Showing posts with label Venice. Show all posts
Showing posts with label Venice. Show all posts

Sunday, July 26, 2026

Marrow

Marrow
Norway
Material 
Venice 
Madeline 
Madera
Madura 
Wood 
Woodcut 
Sherwood Forest 

1 Peter 1:8
“Whom having not seen, ye love; in whom, though now ye see him not, yet believing, ye rejoice with joy unspeakable and full of glory:” 

 
 

 
 
 "I shall therefore endeavor...to lay before you some of the most material circumstances"~~~Burke
 
 
 
 "Simple ideas, the material of all our knowledge, are suggested to the mind only by sensation and reflection."~~~Locke 
 
 
"Maturation plays a large role in emotional development."~~~Norman L. Munn 
 
 
 
 
 

 
 
 
 
 
Sunlight In Forest Wallpaper 187,402 Forest Path Sunlight Stock Photos 
 
 
 
 
Chess: "Marrow" "Norway" "Material" Venice" "Madeline" "Madera" "Madura" "Wood" "Sherwood Forest" "Woodcut" "Grabado"

Saturday, March 7, 2026

Steel

Constitution
Ferrum 
Iron Age 
Steel
Venice
Marco 

2 Chronicles 15:7
“Be ye strong therefore, and let not your hands be weak: for your work shall be rewarded.”

Psalm 16:8
"I have set the LORD always before me: because he is at my right hand, I shall not be moved."

 
 
 
 
 
 
 
 
"Of Arthur, who, to upper light restored,
With that terrific sword,
Which yet he brandishes for future war,
Shall lift his country's fame above the polar star!
~~~Wordsworth

 
 
 
 
 "a great civilization is not conquered from without until it has destroyed itself from within"~~~W. Durant
 

 
 
 
 
 
 
 
 
 
CHAPTER I. — THE QUARRY.
[FIRST OF THE OLD EDITION.]
SECTION I. Since the first dominion of men was asserted over the ocean, three thrones, of mark beyond all others, have been set upon its sands: the thrones of Tyre, Venice, and England. Of the First of these great powers only the memory remains; of the Second, the ruin; the Third, which inherits their greatness, if it forget their example, may be led through prouder eminence to less pitied destruction.

The exaltation, the sin, and the punishment of Tyre have been recorded for us, in perhaps the most touching words ever uttered by the Prophets of Israel against the cities of the stranger. But we read them as a lovely song; and close our ears to the sternness of their warning: for the very depth of the Fall of Tyre has blinded us to its reality, and we forget, as we watch the bleaching of the rocks between the sunshine and the sea, that they were once "as in Eden, the garden of God."

Her successor, like her in perfection of beauty, though less in endurance of dominion, is still left for our beholding in the final period of her decline: a ghost upon the sands of the sea, so weak—so quiet,—so bereft of all but her loveliness, that we might well doubt, as we watched her faint reflection in the mirage of the lagoon, which was the City, and which the Shadow.

I would endeavor to trace the lines of this image before it be for ever lost, and to record, as far as I may, the warning which seems to me to be uttered by every one of the fast-gaining waves, that beat, like passing bells, against the STONES OF VENICE.~~~
Ruskin
 
 
Chess: "Constittution" "Ferrum" "Iron Age" "Venice" "Marco" "Steel" 

Tuesday, March 18, 2025

Wedding at Cana

Phoenix
Venice
Wedding at Cana
Bodas de Caná
 
 
 
Matthew 5:10
“Blessed are they which are persecuted for righteousness' sake: for theirs is the kingdom of heaven.”
 
Plaza San Marco
 
 
 

 
 



 





 
 
 
 
 
Wedding at Cana, Veronese




Chess:
"Phoenix" "Venice"
 
 
 
Me: -If Phoenix, Arizona subtly suggest a triumph through holy fire then could we somehow see in Venice a somewhat similar triumph of the spirit of Man in Christ over the waters ?
 
Cop.: -Absolutely, Jorge, that's a beautiful parallel to draw. If Phoenix symbolizes triumph through holy fire, Venice could indeed symbolize triumph of the spirit of man in Christ over the waters. Let me elaborate on the symbolism:
The City’s Existence on Water: Venice is a city that thrives despite being built on unstable, watery foundations. This triumph over the physical challenges of the sea can be seen as a metaphor for the spiritual perseverance of humanity in Christ, overcoming chaos and uncertainty (often symbolized by water in biblical and literary traditions).

Christ’s Power Over Water: In Christian theology, Christ’s miracles—such as walking on water and calming the storm—demonstrate His authority over the natural world. Venice, with its intricate canals and ability to flourish amid watery terrain, could be seen as a human reflection of that divine mastery.
Venetian Renaissance Art: Venice was a cradle of artistic and spiritual triumph during the Renaissance. Painters like Paolo Veronese used biblical themes to explore humanity’s spiritual transcendence. In his work, including "The Wedding at Cana," water often carries a symbolic connection to abundance, transformation, and divine presence—core themes that align with Venice's identity.
The Lion of Saint Mark: The symbol of Venice, the winged Lion of Saint Mark, is associated with the Gospel of Mark. It represents strength and courage in faith, underscoring Venice’s role as a beacon of resilience and spirituality.

Bringing Order to Chaos: Just as Christ brings spiritual order to life’s chaos, Venice represents bringing beauty, culture, and human ingenuity to an otherwise turbulent aquatic environment. This idea is deeply spiritual—the spirit of man triumphing over adversity, with divine inspiration guiding the way.
Through this lens, Venice indeed mirrors a triumph of the spirit, just as Phoenix suggests one through fire. Both cities can inspire us to see human resilience and divine grace at work in different elements—fire and water. Let me know your thoughts!
😊 

Cop. : -That's a fascinating question, Jorge! While there's no direct biblical or historical connection between the Wedding at Cana and Phoenix, Arizona, we can consider some symbolic parallels based on themes.
The miracle at Cana is a story of transformation, abundance, and new beginnings—qualities that can resonate symbolically with Phoenix. The city itself is named after the mythical Phoenix, a bird that rises from its ashes, representing rebirth and renewal. In a way, this mirrors the transformative power of Jesus’ miracle, where something ordinary (water) is turned into something extraordinary (wine), symbolizing a new chapter or divine intervention.

Additionally, Phoenix's desert setting contrasts with the abundance of wine at Cana, highlighting the power of transformation in unexpected places. Just as Jesus brought richness to a humble wedding, the city of Phoenix thrives in what might seem like a barren environment.
Symbolism thrives in the connections we draw, so the meaning often depends on the lens through which we view it. If you had something specific in mind, feel free to share, and we can explore it togethe
r! 😊
Me: -how about giving me some insight as to the meaning of Jesus' first miracle?

Cop.: -Certainly, Jorge. The miracle of turning water into wine at the wedding in Cana, as described in John 2:1-11, holds profound spiritual significance. Here are some insights into its meaning:
A Sign of Transformation: This miracle symbolizes transformation, both literal and spiritual. Just as water was transformed into wine, Jesus offers the transformative power of His grace to change lives. It reflects His ability to take the ordinary and make it extraordinary.
Foreshadowing of His Mission: The act of creating wine can be seen as a foreshadowing of the New Covenant that Jesus would establish. Wine later becomes a central symbol in the Last Supper, representing His blood shed for humanity. This miracle introduces the concept of abundance and salvation through Christ.
Revealing His Glory: The passage states that this was the first time Jesus revealed His glory, and it led His disciples to believe in Him. It was a declaration of His divine authority and the beginning of His public ministry.
God’s Timing and Abundance: The miracle reflects divine timing. Initially, Jesus tells Mary, “My hour has not yet come,” but He still chooses to act. It also highlights the abundance of God’s blessings, as the wine He provided was of superior quality and in large quantity.
The Role of Faith and Obedience: The servants followed Jesus’ instructions even though they didn’t understand what He was doing. Their obedience resulted in witnessing a miracle. This teaches the importance of faith and trusting in God’s plans.
Celebration and Community: By performing His first miracle at a wedding—a joyous and communal event—Jesus emphasizes the importance of celebration, relationships, and the sacredness of marriage.
This event is rich with layers of meaning, pointing to Jesus’ identity as the Messiah and the transformative, joyous nature of His ministry. Let me know if you'd like to explore this further!

Tuesday, November 28, 2017

Umbrella

Umbrella
Friday
Venus
Viernes
Friday Lopez
Venezuela
Venice
Texas
Roofs
Longhorn

Prov.27:15
"A continual dropping in a very rainy day and a contentious woman are alike."




“a noble man of wisdom who knew the stars as brothers”~~~James A. Michener”












































“a noble man of wisdom who knew the stars as brothers”~~~James A. Michener”









Japan roof































 Longhorn




























 A Team of computer experts and hackers work in a cabin in Playa del Carmen.










 Venice, Gondolas Or Gondole On Sunset And Church On Background. Italy






Chess: "Umbrella" "Friday" "Venus" "Viernes" "Friday Lopez" "Venezuela" "Venice" "Texas" "Roofs" "Longhorn"

Tuesday, March 10, 2015

Lloyds of London

Lloyds of London
Venezuela
Venice
Fifty Shades of Grey 
Milton

Deut.4:6
"Keep therefore and do them; for this is your wisdom and your understanding in the sight of the nations, which shall hear all these statutes, and say, Surely this great nation is a wise and understanding people."




 Canaima National Park, Venezuela.




 Beautiful Florence, view of The Ponte Vecchio on River Arno.






  Lloyd's of London is the world's leading insurance market that Occupies a futuristic building in Lime Street, its origins however lay in the more modest surroundings of Edward Lloyd's Coffee House





 Chess:  "Lloyds of London" "Venezuela" "Venice" "Fifty Shades of Grey" "Milton"


Wednesday, January 28, 2015

Beer

Beer
Brewery
Venice

Psalm 37:3
"Trust in the LORD, and do good; so shalt thou dwell in the land, and verily thou shalt be fed."




“He had no surety within himself”~~~Edith Hamilton

“forever frightened and beset by a ghostly band of doubts”~~~Sherwood Anderson





Venice




 
Beer








Brewery



Chess: "Beer" "Brewery" "Venice"

Friday, January 2, 2015

The Grand Canal

The Grand Canal
The Cedars of Lebanon
The Stones of Venice
Venice

Psalm 29:5
"The voice of the LORD breaketh the cedars; yea, the LORD breaketh the cedars of Lebanon."


The Grand Canal Venice is one of the most famous masterpieces of Turner. The painting shows his typical oil painting style. The oil painting depicted Venice in a sunny day. The sea was calm and tranquil, masts stood over the water. The details of the landscape were painted exactly and carefully. The painting color was bright and cheerful. The oil painting style is simple and magnificent. The whole painting composition was covered with golden light. We can see the flourishing scene in Venice.



Forest of the cedars of God





Monastery of Qozhaya of St Anthony the Great  is considered to be one of the oldest monasteries of the valley of Qadisha.


 Chess: "The Grand Canal" "The Cedars of Lebanon" "The Stones of Venice" "Venice"



The Monastery of Qozhaya (Deir Mar Antonios Qozhaya (دير مارانطﻮنيوﺱ ﻗﺰحيا))


Cedars of God:

The Cedars of God (Arabic: أرز الربّ‎ Horsh Arz el-Rab "Cedars of the Lord") is one of the last vestiges of the extensive forests of the Cedars of Lebanon (Cedrus libani ) that thrived across Mount Lebanon in ancient times. Their timber was exploited by the Phoenicians, the Assyrians, Babylonians and Persians. The wood was prized by Egyptians for shipbuilding; the Ottoman Empire also used the cedars in railway construction.

 History

The mountains of Lebanon were once shaded by thick cedar forests and the tree is the symbol of the country. After centuries of persistent deforestation, the extent of these forests has been markedly reduced.[2]
It was once said that a battle occurred between the demigods and the humans over the beautiful and divine forest of Cedar trees near southern Mesopotamia.[3] This forest, once protected by the god Enlil, was completely bared of its trees when humans entered its grounds 4 700 years ago, after winning the battle against the guardians of the forest, the demigods.[3] The story also tells that Gilgamesh used cedar wood to build his city.
Over the centuries, cedar wood was exploited by the Phoenicians, the Egyptians, the Assyrians, the Babylonians, the Persians, the Romans, the Israelites and the Turks.[2][3] The Phoenicians used the Cedars for their merchant fleets. They needed timbers for their ships and the Cedar woods made them the “first sea trading nation in the world”[4] The Egyptians used cedar resin for the mummification process and the cedar wood for some of “their first hieroglyph bearing rolls of papyrus”.[4] King Solomon procured cedar timber to build his temple in Jerusalem.[5] However the Emperor Hadrian claimed these forests to be an “imperial domain”, and destruction of the cedar forests was temporarily halted.
Concern for the biblical "cedars of God" goes back to 1876, when the 102-hectare (250-acre) grove was surrounded by a high stone wall, paid for by Queen Victoria, to protect saplings from browsing by goats.[1] Nevertheless during World War I, British troops used cedar to build railroads.[4]
Time, along with the exploitation of the Cedars’ wood, has led to a decrease in the number of Cedar trees in Lebanon. However Lebanon is still known for its Cedars, as they are the emblem of the country and the symbol of the Lebanese flag.[5] The trees survive in mountainous areas, where they are the dominant tree species. This is the case on the slopes of Mount Makmel that tower over the Kadisha Valley, where the Cedars of God are found at an altitude of more than 2,000 metres (6,600 ft). Four trees have reached a height of 35 metres (115 ft). and their trunks are 12–14 metres (39–46 ft) around.

 

John Ruskin The Stones of Venice