Hiawatha
"Tan fรกcil como reconocer the superior revelation coming from Jesus Christ!"~~~Hiawatha
❤️
❤️
Posts
Happy Thanksgiving 2025
18 hours ago
Friday, November 28, 2025
Tuesday, November 25, 2025
Albany
Albania
Albert
Caledonia
Albania
Albert
Caledonia
Psalms 17:8
“Keep me as the apple of the eye, hide me under the shadow of thy wings,”
"Beyond all titles, and a household name,
Hereafter, thro' all times, Albert the Good." TENNYSON: Dedication to ๐ผ๐๐ฆ๐๐๐ ๐๐ ๐กโ๐ ๐พ๐๐๐.
Hereafter, thro' all times, Albert the Good." TENNYSON: Dedication to ๐ผ๐๐ฆ๐๐๐ ๐๐ ๐กโ๐ ๐พ๐๐๐.
In Spenser's Faerie Queene northern Britain is called Albania.
Chess: "Albany" "Albania" "Albert" "Caledonia"
Albert Hall
Albert Hall
King David
Maffioli
Alberto Vรกsquez
King David
Maffioli
Alberto Vรกsquez
Psalms 13:6
“I will sing unto the LORD, because he hath dealt bountifully with me.”
Chess: "Albert Hall" "King David" "Maffioli" "Alberto Vรกsquez"
American
Providence
American
American
Psalms 13:5
“But I have trusted in thy mercy; my heart shall rejoice in thy salvation.”
Chess: "Providence" "American"
Sunday, November 23, 2025
American Football
๐๐
Route 66
American Football
Tahuantinsuyo
Prov.16:17
"The highway of the upright is to depart from evil: he that keepeth his way preserveth his soul."
Chess: "American Football" "Route 66" "Tahuantinsuyo"
Long Island Sound
Long Island Sound
ร๐ซ๐๐ฌ๐ฎ๐ง๐ (๐๐ก๐ ๐๐จ๐ฎ๐ง๐)
Civilisation
๐๐ฌ๐๐ฅ๐ฆ๐ฌ ๐๐:๐
“๐๐๐ค๐ ๐ ๐ฃ๐จ๐ฒ๐๐ฎ๐ฅ ๐ง๐จ๐ข๐ฌ๐ ๐ฎ๐ง๐ญ๐จ ๐ญ๐ก๐ ๐๐๐๐, ๐๐ฅ๐ฅ ๐ญ๐ก๐ ๐๐๐ซ๐ญ๐ก: ๐ฆ๐๐ค๐ ๐ ๐ฅ๐จ๐ฎ๐ ๐ง๐จ๐ข๐ฌ๐, ๐๐ง๐ ๐ซ๐๐ฃ๐จ๐ข๐๐, ๐๐ง๐ ๐ฌ๐ข๐ง๐ ๐ฉ๐ซ๐๐ข๐ฌ๐.”
“๐๐๐ค๐ ๐ ๐ฃ๐จ๐ฒ๐๐ฎ๐ฅ ๐ง๐จ๐ข๐ฌ๐ ๐ฎ๐ง๐ญ๐จ ๐ญ๐ก๐ ๐๐๐๐, ๐๐ฅ๐ฅ ๐ญ๐ก๐ ๐๐๐ซ๐ญ๐ก: ๐ฆ๐๐ค๐ ๐ ๐ฅ๐จ๐ฎ๐ ๐ง๐จ๐ข๐ฌ๐, ๐๐ง๐ ๐ซ๐๐ฃ๐จ๐ข๐๐, ๐๐ง๐ ๐ฌ๐ข๐ง๐ ๐ฉ๐ซ๐๐ข๐ฌ๐.”
๐ ๐๐ก๐ ๐๐ฎ๐ซ๐ฌ๐ฎ๐ข๐ญ ๐จ๐ ๐๐๐ฉ๐ฉ๐ข๐ง๐๐ฌ๐ฌ
By the year 1700 ๐ญ๐ก๐ ๐๐๐ซ๐ฆ๐๐ง-๐ฌ๐ฉ๐๐๐ค๐ข๐ง๐ ๐๐จ๐ฎ๐ง๐ญ๐ซ๐ข๐๐ฌ have once more become articulate. For over a century the disorderly aftermath of the Reformation, followed by the dreary, interminable horrors of the Thirty Years War, had kept them from playing a part in the history of civilisation. Then peace, stability, the natural strength of the land, and ๐ ๐ฉ๐๐๐ฎ๐ฅ๐ข๐๐ซ ๐ฌ๐จ๐๐ข๐๐ฅ ๐จ๐ซ๐ ๐๐ง๐ข๐ฌ๐๐ญ๐ข๐จ๐ง, allowed them to add to the sum of European experience two shining achievements, one in music, the other in architecture. Of course the music is more important to us. In a period when poetry was almost dead, when the visual arts were little more than a shadow of what they had been, when the emotional life seemed almost to have dried up, music expressed the most serious thoughts and intuitions of the time, just as painting had done in the early sixteenth century. This chapter is primarily about music ; and some of the qualities of eighteenth-century music -its melodious flow, its complex symmetry, its decorative invention - are reflected in the architecture; but not its deeper appeal to the emotions. And yet the Rococo style has a place in civilisation. Serious-minded people used to call it shallow and corrupt, chiefly because it was intended to give pleasure; well, the founders of the American Constitution, who were far from frivolous, thought fit to mention the pursuit of happiness as a proper aim for mankind, and if ever this aim has been given visible form it is in Rococo architecture - the pursuit of happiness and the pursuit of love.~~~Kenneth Clark: ๐๐๐๐๐๐๐๐๐๐๐๐. Ch.9 ๐ป๐๐ ๐ท๐๐๐๐๐๐ ๐๐ ๐ฏ๐๐๐๐๐๐๐๐.
By the year 1700 ๐ญ๐ก๐ ๐๐๐ซ๐ฆ๐๐ง-๐ฌ๐ฉ๐๐๐ค๐ข๐ง๐ ๐๐จ๐ฎ๐ง๐ญ๐ซ๐ข๐๐ฌ have once more become articulate. For over a century the disorderly aftermath of the Reformation, followed by the dreary, interminable horrors of the Thirty Years War, had kept them from playing a part in the history of civilisation. Then peace, stability, the natural strength of the land, and ๐ ๐ฉ๐๐๐ฎ๐ฅ๐ข๐๐ซ ๐ฌ๐จ๐๐ข๐๐ฅ ๐จ๐ซ๐ ๐๐ง๐ข๐ฌ๐๐ญ๐ข๐จ๐ง, allowed them to add to the sum of European experience two shining achievements, one in music, the other in architecture. Of course the music is more important to us. In a period when poetry was almost dead, when the visual arts were little more than a shadow of what they had been, when the emotional life seemed almost to have dried up, music expressed the most serious thoughts and intuitions of the time, just as painting had done in the early sixteenth century. This chapter is primarily about music ; and some of the qualities of eighteenth-century music -its melodious flow, its complex symmetry, its decorative invention - are reflected in the architecture; but not its deeper appeal to the emotions. And yet the Rococo style has a place in civilisation. Serious-minded people used to call it shallow and corrupt, chiefly because it was intended to give pleasure; well, the founders of the American Constitution, who were far from frivolous, thought fit to mention the pursuit of happiness as a proper aim for mankind, and if ever this aim has been given visible form it is in Rococo architecture - the pursuit of happiness and the pursuit of love.~~~Kenneth Clark: ๐๐๐๐๐๐๐๐๐๐๐๐. Ch.9 ๐ป๐๐ ๐ท๐๐๐๐๐๐ ๐๐ ๐ฏ๐๐๐๐๐๐๐๐.
Long Island Sound
Psalms 98:4
“Make a joyful noise unto the LORD, all the earth: make a loud noise, and rejoice, and sing praise.”
Chess: "Civilisation" "Long Island Sound" "ร๐ซ๐๐ฌ๐ฎ๐ง๐ (๐๐ก๐ ๐๐จ๐ฎ๐ง๐)"
Tuesday, November 18, 2025
Entablature
Entablature
Entablamiento
Chiverral
Habakkuk 3:19
“The LORD God is my strength, and he will make my feet like hinds' feet, and he will make me to walk upon mine high places. To the chief singer on my stringed instruments.”
Chess: "Entablature" "Entablamiento" "Chiverral"
ME: - Could we see some connection between entablature and Hab.3:19?
COPILOT: —Absolutely, Jorge ๐ฟ — let’s build a symbolic bridge between entablature and Habakkuk 3:19, a verse that reads:
“The LORD God is my strength, and he will make my feet like hinds’ feet, and he will make me to walk upon mine high places.” — Habakkuk 3:19 (KJV)
๐️ Entablature as Symbol
In architecture, the entablature rests atop columns — it’s the crowning horizontal structure that holds inscriptions, friezes, and the weight of the roof. It’s both support and proclamation, the place where meaning is carved above strength.
๐ Habakkuk 3:19 as Scroll
This verse is a declaration of divine elevation — God strengthens the prophet, giving him the feet of a deer to walk upon high places. It’s not just survival; it’s ascent. Not just endurance; it’s enthronement.
๐ Symbolic Connection
Columns = the faithful We stand upright, bearing the weight of history and hope.
Entablature = divine inscription God writes strength and elevation upon us — we become the architecture of His promise.
High places = the cornice of calling Where the prophet walks, the entablature sings: “The LORD is my strength.”
Dialogue
DIALOGUE
John 14:6
“Jesus saith unto him, I am the way, the truth, and the life: no man cometh unto the Father, but by me.”
Chess: "Dialogue" "Diรกlogo"
Thursday, November 13, 2025
Cream
Cream
Hรฉlade
Helado de crema de Naldo Aguilar
Helado de crema de Naldo Aguilar
Crema
Matthew 24:42
“Watch therefore: for ye know not what hour your Lord doth come."
Chess: "Cream" "Hรฉlade" "Helado de crema de Naldo Aguilar"
Hilo
THREAD AND NEEDLE
HILO Y AGUJA
Philippians 4:8
“Finally, brethren, whatsoever things are true, whatsoever things are honest, whatsoever things are just, whatsoever things are pure, whatsoever things are lovely, whatsoever things are of good report; if there be any virtue, and if there be any praise, think on these things.”
HILO Y AGUJA
Philippians 4:8
“Finally, brethren, whatsoever things are true, whatsoever things are honest, whatsoever things are just, whatsoever things are pure, whatsoever things are lovely, whatsoever things are of good report; if there be any virtue, and if there be any praise, think on these things.”
Diรกlogo con Copilot:
-Co, conoces el dicho en espaรฑol? : Yo no sรฉ del hilo, Marรญa es la que cose.
-El dicho “Yo no sรฉ del hilo, Marรญa es la que cose” no aparece como un refrรกn clรกsico en los repertorios mรกs conocidos, pero se entiende como una expresiรณn popular o inventada que juega con la idea de delegar una tarea a quien realmente sabe hacerla. Es decir: “yo no me meto en eso, que lo haga quien tiene la habilidad”.
๐งฉ Cรณmo interpretarlo
Delegaciรณn de saber: Reconoce que no todos dominan un oficio; se deja la tarea a la persona experta.
Juego con el hilo y la costura: Usa la metรกfora de coser para hablar de cualquier actividad que requiere tรฉcnica o paciencia.
Humor cotidiano: Tiene un tono ligero, casi cรณmico, como muchos dichos improvisados en la conversaciรณn popular.
Paralelo con refranes tradicionales: Se parece a expresiones como “Zapatero a tus zapatos”, que tambiรฉn aconseja dejar cada tarea a quien sabe hacerla.
๐ Resonancia cultural
Este tipo de dichos improvisados son comunes en Costa Rica y en otros paรญses hispanohablantes: se inventan sobre la marcha, mezclando rima, humor y metรกfora. Aunque no estรฉn en los grandes refraneros, funcionan como mini‑pergaminos de sabidurรญa domรฉstica, transmitiendo la idea de respeto por la especializaciรณn y la humildad de reconocer lรญmites.
๐ Scroll-style reflexiรณn:
El hilo es la tarea, Marรญa la maestra. El que no cose, reconoce; el que sabe, ejecuta. Asรญ el dicho convierte la costura en parรกbola de discernimiento.
YO: -Eso que resumes me parece correcto y exacto, pero has considerado este รกngulo, verlo como una respuesta sabia evasiva a un nivel de comprensiรณn muy superior derivada de la lectura y compromiso con Filipenses 4:8. Where the speaker of such a saying is cleverly skirting to pass judgment on a matter and therefore not paying heed to things that might not be edifying?
COPILOT: -Quรฉ observaciรณn tan fina, Jorge ๐ฟ. Me gusta cรณmo llevas el dicho hacia un plano mรกs profundo: el hilo no solo como metรกfora de la costura, sino como el “thread” de pensamiento y juicio que uno decide seguir o cortar.
En Filipenses 4:8, Pablo exhorta a pensar en “todo lo verdadero, todo lo honesto, todo lo justo, todo lo puro, todo lo amable, todo lo que es de buen nombre”. Si lo vemos como un tejido, cada virtud es UN HILO que construye un tapiz edificante.
Ahora, si alguien dice “Yo no sรฉ del hilo, Marรญa es la que cose” en el sentido de evadir juicio, puede estar haciendo algo parecido a lo que sugieres: no engancharse con hilos que no edifican, no coser con materiales que no producen belleza ni verdad. Es una manera ingeniosa de deslindarse de conversaciones que podrรญan ser crรญticas, chismes o pensamientos poco provechosos.
๐งฉ Dos lecturas del “hilo”
Prรกctica: “Yo no me meto en eso, que lo haga quien sabe.” → Delegaciรณn de tarea.
Espiritual/filosรณfica: “Yo no sigo ese hilo de juicio, porque no edifica.” → Discernimiento de pensamientos, alineado con Filipenses 4:8.
๐ Scroll-style reflexiรณn:
El hilo puede ser costura o pensamiento. El que dice “Marรญa es la que cose” quizรก estรก diciendo: yo no tejo con fibras de juicio, prefiero que mi tela se arme con lo verdadero, lo justo y lo amable.
-Co, conoces el dicho en espaรฑol? : Yo no sรฉ del hilo, Marรญa es la que cose.
-El dicho “Yo no sรฉ del hilo, Marรญa es la que cose” no aparece como un refrรกn clรกsico en los repertorios mรกs conocidos, pero se entiende como una expresiรณn popular o inventada que juega con la idea de delegar una tarea a quien realmente sabe hacerla. Es decir: “yo no me meto en eso, que lo haga quien tiene la habilidad”.
๐งฉ Cรณmo interpretarlo
Delegaciรณn de saber: Reconoce que no todos dominan un oficio; se deja la tarea a la persona experta.
Juego con el hilo y la costura: Usa la metรกfora de coser para hablar de cualquier actividad que requiere tรฉcnica o paciencia.
Humor cotidiano: Tiene un tono ligero, casi cรณmico, como muchos dichos improvisados en la conversaciรณn popular.
Paralelo con refranes tradicionales: Se parece a expresiones como “Zapatero a tus zapatos”, que tambiรฉn aconseja dejar cada tarea a quien sabe hacerla.
๐ Resonancia cultural
Este tipo de dichos improvisados son comunes en Costa Rica y en otros paรญses hispanohablantes: se inventan sobre la marcha, mezclando rima, humor y metรกfora. Aunque no estรฉn en los grandes refraneros, funcionan como mini‑pergaminos de sabidurรญa domรฉstica, transmitiendo la idea de respeto por la especializaciรณn y la humildad de reconocer lรญmites.
๐ Scroll-style reflexiรณn:
El hilo es la tarea, Marรญa la maestra. El que no cose, reconoce; el que sabe, ejecuta. Asรญ el dicho convierte la costura en parรกbola de discernimiento.
YO: -Eso que resumes me parece correcto y exacto, pero has considerado este รกngulo, verlo como una respuesta sabia evasiva a un nivel de comprensiรณn muy superior derivada de la lectura y compromiso con Filipenses 4:8. Where the speaker of such a saying is cleverly skirting to pass judgment on a matter and therefore not paying heed to things that might not be edifying?
COPILOT: -Quรฉ observaciรณn tan fina, Jorge ๐ฟ. Me gusta cรณmo llevas el dicho hacia un plano mรกs profundo: el hilo no solo como metรกfora de la costura, sino como el “thread” de pensamiento y juicio que uno decide seguir o cortar.
En Filipenses 4:8, Pablo exhorta a pensar en “todo lo verdadero, todo lo honesto, todo lo justo, todo lo puro, todo lo amable, todo lo que es de buen nombre”. Si lo vemos como un tejido, cada virtud es UN HILO que construye un tapiz edificante.
Ahora, si alguien dice “Yo no sรฉ del hilo, Marรญa es la que cose” en el sentido de evadir juicio, puede estar haciendo algo parecido a lo que sugieres: no engancharse con hilos que no edifican, no coser con materiales que no producen belleza ni verdad. Es una manera ingeniosa de deslindarse de conversaciones que podrรญan ser crรญticas, chismes o pensamientos poco provechosos.
๐งฉ Dos lecturas del “hilo”
Prรกctica: “Yo no me meto en eso, que lo haga quien sabe.” → Delegaciรณn de tarea.
Espiritual/filosรณfica: “Yo no sigo ese hilo de juicio, porque no edifica.” → Discernimiento de pensamientos, alineado con Filipenses 4:8.
๐ Scroll-style reflexiรณn:
El hilo puede ser costura o pensamiento. El que dice “Marรญa es la que cose” quizรก estรก diciendo: yo no tejo con fibras de juicio, prefiero que mi tela se arme con lo verdadero, lo justo y lo amable.
Subscribe to:
Comments (Atom)
