Showing posts with label Buenos Aires. Show all posts
Showing posts with label Buenos Aires. Show all posts

Sunday, March 16, 2025

Buenos Aires

Buenos Aires
Santiago
"Cono Sur" 

Matthew 7:6
“Give not that which is holy unto the dogs, neither cast ye your pearls before swine, lest they trample them under their feet, and turn again and rend you.”
 
 
 
 
 
 
 
Avenida 9 de Julio, Buenos Aires

 
 
 

 
 
 
 
 

Chess: "Buenos Aires" "Santiago" "Cono Sur"

Friday, June 21, 2024

La Niña

La Niña
Buenos Aires
White Sands
Puntarenas
Volcán Arenal


Matthew 17:20
“... If ye have faith as a grain of mustard seed, ye shall say unto this mountain, Remove hence to yonder place; and it shall remove; and nothing shall be impossible unto yo
u.” 

 
 1-Archaeologists and botanists have found mustard seeds in Stone Age settlements.
2-Ancient Egyptians flavored their food with mustard, as evidenced by mustard seeds found in Tutankhamun’s tomb.
3-The Romans ground mustard seeds with wine, similar to today’s prepared mustards.
4-In AD 1000, Pope John XII loved mustard so much that he created a Vatican position for a mustard maker from the Dijon region.
 
 
 
 
 

 
 
 
 
 
 
 
La niña y el viento. 1969 Paco Amighetti
 
 
 
 
 
 

 
 
 
 
 
 
Belinda
 
 
 
 
Brooke
 
 "Italy, as the site of his romance, was chiefly valuable to him as affording a sort of poetic or fairy precinct, where actualities would not be so terribly insisted upon as they are, and must needs be, in America. No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily the case with my dear native land. It will be very long, I trust, before romance writers may find congenial and easily handled themes, either in the annals of our stalwart republic, or in any characteristic and probable events of our individual lives. Romance and poetry, ivy, lichens, and wall-flowers need ruin to make them grow."~~~NATHANIEL HAWTHORNE: Preface to The Romance of Monte Beni
 
Chess: "La Niña" "Buenos Aires" "White Sands" "Puntarenas" "Volcán Arenal"
 
VIA FLAMINIA ( Φλαμινία ὁδός), one of the most ancient and important of the highroads of Italy, which led from Rome direct to Ariminum, and may be considered as the Great North Road of the Romans, being the principal and most frequented line of communication with the whole of the north of Italy. It was also one of the first of the great highways of which we know with certainty the period of construction, having been made by C. Flaminius during his censorship (B.C. 220), with the express purpose of opening a free communication with the Gaulish territory, which he had himself reduced to subjection a few years before. (Liv. Epit. xx.) It is therefore certainly a mistake, when Strabo ascribes it to C. Flaminius (the son of the preceding), who was consul together with M. Aemilius Lepidus, the author of the Aemilian Way, in B.C. 187, and himself constructed a road from Bononia to Arretium. (Liv. 39.2; Strab. v. p.217.) It is certain that the Flaminian Way was in existence long before, and its military importance was already felt and known in the Second Panic War, when the consul Sempronius proceeded by it to Ariminum, to watch the movements and oppose the advance of Hannibal. (Liv. 22.11.) Throughout the period of the Republic, as well as under the Empire, it was one of the best known and most frequented of the highways of Italy. Cicero, in one of the Philippics, says there were three ways which led from Rome to Cisalpine Gaul: the Flaminian by the Upper Sea (the Adriatic), the Aurelian by the Lower, and the Cassian through the midst of Etruria (Phil. 12.9). During the contest between the generals of Vespasian and Vitellius (A.D. 69) the military importance of the Flaminian Way was fully brought out, and it was felt that its possession would be almost decisive of the victory. (Tac. Hist. 1.86, 3.52, &c.) Tacitus alludes to the extent to which this great highway was at this period frequented, and the consequent bustle and crowding of the towns on its course (Ib. 2.64). Most of these, indeed, seem to have grown up into flourishing and populous places, mainly in consequence of the traffic along the line of road.

So important a highway was naturally the object of much attention,and great pains were taken not only to maintain, but to restore and improve it. Thus, in B.C. 27, when Augustus assigned the care of the other highways to different persons of consular dignity, he reserved for himself that of the Via Flaminia, and completely restored it throughout its whole length from Rome to Ariminum, a service which was acknowledged by the erection of two triumphal arches in his honour, one at Rome, the other at Ariminum, the latter of which is still standing. [ARIMINUM] Again, at a later period, Vespasian added materially to the convenience of the road by constructing a tunnel through the rock at a place called Intercisa, now known as Il Furlo, a work which still subsists in its integrity. [INTERCISA] This remarkable passage is particularly noticed by the poet Claudian, who has left us a general description of the Flaminian Way, by which the emperor Honorius proceeded, in A.D. 404, from Ravenna to Rome. (Claudian, de VI. Cons. Hon. 494--522.) Indeed, it is evident that in the latter ages of the Empire, when the emperors for the most part took up their residence at Mediolanum or Ravenna, the Flaminian Way, which constituted the direct line of communication between those cities and Rome, must have become of still greater importance than before.

One proof of the important influence exercised by this great line of highway, is afforded by the circumstance that, like the Aemilian Way, it gave name to one of the provinces of Italy in the later division of that country under the Empire; though, by a strange confusion or perverseness, the name of Flaminia was given, not to the part of Umbria which was actually traversed by the Via Flaminia, but to the eastern [p. 2.1300]portion of Gallia Cispadana, which should naturally have been included in Aemilia. [ITALIA p. 93.]

There is no doubt, from the description of Claudian above cited, compared with the narrative in Tacitus of the movements of the Vitellian and Vespasian armies in A.D. 69, that the main line of the Via Flaminia continued the same throughout the Roman Empire, but we find it given in the Itineraries with some deviations. The principal of these was between Narnia and Forum Flaminii, where the original road ran direct from Narnia to Mevania, while a branch or loop made a circuit by Interamna and Spoletium, which appears to have come to be as much frequented as the main line, so that in both the Antonine and Jerusalem Itineraries this branch is given, instead of the direct line. Another route given in the Antonine Itinerary (p. 311) follows the line of the old Flaminian Way as far as Nuceria, but thence turns abruptly to the right across the main ridge of the Apennines, and descends the valley of the Potentia to Ancona. Though given in the Itinerary under the name of the Via Flaminia, it may well be doubted whether this route was ever properly so called. Before enumerating the stations and distances along this celebrated line of road, as recorded in the different Itineraries, it will be well to give a brief general description of its course, especially of that part of it nearest to Rome.

The Via Flaminia issued from the gate of the same name, the Porta Flaminia, which was situated nearly on the same site as the modern Porta del Popolo, but a little farther from the Tiber, and was carried thence in a direct line to the Pons Milvius (Ponte Molle), where it crossed the Tiber. This celebrated bridge, which so often figures in Roman history, was reckoned to be 3 miles from Rome, though only 2 from the Porta Flaminia, the distances being as usual computed from the ancient gate, the Porta Ratumena. After crossing the Tiber, the Flaminian Way turned to the right, keeping pretty close to the river, while the Via Cassia, which diverged from it at this point, ascended the table-land and proceeded nearly due N. The line of the Via Flaminia is here distinctly marked by the remains of several ancient sepulchres, with which its course was studded on both sides, like the Via Appia and Latina, for some miles from the gates of Rome. The number of such sepulchres on the line of the Via Flaminia is particularly noticed by Juvenal (1.171). One of these, which was discovered in the 17th century at a place called Grotta Rossa, obtained much celebrity from being supposed to be that of the family of Ovid, though in reality it belonged to a family of the name of Nasonius, which could have no connection with the poet, whose cognomen only was Naso.

Six miles from the Milvian Bridge (at a place now called Prima Porta) was the station of Saxa Rubra, or Ad Rubras as it is called in the Itineraries, which, from its proximity to Rome, and its position on the great northern highway, is repeatedly mentioned in history. [SAXA RUBRA] It was here that the VIA TIBERINA parted from the Flaminia, and, turning off to the right, followed closely the valley of the river, while the main line of the more important highway ascended the table-land, and held nearly a straight course to the station of Rostrata Villa, which is placed by the Antonine Itinerary 24 miles from Rome. The exact site of this cannot be identified, but it must have been a little short of Rignano. It is not mentioned in the Tabula or Jerusalem Itinerary, both of which, on the contrary, give another station, Ad Vicesimum, which, as its name imports, was situated 20 miles from Rome, and, therefore, 11 from Ad Rubras. It must therefore have been situated a little beyond the Monte di Guardia, but was evidently a mere Mutatio, or station for changing horses, and no ruins mark the site. But the course of the Via Flaminia can be traced with certainty across this table-land to the foot of Soracte, by portions of the ancient pavement still existing, and ruined tombs by the roadside. The next station set down in the Jerusalem Itinerary and the Tabula is Aqua Viva, 12 miles beyond Ad Vicesimum, and this is identified beyond a doubt with the Osteria dell' Acqua Viva, which is just at the required distance (32 miles) from Rome. Thence the ancient road proceeded direct to the Tiber, leaving Civita Castellana (the ancient Fescennium) on the left, and crossed the Tiber a little above Borghetto, where the remains of the ancient bridge are still visible, and still known as the Pile di Augusto. Thence it proceeded in a straight line to Ocriculum, the ruins of which are situated below the modern town of Otricoli. Ocriculum was 12 M. P. from Aqua Viva, or 44 from Rome, according to the detailed distances of the Jerusalem Itinerary, which are exactly correct. The Antonine Itinerary makes the distance in one place 45, in another 47 miles. (Itin. Ant. pp. 125, 311; Itin. Hier. p. 613. For a detailed examination of this first portion of the Via Flaminia, see Westphal, Römische Kampagne, pp. 133--145; Nibby, Vie degli Antichi, pp. 57--74.)

The remainder of the route must be more briefly described. From Ocriculum it led direct to Narnia (12 miles), where it crossed the Nar by the famous bridge, the ruins of which are still the admiration of travellers, and, quitting altogether the valley of the Nar, crossed the hills nearly in a straight line due N. to Mevania (Bevagna), passing by a station Ad Martis (16 M. P.), and thence to Mevania (16 M. P.): whence it proceeded to Forum Flaminii, at the foot of the Apennines. But the distances here have not been examined in detail, and most of the Itineraries (as already mentioned) give the circuitous or loop line (nearly coinciding with the modern road) by Interamna and Spoletium to Forum Flaminii. The stations on this road were, according to the Itin. Ant.:--

Interamna (Terniviii.M. P.
Spoletium (Spoletoxviii. 
Forum Flaminiixviii. 

but the Jerusalem Itinerary, which gives them in greater detail, makes the total distance somewhat greater. The stations as there set down are:--

Interamna (Terniviii.M. P.
Tres Tabernaeiii. 
Fanum Fugitivix. 
Spoletium (Spoletovii. 
Sacraria (Le Vene, at the sources of the Clitumnus)viii. 
Treba (Treviiiii. 
Fulginium (Folignov. 
Forum Flaminiiiii. 

The position of Forum Flaminii is well ascertained at a place called S. Giovanni in Forifiamma, where its ruins are still visible. This is, however, little more than 2 miles from Foligno, but is correctly placed by the Itineraries 12 miles from Nuceria (Nocera). There can be no doubt that the foundation of the town of Forum Flaminii was contemporary [p. 2.1301]with the construction of the highroad itself: it was judiciously placed just at the entrance of the Apennines, where the passage of those mountains may be considered to have commenced. Thence the highway followed nearly the same line as the modern road from Foligno to Fano, skirting the main ridge of the Apennines, and the principal stations can be identified without difficulty. It passed by Helvillum (Sigillo), crossed the central ridge of the Apennines at La Schieggia (probably Ad Ensem of the Tabula), and descended into the valley of the Cantiano, a tributary of the Metaurus, passing by Cales or Calles (Cagli), Intercisa (the Passo del Furlo), and emerging into the valley of the Metaurus at Forum Sempronii (Fossombrone), whence it descended the course of that river to Fanum Fortunae (Fano) on the Adriatic, and thence along the coast to Ariminum (Rimini), where it joined the Via Aemilia.

We may now recapitulate the distances as given, first, in the Antonine Itinerary (p. 125):--

Mustard Seed

Volcán Arenal
Ancient Egypt
"La Niña"
White Sands
Puntarenas
Buenos Aires
 
Ancient Egyptians flavored their food with mustard, as evidenced by mustard seeds found in Tutankhamun’s tomb.

 
Matthew 17:20
“And Jesus said unto them, Because of your unbelief: for verily I say unto you, If ye have faith as a grain of mustard seed, ye shall say unto this mountain, Remove hence to yonder place; and it shall remove; and nothing shall be impossible unto you.
” 





Chess: "La Niña" "Buenos Aires" "White Sands" "Puntarenas" "Volcán Arenal"

Wednesday, May 15, 2024

SOUL

Buenos Aires
Sydney
Santiago
Soul 
 
 
Hebrews 11:1
“Now faith is the substance of things hoped for, the evidence of things not seen.”


"when the wind soughed through the thick foliage"~~~Henry Miller

"A soul as full of warmth as void of pride"~~~Pope 
 

"But no one with an ounce of historical feeling or philosophic detachment can be blind to the great ideals, to the passionate belief in sanctity, to the expenditure of human genius in the service of God, which are made triumphantly visible to us with every step we take in Baroque Rome."~~~Kenneth Clark: Ch.7 Grandeur and Obedience







Castel Sant'Angelo:


 
 Castel Sant'Angelo:
The Mausoleum of Hadrian, also known as Castel Sant'Angelo ; English: Castle of the Holy Angel), is a towering rotunda (cylindrical building) in Parco Adriano, Rome, Italy. It was initially commissioned by the Roman Emperor Hadrian as a mausoleum for himself and his family. The popes later used the building as a fortress and castle, and it is now a museum. The structure was once the tallest building in Rome.

7 Grandeur and Obedience
"I am back in Rome, standing on the steps of the ancient church of Santa Maria Maggiore. The hellish Roman traffic swirls all round it, but inside  are the original columns of the fifth-century basilica, and above them the mosaics of Old Testament stories that are almost the earliest illustrations of the Bible that exist. Since old St Peter's was pulled down and the Lateran disguised in stucco, there is nowhere else in Rome where one gets such a powerful impression of the Christian Church before the barbarian conquests. This is the grandeur that the Roman Church had once achieved and was to achieve again. If one climbs to the roof of Santa Maria Maggiore one can see long straight streets, stretching for miles up and down, and each ending in a piazza containing a famous church — the Lateran, the Trinita dei Monti, Santa Croce in Gerusalemme - and in the piazzas are Egyptian obelisks, symbols of the first civilisation and god-directed state which Rome had superseded. This is Papal Rome as it was to remain until the present century, the most grandiose piece of town planning ever attempted. The amazing thing is that it was done only fifty years after Rome had been (as it seemed) completely humiliated - almost wiped off the map. The city had been sacked and burnt, the people of Northern Europe were heretics, the Turks were threatening Vienna. It could have seemed to a far-sighted intellectual (like the French intellectuals in 1940) that the Papacy's only course was to face the facts, and accept its dependence on the gold of America, doled out through Spain.
Well, this didn't happen. Rome and the Church of Rome regained many of the territories it had lost, and, what is more important to us, became once more a great spiritual force. But was it a civilising force? In England we tend to answer no. We have been conditioned by generations of liberal, Protestant historians who tell us that no society based on obedience, repression and superstition can be really civilised. But no one with an ounce of historical feeling or philosophic detachment can be blind to the great ideals, to the passionate belief in sanctity, to the expenditure of human genius in the service of God, which are made triumphantly visible to us with every step we take in Baroque Rome. Whatever it is, it isn't barbarian or provincial. Add to this that the Catholic revival was a popular movement, that it gave ordinary people a means of satisfying, through ritual, images and symbols, their deepest impulses, so that their minds were at peace ; and I  think one must agree to put off defining the word civilisation till we have looked at the Rome of the Popes.
The first thing that strikes one is that those who say the Renaissance had exhausted the Italian genius are very wide of the mark. After 1527 there was a failure of confidence; and no wonder. Historians may say that the Sack of Rome was more a symbol than a historically significant event : well, symbols sometimes feed the imagination more than facts - anyway the Sack was real enough to anyone who witnessed it. If you compare the lower part of Michelangelo's Last Judgement, which was commissioned by Clement VII as a kind of atonement for the Sack, with a group in Raphael's Disputa or with the Creation of Adam, you can see that something very drastic has happened to the imagination of Christendom."~~~
Kenneth Clark: Civilisation: Ch 7 Grandeur and Obedience.



 
 
 
Chess: "Buenos Aires" "Sydney" "Santiago" "Soul"
 
 
 


Thursday, September 21, 2023

Harvest

Harvest
Harvard
Buenos Aires
Boca Juniors
River Plate
Alfajores
Southern  man
 
Psalm 119:103
"How sweet are thy words unto my taste! yea, sweeter than honey to my mouth!"

 
 
 
 
🎨 Winslow Homer (American, 1836–1910). The Veteran in a New Field, 1865. Oil on canvas.
 
 
“the light brought the white church…into relief from the flat ledges”~~~Willa Cather
 
 
 
Alfajorges



The Temple of Edfu is an Egyptian temple located on the west bank of the Nile in Edfu, Upper Egypt. The city was known in the Hellenistic period in Koinē Greek: Ἀπόλλωνος πόλις and in Latin as Apollonopolis Magna, after the chief god Horus, who was identified as Apollo under the interpretatio graeca. It is one of the best preserved shrines in Egypt. The temple was built in the Ptolemaic Kingdom between 237 and 57 BC. The inscriptions on its walls provide important information on language, myth and religion during the Hellenistic period in Egypt. In particular, the Temple's inscribed building texts "provide details [both] of its construction, and also preserve information about the mythical interpretation of this and all other temples as the Island of Creation.
 
Chess:  "Harvest" "Harvard" "Buenos Aires" "Boca Juniors" "River Plate" "Alfajores"

Monday, January 11, 2021

Sabor-Saber

Sabor-Saber
Buenos Aires 
Tango

Psalm 66:17
"I cried unto him with my mouth, and he was extolled with my tongue."


I do not set up to be a poet . Only an all-round literary man: a man who talks, not one who sings...Excuse this apology; but I don't like to come before people who have a note of song, and let it be supposed I do not know the difference.~~~The Letters of Robert Louis Stevenson, II,77 (London,1899).



“El sabor de la manzana (declara Berkeley) está en el contacto de la fruta con el paladar, no en la fruta misma; análogamente (diría yo) la poesía está en el comercio del poema con el lector, no en la serie de símbolos que registran las páginas de un libro”~~~Jorge Luis Borges: Prólogo a OBRA POÉTICA

 

 

 

 


 

 

 

Dua Lipa en Tulum







Maria Sharapova





Chess: "Sabor-Saber" "Buenos Aires" "Tango"


Saturday, May 18, 2019

Buenos Aires

Buenos Aires
Windy City
Bank
Up
Bang
Eagle
La Casa Rosada
Candelabro

Prov.14:1
"Every wise woman buildeth her house: but the foolish plucketh it down with her hands."
  


Desde uno de tus patios haber mirado
las antiguas estrellas,
desde el banco de
la sombra haber mirado
esas luces dispersas
que mi ignorancia no ha aprendido a nombrar
ni a ordenar en constelaciones,
haber sentido el círculo del agua
en el secreto aljibe,
el olor del jazmín y la madreselva,
el silencio del pájaro dormido,
el arco del zaguán, la humedad
—esas cosas, acaso, son el poema.






 "UNA DELICIOSA PUTA!"
Me parece que esto, es lo que nos dice UXORIALMENTE nuestro Borges,al leer yo el párrafo que transcribo a continuación de su prólogo a su libro de EMECÉ, Obra Poética. Pienso que ahí nos da a entender que la literatura cuando entretiene es una deliciosa PUTA que se disfruta mucho en el momento pero que tiene que dar más.
"La literatura impone su magia por artificios; el lector acaba por reconocerlos y desdeñarlos; de ahí la constante necesidad de mínimas o
máximas variaciones, que pueden recuperar un pasado o prefigurar un futuro"~~~Jorge Luis Borges
O sea la literatura por su magia cuando sólo halaga el PRESENTE es el gitano Melquiades arrastrando por la calle un MAGNETO que desclava las casas y muebles en el pueblo de Macondo.






  “A sunrise breeze bandied the curtains”~~~Truman Capote




 "The Bean", Cloud Gate, Chicago







 “Every street was banked with purple-bloomimg trees”~~~Doris Lessing









La Casa Rosada, Buenos Aires, Argentina


'And yet my soul sings "Up!" and we are one.'~~~Ezra Pound: In Durance (1907)


Calle desconocida

(Fervor de Buenos Aires – Edición de 1969)

Penumbra de la paloma
llamaron los hebreos a la iniciación de la tarde*
cuando la sombra no entorpece los pasos
y la venida de la noche se advierte
como una música esperada y antigua,
como un grato declive.
En esa hora en que la luz
tiene una finura de arena,
di con una calle ignorada,
abierta en noble anchura de terraza,
cuyas cornisas y paredes mostraban
colores tenues como el mismo cielo
que conmovía el fondo.
Todo —la medianía de las casas,
las modestas balaustradas y llamadores,
tal vez una esperanza de niña en los balcones—
entró en mi vano corazón
con limpidez de lágrima.
Quizá esa hora de la tarde de plata
diera su ternura a la calle,
haciéndola tan real como un verso
olvidado y recuperado.
Sólo después reflexioné
que aquella calle de la tarde era ajena,
que toda casa es un candelabro
donde las vidas de los hombres arden
como velas aisladas,
que todo inmeditado paso nuestro
camina sobre Gólgotas.

Jorge Luis Borges. Fervor de Buenos Aires, Buenos Aires, Emecé Editores, 2007.

*«Es inexacta la noticia de los primeros versos. De Quincey (Writings, tercer volumen, p. 293) anota que, según la nomenclatura judía, la penumbra del alba tiene el nombre de penumbra de la paloma; la del atardecer, del cuervo». (Borges, 1969, p. 54).



Of wealth and health in the long run, or happiness if you will, is what Prov.14:1 is all about. The using of the woman to illustrate that is just a brilliant insight anchored in a our daily life, because what it essentially says is that every choice or decision at every crossroads will accrue to our success and happiness in LIFE, of which a house is a very apt and artistic metaphor, of course an external sign, but a very good one at that. And remember it ain't over till is over! Right Windsor?




No photo description available.




Chess: "Buenos Aires" "Windy City" "Bank" "Bang" "Eagle" "La Casa Rosada" "Candelabro" "Up"