Tangier
Tanger
Marruecos
Morocco
John 3:27
“John answered and said, A man can receive nothing, except it be given him from heaven.”
Risen from the dead, Christ appears to his grieving follower, Mary Magdalene, in the Garden of Gethsemane. At first she mistakes him for a gardener but then reaches out her hand in wonder. Christ says, ‘Do not touch me’ (in Latin, noli me tangere); it is time for his followers to let go of his earthly presence and await the Holy Ghost (John 20: 14–18).
This is one of the earliest works by Titian in the National Gallery’s collection. Its high-key colours and the way the figures are set in a natural landscape echo the style of Giorgione, with whom Titian trained. The lines of the tree and the hillside draw attention to the look between the figures. Titian has suggested Christ’s gauzy loincloth and Mary Magdalene’s scarf with dragged brushstrokes of lead white that catch the texture of the painting’s canvas.
RHETORIC:
Its best known definition comes from Aristotle, who considers it a counterpart of both logic and politics, and calls it "the faculty of observing in any given case the available means of persuasion."
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Y que la gente entienda la "PEDAGOGÍA" que encierra la narración de Adán y Eva en el Paraíso, para que los Jesuitas puedan vivir en cualquier lado, ya sea El Salvador, Costa Rica o el Paraíso, verdad Gioconda?
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