Showing posts with label Logical positivism. Show all posts
Showing posts with label Logical positivism. Show all posts

Friday, April 18, 2025

OLÉ !

 
COLORADO
Red Rose
Logical Positivism
Olé
Salvador Dalí, espada y escudo (Positivismo Lógico) 

John 15:12
“This is my commandment, That ye love one another, as I have loved you.”

John 10:11
“I am the good shepherd: the good shepherd giveth his life for the sheep.”

 
 

 
 

 
 
Chess: "Colorado" "Red Rose" "Olé" "Logical Positivism"
 
 
 
Paul Benavides Vilchez : 
"Crucifixión de  Salvador Dalí (1954) 

La enorme fuerza simbólica y pictórica de la obra, se concentra en la Cruz como idea de la trascendencia, a partir de la superación del dolor y de la existencia humana.
Gala observa al pie a un Cristo impune a la tortura y al sufrimiento. Fuerte y atlético.  
La pregunta derivada es: ¿Invulnerable al castigo infringido? ¿No tocado por la violencia provocada por la incomprensión humana? ¿Superó su "Gólgota": "Mi espíritu está a punto pero mi carne es débil"?
Todas esas preguntas son respondidas afirmativamente, desde la fe y no desde la razón.
La figura parece no tocar la Cruz ( hipercubo o teseracto) estar suspendida, quizá para marcar una distancia respecto a los hombres y proponer una supereración y trascendencia del suplicio humano.
"Geometría mística" o "misticismo geométrico"  es una maravillosa y "dalineana" fusión entre el surrealismo, la fe, el catolicismo mediterráneo, la herencia pictórica renacentista y la ciencia de la proporción."


Tuesday, April 15, 2025

La casa verde

Claudio Gutiérrez
Logical Positivism
 
 
 John 10:11
“I am the good shepherd: the good shepherd giveth his life for the sheep.”
 
 

 
 
 
La Casa Verde


 
 

Chess: "Claudio Gutiérrez" "Logical Positivism"
 
 
 
 
 
 
 καλὸς κἀγαθός
Shortened by crasis from the classical Platonic philosophical phrase καλός καί ἀγαθός (kalós kaí agathós, “beautiful and good”), formed from καλός (kalós, “beautiful”) +‎ καί (kaí, “and”) +‎ ἀγαθός (agathós, “good”).
. In these verses Jesus designates Himself “the Good Shepherd” and emphasises two features by which a good shepherd can be known: (1) his giving his life for the sheep, and (2) the reciprocal knowledge of the sheep and the shepherd. These two features are both introduced by the statement  ἐγώ εἰμι ὁ ποιμὴν ὁ καλός, “the good shepherd”; “good” probably in the sense in which we speak of a “good” painter or a “good” architect; one who excels at his business. The definite article claims this as a description applicable to Himself alone.


 
 
 ἘΓΏ ΕἸΜΙ Ὁ ΠΟΙΜῊΝ Ὁ ΚΑΛΌΣ
(ἐγώ εἰμι ὁ ποιμὴν ὁ καλός)
Yo: -Copilot no es lo mismo "el pastor y sus ovejas" que "la ciudad y los perros", ¿verdad? 😉
Copilot: -¡Claro que no, Jorge! Aunque ambos títulos son profundamente simbólicos, evocan mundos completamente distintos. "El pastor y sus ovejas" remite a una relación de guía, cuidado y conexión espiritual, como en el pasaje del Evangelio que exploramos. Es un vínculo marcado por la entrega y la protección.
En cambio, "La ciudad y los perros", la célebre novela de Mario Vargas Llosa, es un retrato áspero y contundente de la juventud en un colegio militar. Allí, los "perros" representan la dureza y la lucha por sobrevivir en un entorno hostil, mientras que "la ciudad" aparece como un marco que refleja la sociedad peruana en conflicto. Es una obra que denuncia la violencia, la corrupción y los dilemas éticos.
Uno inspira cuidado; el otro cuestiona y confronta. Ambos nos llevan a reflexionar sobre mundos distintos, pero igualmente humanos. ¿Te interesa explorar más sobre la novela o su contexto histórico? 😊

 
 
 
 "Coronel" Francisco Borges y Mario.
De "LA CASA VERDE", el techo con la mancha, el ingenioso hidalgo Borges y Mario. (Los Borges y los Vargas  😜   )
Le pido a Copilot alguna referencia de interacción entre Borges y Vargas Llosa y me pasa algunos párrafos, entre ellos éste:
Copilot: -"¡Por supuesto, Jorge! Aquí tienes la información en español:
La relación entre Jorge Luis Borges y Mario Vargas Llosa es fascinante, marcada por admiración y algunos encuentros memorables.
Mario Vargas Llosa admiraba profundamente a Borges y lo consideraba uno de los escritores más influyentes en lengua española. Esta admiración se refleja en su libro Medio siglo con Borges, donde recopiló reflexiones, artículos y notas sobre él. Incluso, durante su discurso de aceptación del Premio Nobel en 2010, Vargas Llosa mencionó que "resucitaría a Borges para darle el Nobel que también merecía".
Sin embargo, sus interacciones personales no estuvieron exentas de momentos singulares. En una anécdota notable, Vargas Llosa visitó a Borges en Buenos Aires. Durante esta visita, Vargas Llosa comentó sobre UNA MANCHA DE AGUA en el techo (cielo raso) del apartamento de Borges. Conocido por su aguda ironía, Borges aparentemente encontró este comentario fuera de lugar y, más tarde, se refirió a Vargas Llosa con humor diciendo: "Un peruano que, creo, trabaja en bienes raíces me visitó". Este momento humorístico, aunque un poco tenso, resalta la complejidad de su relación.
A pesar de esto, la admiración de Vargas Llosa por Borges nunca disminuyó. Continuó celebrando el genio literario de Borges, enfatizando su atractivo universal y su profundo impacto en la literatura.
Si quieres profundizar más en las conexiones literarias entre ambos o explorar cómo Borges influyó en la obra de Vargas Llosa, no dudes en decírmelo. 😊

 
 
 

Saturday, April 20, 2019

Aristotle

Aristotle 
Zacatecas
Wittgenstein
Turkey
Russell
The Key to Rebecca
Logical Positivism
History 
Bacon
Alex Wolff
Izaak Walton

Jas.2: 24
"Ye see then how that by works a man is justified, and not by faith only."





Aristotle

"Die Welt ist alles, was der Fall ist. The world is everything that is the case."~~~Wittgenstein

 "There are interpretations that see the Tractatus as espousing realism, i.e., as positing the independent existence of objects, states of affairs, and facts. That this realism is achieved via a linguistic turn is recognized by all (or most) interpreters, but this linguistic perspective does no damage to the basic realism that is seen to start off the Tractatus (“The world is all that is the case”) and to run throughout the text (“Objects form the substance of the world” (TLP 2.021)). Such realism is also taken to be manifested in the essential bi-polarity of propositions;"~~~Stanford Encyclopedia of Philosophy
 
Gottlob Frege, Bertrand Russel and eventually Ludwig Wittgenstein led positivism into a new era – the era of the linguistic turn – by focusing on the statements which we have to make wherever we are concerned with “facts” and wherever we construct models that refer to facts.
The language of logic became important here. A statement of a fact is of scientific value as soon as we can think of a verification or a falsification, of research to substantiate or dismiss this statement. What you have stated can turn out to be “the case” – as in a “positive” medical test result in which anti-bodies were detected, or it can turn out to be “not the case” as in a negative test result, when you show no signs of the infection.
The area of statements that “make sense” in a research project is apparently wide. “Earth has got two moons” is a statement that makes sense in a scientific exploration, even though we have already noted that this is not the case. We can easily discuss the requirements of a meaningful statement (meanigful in the sciences) and we can already state that those statements that turn out to be positively true are a logical subset of all the imaginable statements of things as they could perhaps be.
 
 
May be an image of one or more people and people standing
Max Verstappen, Red Bull
 


 
 
 
 
 Related image
Acropolis, Athens






EL CASTILLO - The Temple of Kukulcan, Chichén Itzá, Mexico 
The Mayans succeeded in an almost impossible mission with the completion of their structures at Chichén Itzá. A poetic combination of form, style, function, religion, philosophy, mathematics and geometry. A true symbiosis of all of their intelligence and art in one location, to be studied and admired by all that visit. 

By far the most impressive structure of  the complex is the "Pyramid of Kukulcan" * (usually called "El Castillo").  This is a square-based, stepped pyramid approximately 30 meters tall (with the temple on top), constructed by the Mayans ca 1000-1200 AD, directly upon the multiple foundations of previous temples. It was mysteriously abandoned along with the surrounding city of Chichen Itza by 1400 AD.

* Kukulcan is the Mayan name for the Feathered Serpent God (also known as Quetzalcoatl to the Aztecs).

The pyramid has special astronomical significance and layout.  Each face of the pyramid has a stairway with ninety-one steps, which together with the shared step of the platform at the top, add up to 365, the number of days in a year. These stairways also divide the nine terraces of each side of the pyramid into eighteen segments, representing the eighteen months of the Mayan calendar. 

The pyramid's design reflects the equinoxes and solstices of our solar year in a spectacular game of light and shadow. During the equinoxes, the setting sun casts a shadow of a serpent on the northern steps of the pyramid.
For a thousand years, the slanting rays of the setting sun have played a spectacular shadow and light game with this great Mayan pyramid. During the equinoxes, at the appointed hour, the shadow of the Feathered Serpent, Kukulcan appears on the northern stairway...and vanishes.



"the great bulk of necessary work can never be anything but painful"~~~Bertrand Russell


 'And when men wandered from the central plaza out to the edge of town they saw workmen, Indians mostly, patiently cutting through the rocky earth to provide foundations for a building that would be of surprising size. The GREY-CLAD cleric in charge verified the news."It's to stand here...just as you see it forming." '~~~JAMES A. Michener: TEXAS Ch.2 THE MISSION p.73





Catedral Basílica de la Asunción de María de Zacatecas, Zacatecas.
1729-1772






"the great bulk of necessary work can never be anything but painful"~~~Bertrand Russell





Wild Turkey Head




"Now, as there are many actions, arts, and sciences, their ends also are many; the end of the medical art is health, that of shipbuilding a vessel, that of strategy victory, that of economics wealth. But where such arts fall under a single capacity- as bridle-making and the other arts concerned with the equipment of horses fall under the art of riding, and this and every military action under strategy, in the same way other arts fall under yet others- in all of these the ends of the master arts are to be preferred to all the subordinate ends; for it is for the sake of the former that the latter are pursued."~~~Aristotle: Nichomachean Ethics, Bk.1





Bertrand Russell on Fearing Thought











The Compleat Angler by Izaak Walton
Lord Bacon










Image may contain: 1 person, standing
The Key To Rebecca; Zuleika Rivera
THE KEY TO REBECCA, Isaac or Constantine XI, Turkey?
El ruiseñor, en todas las lenguas del orbe, goza de nombres melodiosos (nigtingale, nachtigall, usignolo), como si los hombres instintivamente hubieran querido que éstos no desmerecieran del canto que los maravilló. Tanto lo han exaltado los poetas que ahora es un poco irreal; menos afín a la calandria que al ángel. Desde los enigmas sajones del Libro de Exeter (“yo, antiguo cantor de la tarde, traigo a los nobles alegría en las villas”) hasta la trágica Atalanta de Swinburne, el infinito ruiseñor ha cantado en la literatura británica; Chaucer y Shakespeare lo celebran, Milton y Matthew Arnold, pero a John Keats unimos fatalmente su imagen como a Blake la del tigre.


























Chess: "Turkey" "Russell" "The Key to Rebecca" "Alex Wolff" "History" "Bacon" "Logical Positivism" Aristotle" "Chicchen Itza" "Zacatecas"

Friday, April 5, 2019

Will Smith

Will Smith
Austria
San Mateo
John Singer Sargent
Caddo Lake
Logical Positivism
Log Cabin
Men in Black
The Little Black Dress
Cashmere
Casimir

Psalm 91:1
"He that dwelleth in the secret place of the most High shall abide under the shadow of the Almighty."





Madame X by John Singer Sargent



"Causality is another point of interest here. I can claim: “an object topples as soon as its centre of gravity is no longer above its basis”. I could alternatively claim: “an object topples because its centre of gravity is no longer above its basis”. Statement two introduces a new force, the force of causality, into the sphere of statements, but what is the test with which I can determine that statement two is needed and that statement one will not do the job in a description of things as we experience them, or in a prognosis of events? If we restrict our sciences to entities we need in order to describe things and to foretell events we will do without causality, so Wittgenstein in a new consideration of what David Hume had already considererd and what Comte had reaffirmed."








Aladdin, Will Smith








 

The Calling of St. Matthew, by Caravaggio











Austria 








Caddo Lake, Texas










Logical Positivism, Ludwig Wittgenstein









Log Cabin Syrup



Image may contain: one or more people, people standing, camera and outdoor
Cashmere






Vienna Circle, Wittgenstein, MIB









 Audrey Hepburn in the "little black dress" | 1961 | Courtesy of Flickr






Chess: "Will Smith" "Austria" "San Mateo" "John Singer Sargent" "Caddo Lake" "Logical Positivism" "Log Cabin" "Men in Black" "Little Black Dress" "Cashmere" "Casimir"




1qui habitat in abscondito Excelsi in umbraculo Domini commorabitur. 

 1Celui qui demeure sous l'abri du Très Haut Repose à l'ombre du -Tout Puissant.  

1 Wer im Schutz des Höchsten wohnt, bleibt im Schatten des Allmächtigen. 

1 [a] El que habita al abrigo del Altísimo morará bajo la sombra del Omnipotente.[b

 1Chi dimora nel riparo dell'Altissimo, riposa all'ombra dell'Onnipotente.


 1(90-1) Живущий под (under) кровом Всевышнего под сенью (shadow) Всемогущего покоится 


 1Aquele que mora escondido na presença do Deus altíssimo vive descansado à sombra do Deus todo-poderoso., 



1Celce stă supt ocrotirea Celui Prea Înalt, şi se odihneşte la umbra Celui Atoputernic, Ps.91