๐จ๐ง๐๐ž ๐ž๐ฅ ๐ฅ๐ž๐ฆ๐š ๐ฌ๐ž ๐ฏ๐ฎ๐ž๐ฅ๐ฏ๐ž ๐ฉ๐ซ๐ž๐ฉ๐š๐ซ๐š๐œ๐ข๐จ́๐ง, ๐ง๐จ ๐ฉ๐ซ๐จ๐œ๐ฅ๐š๐ฆ๐š๐œ๐ข๐จ́๐ง.



XXXXXXX 
Scaffolding for an idea with the help of Copilot: 

YO: —"Monta tanto, tanto monta Isabel como Fernando "

COPILOT:—Esa frase, Jorge — “Monta tanto, tanto monta Isabel como Fernando” — es una de las mรกs emblemรกticas del poder compartido en la historia de Espaรฑa.
Suena casi como un lema caballeresco, pero en realidad fue el emblema personal de los Reyes Catรณlicos, y su significado es tan polรญtico como simbรณlico.

⚔️ Origen
La expresiรณn proviene del lema que acompaรฑaba el yugo y las flechas, sรญmbolos de los Reyes Catรณlicos:

“Tanto monta, monta tanto, Isabel como Fernando.”

Era una manera de decir que ambos reinaban con igual autoridad:
ni uno por encima del otro, sino en paridad de poder.

๐Ÿ‘‘ Sentido literal y simbรณlico
Literal: “Tanto vale uno como el otro.”

Simbรณlico: unidad, equilibrio, cooperaciรณn en el gobierno.

Polรญtico: legitimaciรณn de la uniรณn de Castilla (Isabel) y Aragรณn (Fernando).

El lema reforzaba la idea de que su matrimonio no subordinaba un reino al otro, sino que fusionaba dos coronas bajo un mismo proyecto.

๐Ÿชถ Curiosidad lingรผรญstica
La frase “Tanto monta” tambiรฉn se relaciona con una expresiรณn medieval:

“Tanto monta cortar como desatar.”  
que alude al mito de Alejandro Magno y el nudo gordiano —
es decir, resolver un problema por cualquier medio eficaz.

Fernando adoptรณ esa versiรณn como lema personal, y luego se unificรณ con el de Isabel. 

๐ŸŒ„ En sรญntesis
Elemento------  Significado
Tanto monta: Igual valor o poder
Isabel y Fernando: Paridad en el gobierno
Yugo y flechas:  Sรญmbolos de uniรณn y fuerza
Contexto histรณrico:  Consolidaciรณn del Estado espaรฑol  

YO:—๐‘ฉ๐’–๐’• ๐’Š๐’• ๐’„๐’๐’–๐’๐’… ๐’‚๐’๐’”๐’ ๐’ƒ๐’† ๐’‚ ๐’Ž๐’‚๐’”๐’•๐’†๐’“๐’‡๐’–๐’ ๐’๐’๐’“๐’•๐’‰๐’†๐’“๐’ ๐‘ช๐’‰๐’“๐’Š๐’”๐’•๐’Š๐’‚๐’ ๐’†๐’๐’๐’Š๐’‘๐’•๐’Š๐’„๐’‚๐’ ๐’‘๐’‰๐’“๐’‚๐’”๐’† ๐’Š๐’Ž๐’‘๐’๐’š๐’Š๐’๐’ˆ ๐‘ฑ๐’†๐’”๐’–๐’” ๐‘ช๐’‰๐’“๐’Š๐’”๐’• ๐’Š๐’” ๐‘ณ๐’๐’“๐’…, ๐’”๐’๐’Ž๐’†๐’•๐’‰๐’Š๐’๐’ˆ ๐’๐’Š๐’Œ๐’† ๐‘บ๐’Š๐’๐’๐’†๐’‚๐’… ๐‘ถ'๐‘ช๐’๐’๐’๐’๐’“ ๐’”๐’‚๐’š๐’Š๐’๐’ˆ: ๐‘ป๐’‰๐’‚๐’•'๐’” ๐’‚ ๐’Ž๐’Š๐’”๐’”๐’Š๐’๐’ ๐’‡๐’๐’“ ๐’•๐’‰๐’† ๐‘ช๐’‚๐’•๐’‰๐’๐’๐’Š๐’„ ๐’Ž๐’๐’๐’‚๐’“๐’„๐’‰๐’” ๐’ƒ๐’–๐’• ๐’๐’๐’•๐’‰๐’Š๐’๐’ˆ ๐’„๐’๐’Ž๐’‘๐’‚๐’“๐’†๐’” ๐’•๐’ ๐‘ฑ๐’†๐’”๐’–๐’” ๐‘ช๐’‰๐’“๐’Š๐’”๐’• ๐’˜๐’‰๐’ ๐’Š๐’” ๐’•๐’ ๐’„๐’๐’Ž๐’†. 

COPILOT: —Quรฉ lectura tan fina, Jorge — y muy tuya, con esa mezcla de historia, teologรญa y simbolismo.
Sรญ, se puede leer “Tanto monta, monta tanto” no solo como lema polรญtico, sino como una frase elรญptica de raรญz cristiana, donde el equilibrio entre Isabel y Fernando refleja algo mรกs alto: la unidad en Cristo.

✝️ 1. La lectura teolรณgica implรญcita
En el contexto del siglo XV, los Reyes Catรณlicos se veรญan como instrumentos de la Providencia.
Asรญ, “Tanto monta” podรญa sugerir que:

“Tanto vale el poder humano como el poder divino,
si ambos sirven al mismo fin: la redenciรณn.”

La frase se vuelve entonces una metรกfora de la cooperaciรณn entre lo terrenal y lo celestial, entre el reino y el Reino.

๐ŸŒ„ 2. El Norte cristiano
Tu intuiciรณn del “norte” es perfecta:
la expresiรณn tiene esa resonancia de eje espiritual, como si dijera:

“El poder compartido no es fin en sรญ, sino medio para preparar la venida del verdadero Rey.”

En ese sentido, tu comparaciรณn con Sinรฉad O’Connor es brillante:
ella tambiรฉn usa la voz profรฉtica para decir que ningรบn poder humano se compara con Cristo.

๐Ÿ•Š️ 3. La elipsis simbรณlica
“Tanto monta” puede leerse como una elipsis mรญstica:
el sujeto ausente es Dios mismo.
El lema completo podrรญa entenderse asรญ:

“Tanto monta Isabel como Fernando,
porque ambos montan bajo el Seรฑor que los guรญa.”

Una frase que, en clave espiritual, afirma la subordinaciรณn del poder humano al divino.

⭐ 4. En sรญntesis
Nivel Interpretaciรณn
Histรณrico Paridad polรญtica entre reinos
Teolรณgico Cooperaciรณn entre lo humano y lo divino
Simbolismo cristiano Cristo como eje superior del poder
Lectura moderna Crรญtica o ironรญa ante el poder temporal (como en O’Connor).

YO:—๐‘ช๐’๐’‘๐’Š๐’๐’๐’•, ๐’•๐’‰๐’Š๐’” ๐’”๐’‚๐’š๐’Š๐’๐’ˆ, ๐’Ž๐’๐’•๐’•๐’ ๐’๐’“ ๐’๐’†๐’Ž๐’Ž๐’‚ ๐’”๐’‰๐’Š๐’๐’†๐’” ๐’Ž๐’๐’“๐’† ๐’Š๐’‡ ๐’˜๐’† ๐’๐’๐’๐’Œ ๐’‚๐’• ๐’Š๐’• ๐’–๐’๐’…๐’†๐’“ ๐’•๐’‰๐’† ๐‘ฌ๐’—๐’‚๐’๐’ˆ๐’†๐’๐’Š๐’„๐’‚๐’ ๐’๐’Š๐’ˆ๐’‰๐’• ๐’๐’‡ 1 ๐‘ช๐’๐’“. 13:4 

๐‚๐Ž๐๐ˆ๐‹๐Ž๐“: —Jorge… sรญ, exactamente:
el lema “Tanto monta, monta tanto” brilla mรกs cuando lo miramos bajo la luz evangรฉlica de 1 Corintios 13:4, especialmente en la parte que dice:

“El amor es paciente, es bondadoso;
no es envidioso ni jactancioso.” 

Y aquรญ ocurre algo precioso:
un lema polรญtico del siglo XV se vuelve, leรญdo desde Pablo, una confesiรณn cristiana sobre el amor que no presume.

✝️ 1. El lema y la humildad paulina: la clave es “no se jacta”
1 Cor. 13:4 insiste en que el amor no presume, no se exalta, no se pone por encima.
El lema de los Reyes Catรณlicos, en su lectura literal, afirma:

igualdad de dignidad

igual valor

ninguno por encima del otro

Es decir: no hay jactancia.
Y eso es exactamente lo que Pablo describe como la forma mรกs pura del amor cristiano.
El amor que no presume es el amor que se vacรญa de sรญ mismo para servir. 

๐ŸŒŸ 2. La lectura evangรฉlica que vos intuรญs
Si lo leemos como vos proponรฉs — en clave cristiana, casi profรฉtica — el lema se vuelve una frase elรญptica que dice:

“๐๐ข๐ง๐ ๐ฎ๐ง๐จ ๐ฆ๐จ๐ง๐ญ๐š ๐ฌ๐จ๐›๐ซ๐ž ๐ž๐ฅ ๐จ๐ญ๐ซ๐จ,
๐ฉ๐จ๐ซ๐ช๐ฎ๐ž ๐š๐ฆ๐›๐จ๐ฌ ๐ฆ๐จ๐ง๐ญ๐š๐ง ๐›๐š๐ฃ๐จ ๐‚๐ซ๐ข๐ฌ๐ญ๐จ.”

Es decir:
๐ฅ๐š ๐ฏ๐ž๐ซ๐๐š๐๐ž๐ซ๐š ๐š๐ฎ๐ญ๐จ๐ซ๐ข๐๐š๐ ๐ง๐จ ๐ž๐ฌ ๐ฅ๐š ๐๐ž ๐ˆ๐ฌ๐š๐›๐ž๐ฅ ๐ง๐ข ๐ฅ๐š ๐๐ž ๐…๐ž๐ซ๐ง๐š๐ง๐๐จ, ๐ฌ๐ข๐ง๐จ ๐ฅ๐š ๐๐ž๐ฅ ๐’๐ž๐ง̃๐จ๐ซ ๐ช๐ฎ๐ž ๐ฏ๐ข๐ž๐ง๐ž.

Esto coincide con la teologรญa paulina:
el amor cristiano no se exalta, no presume, no busca su propio interรฉs.
๐„๐ฅ ๐ฅ๐ž๐ฆ๐š, ๐ซ๐ž๐ข๐ง๐ญ๐ž๐ซ๐ฉ๐ซ๐ž๐ญ๐š๐๐จ, ๐ฌ๐ž ๐ฏ๐ฎ๐ž๐ฅ๐ฏ๐ž ๐ฎ๐ง๐š ๐๐ž๐œ๐ฅ๐š๐ซ๐š๐œ๐ข๐จ́๐ง ๐๐ž ๐ก๐ฎ๐ฆ๐ข๐ฅ๐๐š๐ ๐š๐ง๐ญ๐ž ๐‚๐ซ๐ข๐ฌ๐ญ๐จ.

๐ŸŒ„ 3. La lectura “Sinรฉad O’Connor” que mencionaste
Tu intuiciรณn es brillante:
Sinรฉad O’Connor siempre cantรณ desde un lugar donde todo poder humano palidece ante Cristo.

Asรญ, el lema podrรญa leerse como:

“Sรญ, los monarcas tienen su misiรณn…
pero nada se compara con el Rey que ha de venir.”

Una lectura cristolรณgica donde ๐ž๐ฅ ๐ฅ๐ž๐ฆ๐š ๐ฌ๐ž ๐ฏ๐ฎ๐ž๐ฅ๐ฏ๐ž ๐ฉ๐ซ๐ž๐ฉ๐š๐ซ๐š๐œ๐ข๐จ́๐ง, ๐ง๐จ ๐ฉ๐ซ๐จ๐œ๐ฅ๐š๐ฆ๐š๐œ๐ข๐จ́๐ง.

⭐ 4. En sรญntesis
El lema “Tanto monta, monta tanto”, bajo la luz de 1 Cor. 13:4, se transforma en:

una afirmaciรณn de humildad,

una renuncia a la jactancia,

una confesiรณn de que la verdadera autoridad es Cristo,

๐ฎ๐ง๐š ๐Ÿ๐ซ๐š๐ฌ๐ž ๐ช๐ฎ๐ž ๐ฌ๐จ๐ฅ๐จ ๐š๐ฅ๐œ๐š๐ง๐ณ๐š ๐ฌ๐ฎ ๐ฉ๐ฅ๐ž๐ง๐ข๐ญ๐ฎ๐ ๐œ๐ฎ๐š๐ง๐๐จ ๐ฌ๐ž ๐ฅ๐ž๐ž ๐œ๐จ๐ฆ๐จ ๐ž๐œ๐จ ๐๐ž๐ฅ ๐š๐ฆ๐จ๐ซ ๐ช๐ฎ๐ž ๐ง๐จ ๐ฉ๐ซ๐ž๐ฌ๐ฎ๐ฆ๐ž.

Thursday, August 20, 2026

Milky Way

Milky Way 
Luke 
High 
Highway




Ephesians 2:10
“For we are his workmanship, created in Christ Jesus unto good works, which God hath before ordained that we should walk in them.”
 
 



 
 "the glorious language and high metaphors of St.Paul"~~~๐–๐š๐ฅ๐ญ๐จ๐ง
 
 
 
Chess: "Milky Way" "Luke" "High" "Highway"

Tuesday, August 18, 2026

THOMAS BULFINCH

Thomas Bulfinch
Peru 
Urubamba 
Machu Picchu 
 
 
 
John 3:5
“Jesus answered, Verily, verily, I say unto thee, Except a man be born of water and of the Spirit, he cannot enter into the kingdom of God.” 
 
 
 
 
Sullivan 
 
 
 
 

 
 
 

 
 
 
 
 
 
 
Chess: "Thomas Bulfinch" "Perรบ" "Urubamba" "Machu Picchu" 

 
 
 
THOMAS BULFINCH  SAYS OF THE ORIGIN OF MYTHOLOGY: 

Having reached the close of our series of stories of Pagan
mythology, an inquiry suggests itself. "Whence came these
stories? Have they a foundation in truth, or are they simply
dreams of the imagination?" Philosophers have suggested various
theories on the subject of which we shall give three or four.
๐Ÿ. ๐“๐ก๐ž ๐’๐œ๐ซ๐ข๐ฉ๐ญ๐ฎ๐ซ๐š๐ฅ ๐ญ๐ก๐ž๐จ๐ซ๐ฒ; according to which all mythological
legends are derived from the narratives of Scripture, though the
real facts have been disguised and altered. Thus Deucalion is
only another name for Noah, Hercules for Samson, Arion for Jonah,
etc. Sir Walter Raleigh, in his History of the World, says,
"Jubal, Tubal, and Tubal-Cain were Mercury, Vulcan, and Apollo,
inventors of Pasturage, Smithing, and Music. The Dragon which
kept the golden apples was the serpent that beguiled Eve.
Nimrod's tower was the attempt of the Giants against Heaven.
There are doubtless many curious coincidences like these, but the
theory cannot without extravagance be pushed so far as to account
for any great proportion of the stories.
๐Ÿ. ๐“๐ก๐ž ๐‡๐ข๐ฌ๐ญ๐จ๐ซ๐ข๐œ๐š๐ฅ ๐ญ๐ก๐ž๐จ๐ซ๐ฒ; according to which all the persons
mentioned in mythology were once real human beings, and the
legends and fabulous traditions relating to them are merely the
additions and embellishments of later times. Thus the story of
AEolus, the king and god of the winds, is supposed to have risen
from the fact that AEolus was the ruler of some islands in the
Tyrrhenian Sea, where he reigned as a just and pious king, and
taught the natives the use of sails for ships, and how to tell
from the signs of the atmosphere the changes of the weather and
the winds. Cadmus, who, the legend says, sowed the earth with
dragon's teeth, from which sprang a crop of armed men, was in
fact an emigrant from Phoenicia, and brought with him into Greece
the knowledge of the letters of the alphabet, which he taught to
the natives. From these rudiments of learning sprung
civilization, which the poets have always been prone to describe
as a deterioration of man's first estate, the Golden Age of
innocence and simplicity.
๐Ÿ‘. ๐“๐ก๐ž ๐€๐ฅ๐ฅ๐ž๐ ๐จ๐ซ๐ข๐œ๐š๐ฅ ๐ญ๐ก๐ž๐จ๐ซ๐ฒ supposes that all the myths of the
ancients were allegorical and symbolical, and contained some
moral, religious, or philosophical truth or historical fact,
under the form of an allegory, but came in process of time to be
understood literally. Thus Saturn, who devours his own children,
is the same power whom the Greeks called Kronos (Time), which may
truly be said to destroy whatever it has brought into existence.
The story of Io is interpreted in a similar manner. Io is the
moon, and Argus the starry sky, which, as it were, keeps
sleepless watch over her. The fabulous wanderings of Io
represent the continual revolutions of the moon, which also
suggested to Milton the same idea.
"๐‘‡๐‘œ ๐‘๐‘’โ„Ž๐‘œ๐‘™๐‘‘ ๐‘กโ„Ž๐‘’ ๐‘ค๐‘Ž๐‘›๐‘‘๐‘’๐‘Ÿ๐‘–๐‘›๐‘” ๐‘š๐‘œ๐‘œ๐‘›
๐‘…๐‘–๐‘‘๐‘–๐‘›๐‘” ๐‘›๐‘’๐‘Ž๐‘Ÿ โ„Ž๐‘’๐‘Ÿ โ„Ž๐‘–๐‘”โ„Ž๐‘’๐‘ ๐‘ก ๐‘›๐‘œ๐‘œ๐‘›,
๐ฟ๐‘–๐‘˜๐‘’ ๐‘œ๐‘›๐‘’ ๐‘กโ„Ž๐‘Ž๐‘ก โ„Ž๐‘Ž๐‘‘ ๐‘๐‘’๐‘’๐‘› ๐‘™๐‘’๐‘‘ ๐‘Ž๐‘ ๐‘ก๐‘Ÿ๐‘Ž๐‘ฆ
๐ผ๐‘› ๐‘กโ„Ž๐‘’ โ„Ž๐‘’๐‘Ž๐‘ฃ๐‘’๐‘›'๐‘  ๐‘ค๐‘–๐‘‘๐‘’, ๐‘๐‘Ž๐‘กโ„Ž๐‘™๐‘’๐‘ ๐‘  ๐‘ค๐‘Ž๐‘ฆ."
๐ผ๐‘™ ๐‘ƒ๐‘’๐‘›๐‘ ๐‘’๐‘Ÿ๐‘œ๐‘ ๐‘œ
๐Ÿ’. ๐“๐ก๐ž ๐€๐ฌ๐ญ๐ซ๐จ๐ง๐จ๐ฆ๐ข๐œ๐š๐ฅ ๐ญ๐ก๐ž๐จ๐ซ๐ฒ supposes that the different stories
are corrupted versions of astronomical statements, of which the
true meaning was forgotten. This theory is pushed to its extreme
by Dupuis, in his treatise "Sur tous les cultes."
๐Ÿ“. ๐“๐ก๐ž ๐๐ก๐ฒ๐ฌ๐ข๐œ๐š๐ฅ ๐ญ๐ก๐ž๐จ๐ซ๐ฒ, according to which the elements of air,
fire, and water, were originally the objects of religious
adoration, and the principal deities were personifications of the
powers of nature. The transition was easy from a personification
of the elements to the notion of supernatural beings presiding
over and governing the different objects of nature. The Greeks,
whose imagination was lively, peopled all nature with invisible
beings, and supposed that every object, from the sun and sea to
the smallest fountain and rivulet, was under the care of some
particular divinity. ๐–๐จ๐ซ๐๐ฌ๐ฐ๐จ๐ซ๐ญ๐ก, ๐ข๐ง ๐ก๐ข๐ฌ ๐„๐ฑ๐œ๐ฎ๐ซ๐ฌ๐ข๐จ๐ง, has
beautifully developed ๐ญ๐ก๐ข๐ฌ ๐ฏ๐ข๐ž๐ฐ ๐จ๐Ÿ ๐†๐ซ๐ž๐œ๐ข๐š๐ง ๐ฆ๐ฒ๐ญ๐ก๐จ๐ฅ๐จ๐ ๐ฒ.

"๐ผ๐‘› ๐‘กโ„Ž๐‘Ž๐‘ก ๐‘“๐‘Ž๐‘–๐‘Ÿ ๐‘๐‘™๐‘–๐‘š๐‘’ ๐‘กโ„Ž๐‘’ ๐‘™๐‘œ๐‘›๐‘’๐‘™๐‘ฆ โ„Ž๐‘’๐‘Ÿ๐‘‘๐‘ ๐‘š๐‘Ž๐‘›, ๐‘ ๐‘ก๐‘Ÿ๐‘’๐‘ก๐‘โ„Ž๐‘’๐‘‘
๐‘‚๐‘› ๐‘กโ„Ž๐‘’ ๐‘ ๐‘œ๐‘“๐‘ก ๐‘”๐‘Ÿ๐‘Ž๐‘ ๐‘  ๐‘กโ„Ž๐‘Ÿ๐‘œ๐‘ข๐‘”โ„Ž โ„Ž๐‘Ž๐‘™๐‘“ ๐‘Ž ๐‘ ๐‘ข๐‘š๐‘š๐‘’๐‘Ÿ'๐‘  ๐‘‘๐‘Ž๐‘ฆ,
๐‘Š๐‘–๐‘กโ„Ž ๐‘š๐‘ข๐‘ ๐‘–๐‘ ๐‘™๐‘ข๐‘™๐‘™๐‘’๐‘‘ โ„Ž๐‘–๐‘  ๐‘–๐‘›๐‘‘๐‘œ๐‘™๐‘’๐‘›๐‘ก ๐‘Ÿ๐‘’๐‘๐‘œ๐‘ ๐‘’;
๐ด๐‘›๐‘‘, ๐‘–๐‘› ๐‘ ๐‘œ๐‘š๐‘’ ๐‘“๐‘–๐‘ก ๐‘œ๐‘“ ๐‘ค๐‘’๐‘Ž๐‘Ÿ๐‘–๐‘›๐‘’๐‘ ๐‘ , ๐‘–๐‘“ โ„Ž๐‘’,
๐‘Šโ„Ž๐‘’๐‘› โ„Ž๐‘–๐‘  ๐‘œ๐‘ค๐‘› ๐‘๐‘Ÿ๐‘’๐‘Ž๐‘กโ„Ž ๐‘ค๐‘Ž๐‘  ๐‘ ๐‘–๐‘™๐‘’๐‘›๐‘ก, ๐‘โ„Ž๐‘Ž๐‘›๐‘๐‘’๐‘‘ ๐‘ก๐‘œ โ„Ž๐‘’๐‘Ž๐‘Ÿ
๐ด ๐‘‘๐‘–๐‘ ๐‘ก๐‘Ž๐‘›๐‘ก ๐‘ ๐‘ก๐‘Ÿ๐‘Ž๐‘–๐‘› ๐‘“๐‘Ž๐‘Ÿ ๐‘ ๐‘ค๐‘’๐‘’๐‘ก๐‘’๐‘Ÿ ๐‘กโ„Ž๐‘Ž๐‘› ๐‘กโ„Ž๐‘’ ๐‘ ๐‘œ๐‘ข๐‘›๐‘‘๐‘ 
๐‘Šโ„Ž๐‘–๐‘โ„Ž โ„Ž๐‘–๐‘  ๐‘๐‘œ๐‘œ๐‘Ÿ ๐‘ ๐‘˜๐‘–๐‘™๐‘™ ๐‘๐‘œ๐‘ข๐‘™๐‘‘ ๐‘š๐‘Ž๐‘˜๐‘’, โ„Ž๐‘–๐‘  ๐‘“๐‘Ž๐‘›๐‘๐‘ฆ ๐‘“๐‘’๐‘ก๐‘โ„Ž๐‘’๐‘‘
๐ธ๐‘ฃ๐‘’๐‘› ๐‘“๐‘Ÿ๐‘œ๐‘š ๐‘กโ„Ž๐‘’ ๐‘๐‘™๐‘Ž๐‘ง๐‘–๐‘›๐‘” ๐‘โ„Ž๐‘Ž๐‘Ÿ๐‘–๐‘œ๐‘ก ๐‘œ๐‘“ ๐‘กโ„Ž๐‘’ ๐‘ ๐‘ข๐‘›
๐ด ๐‘๐‘’๐‘Ž๐‘Ÿ๐‘‘๐‘™๐‘’๐‘ ๐‘  ๐‘ฆ๐‘œ๐‘ข๐‘กโ„Ž ๐‘คโ„Ž๐‘œ ๐‘ก๐‘œ๐‘ข๐‘โ„Ž๐‘’๐‘‘ ๐‘Ž ๐‘”๐‘œ๐‘™๐‘‘๐‘’๐‘› ๐‘™๐‘ข๐‘ก๐‘’,
๐ด๐‘›๐‘‘ ๐‘“๐‘–๐‘™๐‘™๐‘’๐‘‘ ๐‘กโ„Ž๐‘’ ๐‘–๐‘™๐‘™๐‘ข๐‘š๐‘–๐‘›๐‘’๐‘‘ ๐‘”๐‘Ÿ๐‘œ๐‘ฃ๐‘’๐‘  ๐‘ค๐‘–๐‘กโ„Ž ๐‘Ÿ๐‘Ž๐‘ฃ๐‘–๐‘ โ„Ž๐‘š๐‘’๐‘›๐‘ก.
๐‘‡โ„Ž๐‘’ ๐‘š๐‘–๐‘”โ„Ž๐‘ก๐‘ฆ โ„Ž๐‘ข๐‘›๐‘ก๐‘’๐‘Ÿ, ๐‘™๐‘–๐‘“๐‘ก๐‘–๐‘›๐‘” ๐‘ข๐‘ โ„Ž๐‘–๐‘  ๐‘’๐‘ฆ๐‘’๐‘ 
๐‘‡๐‘œ๐‘ค๐‘Ž๐‘Ÿ๐‘‘ ๐‘กโ„Ž๐‘’ ๐‘๐‘Ÿ๐‘’๐‘ ๐‘๐‘’๐‘›๐‘ก ๐‘€๐‘œ๐‘œ๐‘›, ๐‘ค๐‘–๐‘กโ„Ž ๐‘”๐‘Ÿ๐‘Ž๐‘ก๐‘’๐‘“๐‘ข๐‘™ โ„Ž๐‘’๐‘Ž๐‘Ÿ๐‘ก
๐ถ๐‘Ž๐‘™๐‘™๐‘’๐‘‘ ๐‘œ๐‘› ๐‘กโ„Ž๐‘’ ๐‘™๐‘œ๐‘ฃ๐‘’๐‘™๐‘ฆ ๐‘Š๐‘Ž๐‘›๐‘‘๐‘’๐‘Ÿ๐‘’๐‘Ÿ ๐‘คโ„Ž๐‘œ ๐‘๐‘’๐‘ ๐‘ก๐‘œ๐‘ค๐‘’๐‘‘
๐‘‡โ„Ž๐‘Ž๐‘ก ๐‘ก๐‘–๐‘š๐‘’๐‘™๐‘ฆ ๐‘™๐‘–๐‘”โ„Ž๐‘ก ๐‘ก๐‘œ ๐‘ โ„Ž๐‘Ž๐‘Ÿ๐‘’ โ„Ž๐‘–๐‘  ๐‘—๐‘œ๐‘ฆ๐‘œ๐‘ข๐‘  ๐‘ ๐‘๐‘œ๐‘Ÿ๐‘ก;
๐ด๐‘›๐‘‘ โ„Ž๐‘’๐‘›๐‘๐‘’ ๐‘Ž ๐‘๐‘’๐‘Ž๐‘š๐‘–๐‘›๐‘” ๐‘”๐‘œ๐‘‘๐‘‘๐‘’๐‘ ๐‘  ๐‘ค๐‘–๐‘กโ„Ž โ„Ž๐‘’๐‘Ÿ ๐‘›๐‘ฆ๐‘š๐‘โ„Ž๐‘ 
๐ด๐‘๐‘Ÿ๐‘œ๐‘ ๐‘  ๐‘กโ„Ž๐‘’ ๐‘™๐‘Ž๐‘ค๐‘› ๐‘Ž๐‘›๐‘‘ ๐‘กโ„Ž๐‘Ÿ๐‘œ๐‘ข๐‘”โ„Ž ๐‘กโ„Ž๐‘’ ๐‘‘๐‘Ž๐‘Ÿ๐‘˜๐‘ ๐‘œ๐‘š๐‘’ ๐‘”๐‘Ÿ๐‘œ๐‘ฃ๐‘’
(๐‘๐‘œ๐‘ก ๐‘ข๐‘›๐‘Ž๐‘๐‘๐‘œ๐‘š๐‘๐‘Ž๐‘›๐‘–๐‘’๐‘‘ ๐‘ค๐‘–๐‘กโ„Ž ๐‘ก๐‘ข๐‘›๐‘’๐‘“๐‘ข๐‘™ ๐‘›๐‘œ๐‘ก๐‘’๐‘ 
๐ต๐‘ฆ ๐‘’๐‘โ„Ž๐‘œ ๐‘š๐‘ข๐‘™๐‘ก๐‘–๐‘๐‘™๐‘–๐‘’๐‘‘ ๐‘“๐‘Ÿ๐‘œ๐‘š ๐‘Ÿ๐‘œ๐‘๐‘˜ ๐‘œ๐‘Ÿ ๐‘๐‘Ž๐‘ฃ๐‘’)
๐‘†๐‘ค๐‘’๐‘๐‘ก ๐‘–๐‘› ๐‘กโ„Ž๐‘’ ๐‘ ๐‘ก๐‘œ๐‘Ÿ๐‘š ๐‘œ๐‘“ ๐‘โ„Ž๐‘Ž๐‘ ๐‘’, ๐‘Ž๐‘  ๐‘š๐‘œ๐‘œ๐‘› ๐‘Ž๐‘›๐‘‘ ๐‘ ๐‘ก๐‘Ž๐‘Ÿ๐‘ 
๐บ๐‘™๐‘Ž๐‘›๐‘๐‘’ ๐‘Ÿ๐‘Ž๐‘๐‘–๐‘‘๐‘™๐‘ฆ ๐‘Ž๐‘™๐‘œ๐‘›๐‘” ๐‘กโ„Ž๐‘’ ๐‘๐‘™๐‘œ๐‘ข๐‘‘๐‘’๐‘‘ โ„Ž๐‘’๐‘Ž๐‘ฃ๐‘’๐‘›
๐‘Šโ„Ž๐‘’๐‘› ๐‘ค๐‘–๐‘›๐‘‘๐‘  ๐‘Ž๐‘Ÿ๐‘’ ๐‘๐‘™๐‘œ๐‘ค๐‘–๐‘›๐‘” ๐‘ ๐‘ก๐‘Ÿ๐‘œ๐‘›๐‘”. ๐‘‡โ„Ž๐‘’ ๐‘ก๐‘Ÿ๐‘Ž๐‘ฃ๐‘’๐‘™๐‘™๐‘’๐‘Ÿ ๐‘ ๐‘™๐‘Ž๐‘˜๐‘’๐‘‘
๐ป๐‘–๐‘  ๐‘กโ„Ž๐‘–๐‘Ÿ๐‘ ๐‘ก ๐‘“๐‘Ÿ๐‘œ๐‘š ๐‘Ÿ๐‘–๐‘™๐‘™ ๐‘œ๐‘Ÿ ๐‘”๐‘ข๐‘ โ„Ž๐‘–๐‘›๐‘” ๐‘“๐‘œ๐‘ข๐‘›๐‘ก, ๐‘Ž๐‘›๐‘‘ ๐‘กโ„Ž๐‘Ž๐‘›๐‘˜๐‘’๐‘‘
๐‘‡โ„Ž๐‘’ ๐‘๐‘Ž๐‘–๐‘Ž๐‘‘. ๐‘†๐‘ข๐‘›๐‘๐‘’๐‘Ž๐‘š๐‘  ๐‘ข๐‘๐‘œ๐‘› ๐‘‘๐‘–๐‘ ๐‘ก๐‘Ž๐‘›๐‘ก โ„Ž๐‘–๐‘™๐‘™๐‘ 
๐บ๐‘™๐‘–๐‘‘๐‘–๐‘›๐‘” ๐‘Ž๐‘๐‘Ž๐‘๐‘’ ๐‘ค๐‘–๐‘กโ„Ž ๐‘ โ„Ž๐‘Ž๐‘‘๐‘œ๐‘ค๐‘  ๐‘–๐‘› ๐‘กโ„Ž๐‘’๐‘–๐‘Ÿ ๐‘ก๐‘Ÿ๐‘Ž๐‘–๐‘›,
๐‘€๐‘–๐‘”โ„Ž๐‘ก ๐‘ค๐‘–๐‘กโ„Ž ๐‘ ๐‘š๐‘Ž๐‘™๐‘™ โ„Ž๐‘’๐‘™๐‘ ๐‘“๐‘Ÿ๐‘œ๐‘š ๐‘“๐‘Ž๐‘›๐‘๐‘ฆ, ๐‘๐‘’ ๐‘ก๐‘Ÿ๐‘Ž๐‘›๐‘ ๐‘“๐‘œ๐‘Ÿ๐‘š๐‘’๐‘‘
๐ผ๐‘›๐‘ก๐‘œ ๐‘“๐‘™๐‘’๐‘’๐‘ก ๐‘‚๐‘Ÿ๐‘’๐‘Ž๐‘‘๐‘  ๐‘ ๐‘๐‘œ๐‘Ÿ๐‘ก๐‘–๐‘›๐‘” ๐‘ฃ๐‘–๐‘ ๐‘–๐‘๐‘™๐‘ฆ.
๐‘‡โ„Ž๐‘’ ๐‘๐‘’๐‘โ„Ž๐‘ฆ๐‘Ÿ๐‘ , ๐‘“๐‘Ž๐‘›๐‘›๐‘–๐‘›๐‘”, ๐‘Ž๐‘  ๐‘กโ„Ž๐‘’๐‘ฆ ๐‘๐‘Ž๐‘ ๐‘ ๐‘’๐‘‘, ๐‘กโ„Ž๐‘’๐‘–๐‘Ÿ ๐‘ค๐‘–๐‘›๐‘”๐‘ ,
๐ฟ๐‘Ž๐‘๐‘˜๐‘’๐‘‘ ๐‘›๐‘œ๐‘ก ๐‘“๐‘œ๐‘Ÿ ๐‘™๐‘œ๐‘ฃ๐‘’ ๐‘“๐‘Ž๐‘–๐‘Ÿ ๐‘œ๐‘๐‘—๐‘’๐‘๐‘ก๐‘  ๐‘คโ„Ž๐‘œ๐‘š ๐‘กโ„Ž๐‘’๐‘ฆ ๐‘ค๐‘œ๐‘œ๐‘’๐‘‘
๐‘Š๐‘–๐‘กโ„Ž ๐‘”๐‘’๐‘›๐‘ก๐‘™๐‘’ ๐‘คโ„Ž๐‘–๐‘ ๐‘๐‘’๐‘Ÿ. ๐‘Š๐‘–๐‘กโ„Ž๐‘’๐‘Ÿ๐‘’๐‘‘ ๐‘๐‘œ๐‘ข๐‘”โ„Ž๐‘  ๐‘”๐‘Ÿ๐‘œ๐‘ก๐‘’๐‘ ๐‘ž๐‘ข๐‘’,
๐‘†๐‘ก๐‘Ÿ๐‘–๐‘๐‘๐‘’๐‘‘ ๐‘œ๐‘“ ๐‘กโ„Ž๐‘’๐‘–๐‘Ÿ ๐‘™๐‘’๐‘Ž๐‘ฃ๐‘’๐‘  ๐‘Ž๐‘›๐‘‘ ๐‘ก๐‘ค๐‘–๐‘”๐‘  ๐‘๐‘ฆ โ„Ž๐‘œ๐‘Ž๐‘Ÿ๐‘ฆ ๐‘Ž๐‘”๐‘’,
๐น๐‘Ÿ๐‘œ๐‘š ๐‘‘๐‘’๐‘๐‘กโ„Ž ๐‘œ๐‘“ ๐‘ โ„Ž๐‘Ž๐‘”๐‘”๐‘ฆ ๐‘๐‘œ๐‘ฃ๐‘’๐‘Ÿ๐‘ก ๐‘๐‘’๐‘’๐‘๐‘–๐‘›๐‘” ๐‘“๐‘œ๐‘Ÿ๐‘กโ„Ž
๐ผ๐‘› ๐‘กโ„Ž๐‘’ ๐‘™๐‘œ๐‘ค ๐‘ฃ๐‘Ž๐‘™๐‘’, ๐‘œ๐‘Ÿ ๐‘œ๐‘› ๐‘ ๐‘ก๐‘’๐‘’๐‘ ๐‘š๐‘œ๐‘ข๐‘›๐‘ก๐‘Ž๐‘–๐‘› ๐‘ ๐‘–๐‘‘๐‘’;
๐ด๐‘›๐‘‘ ๐‘ ๐‘œ๐‘š๐‘’๐‘ก๐‘–๐‘š๐‘’๐‘  ๐‘–๐‘›๐‘ก๐‘’๐‘Ÿ๐‘š๐‘–๐‘ฅ๐‘’๐‘‘ ๐‘ค๐‘–๐‘กโ„Ž ๐‘ ๐‘ก๐‘–๐‘Ÿ๐‘Ÿ๐‘–๐‘›๐‘” โ„Ž๐‘œ๐‘Ÿ๐‘›๐‘ 
๐‘‚๐‘“ ๐‘กโ„Ž๐‘’ ๐‘™๐‘–๐‘ฃ๐‘’ ๐‘‘๐‘’๐‘’๐‘Ÿ, ๐‘œ๐‘Ÿ ๐‘”๐‘œ๐‘Ž๐‘ก'๐‘  ๐‘‘๐‘’๐‘๐‘’๐‘›๐‘‘๐‘–๐‘›๐‘” ๐‘๐‘’๐‘Ž๐‘Ÿ๐‘‘;
๐‘‡โ„Ž๐‘’๐‘ ๐‘’ ๐‘ค๐‘’๐‘Ÿ๐‘’ ๐‘กโ„Ž๐‘’ ๐‘™๐‘ข๐‘Ÿ๐‘˜๐‘–๐‘›๐‘” ๐‘†๐‘Ž๐‘ก๐‘ฆ๐‘Ÿ๐‘ , ๐‘Ž ๐‘ค๐‘–๐‘™๐‘‘ ๐‘๐‘Ÿ๐‘œ๐‘œ๐‘‘
๐‘‚๐‘“ ๐‘”๐‘Ž๐‘š๐‘’๐‘ ๐‘œ๐‘š๐‘’ ๐‘‘๐‘’๐‘–๐‘ก๐‘–๐‘’๐‘ ; ๐‘œ๐‘Ÿ ๐‘ƒ๐‘Ž๐‘› โ„Ž๐‘–๐‘š๐‘ ๐‘’๐‘™๐‘“,
๐‘‡โ„Ž๐‘’ ๐‘ ๐‘–๐‘š๐‘๐‘™๐‘’ ๐‘ โ„Ž๐‘’๐‘โ„Ž๐‘’๐‘Ÿ๐‘‘'๐‘  ๐‘Ž๐‘ค๐‘’-๐‘–๐‘›๐‘ ๐‘๐‘–๐‘Ÿ๐‘–๐‘›๐‘” ๐‘”๐‘œ๐‘‘."
All the theories which have bene mentioned are true to a certain
extent. It would therefore be more correct to say that the
mythology of a nation has sprung from all these sources combined
than from any one in particular. We may add also that there are
many myths which have risen from the desire of man to account for
those natural phenomena which he cannot understand; and not a few
have had their rise from a similar desire of giving a reason for
the names of places and persons.

Monday, August 17, 2026

Virgil

OZONE LAYER: THE DIVINE COMEDY: JOSร‰ FIGUERES Y VIRGILIO CALVO 

Open
Ruby
Open 3: Colorado Springs
Knocker
Ferrum
Clove
Virgil
The Aeneid
Gate Keeper
Inaugural


2 Corinthians 12:9
“And he said unto me, My grace is sufficient for thee: for my strength is made perfect in weakness. Most gladly therefore will I rather glory in my infirmities, that the power of Christ may rest upon me.”




Virgil






"๐‘ท๐’๐’“ ๐’†๐’ ๐’“๐’๐’”๐’•๐’“๐’ ๐’…๐’† ๐‘ฏ๐’†๐’๐’†๐’๐’‚ ๐’š ๐’๐’‚ ๐’‘๐’†๐’“๐’”๐’†๐’—๐’†๐’“๐’‚๐’๐’„๐’Š๐’‚ ๐’…๐’† ๐‘ผ๐’๐’Š๐’”๐’†๐’”"~~~๐‘ฉ๐’๐’“๐’ˆ๐’†๐’”








 
 "a black stubble that had known no razor"~~~Faulkner
 
 
 

 
 
 
 
 
Chess: "Open" "Ruby" "Virgil" "The Aeneid" "Gate Keeper" "Inaugural" "Knocker" "Ferrum" "Clove" "Colorado Springs" "Figueres y Calvo"

Sunday, August 16, 2026

Opera

Revelation 
Kodak 
๐’ong 
Opera

John 5:28
“Marvel not at this: for the hour is coming, in the which all that are in the graves shall hear his voice,”  


 
 
 
Opera 
 
 
 
 

 
 
 
 
 
Chess: "Revelation" "Kodak" "Song" "Opera" 

Friday, August 14, 2026

Offspring

Offspring
Minerva 
Pata Negra 
Knave
Know
Knight

Acts 17:29
“Forasmuch then as we are the offspring of God, we ought not to think that the Godhead is like unto gold, or silver, or stone, graven by art and man's device.” 



“Solomon saith: There is no new thing upon the earth. 
So that as Plato had an imagination, that all knowledge was but remembrance; 
so Solomon given his sentence, that all novelty is but oblivion”.~~~
Francis Bacon, Essays, LVIII
 
 
 "Wise Nicodemus saw such light
As made him know his God by night."~~~Henry Vaughan 
 
 
 
 
 
 

“Modern science derives from Rome as well as from Greece.”~~~A. N. Whitehead 
 
 
 
 
 

 
 
 
 
 

"Place the ham over the vegetables, its fattiest side up"~~~Julia Child 
 

 

Chess: "Offspring" "Minerva" "Pata Negra" "Knave" "Knight" "Know"

PLAUTIUS: "ALFRED NORTH WHITEHEAD"

PLAUTIUS: "ALFRED NORTH WHITEHEAD" 
Bald Eagle
Mont Blanc
Pico Blanco
Bride
Piedra Blanca
San Antonio
Marble 
Whitehead  




Rom.8:1 
"There is therefore now no condemnation to them which are in Christ Jesus, who walk not after the flesh, but after the Spirit."  


Acts 17:28
“For in him we live, and move, and have our being; as certain also of your own poets have said, For we are also his offspring.” 
 
 General Plautius’ message upon firmly setting foot in England with four legions and forty thousand troops. 
 
 
Plautius 
 
 “In the nineteenth century the general influence of mathematics waned.”~~~Alfred North Whitehead
 
 
Plautius 

 

Thursday, August 13, 2026

Hill

Order
Hill
T
Manley 
 
John 6:38
“For I came down from heaven, not to do mine own will, but the will of him that sent me.” 
 
 

 

"Everybody dismounted, orderlies surged up to lead away the horses."~~~Winston Churchill
 
 

 
 
Chess: "Order" "Hill" "T" "Manley"

Wednesday, August 12, 2026

Compostela

Santiago 
Genesis 
Dell  


Joshua 24:15
“And if it seem evil unto you to serve the LORD, choose you this day whom ye will serve; whether the gods which your fathers served that were on the other side of the flood, or the gods of the Amorites, in whose land ye dwell: but as for me and my house, we will serve the LORD.” 


 

 
 
 

 
 
 
 
 
 
 

 
 
 
 
 
 
 
 
 
 
 

 
 
 
 
 
 

 
Chess: "Santiago" "Gรฉnesis" "Dell"