London

London 
John Donne 
Isabel y Fernando

Redcar 

Psalms 29:2
“Give unto the LORD the glory due unto his name; worship the LORD in the beauty of holiness.” 

 

 

 

 

 "The men said it blissfully, leering at each other with dirty smiles."~~~Stephen Crane 

 

 

 

 

 

 

 

 

 

Chess: "London" "John Donne" "Isabel y Fernando" "Redcar" 

 

Peñas Blancas

Peñas Blancas 
Redcar
The Marble Faun 
Aryna Sabalenka
Granada

Romans 8:39
“Nor height, nor depth, nor any other creature, shall be able to separate us from the love of God, which is in Christ Jesus our Lord.” 

Ephesians 6:12
“For we wrestle not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this world, against spiritual wickedness in high places.”

 

 

 

Chess: "Peñas Blancas" "Redcar" "Granada" "Aryna Sabalenka"

Red Car

 

The Marble Faun
Stephen Crane
Red Square
Redcar

Yellow Sky
Rodeo
Corcovado 

James 1:6
“But let him ask in faith, nothing wavering. For he that wavereth is like a wave of the sea driven with the wind and tossed.”

 

 

 

 

Chess: "The Marble Faun" "Stephen Crane" "Red Square" "Redcar" "Rodeo" "Corcovado" 

"This romance was sketched out during a residence of considerable length in Italy, and has been rewritten and prepared for the press in England. The author proposed to himself merely to write a fanciful story, evolving a thoughtful moral, and did not propose attempting a portraiture of Italian manners and character. He has lived too long abroad not to be aware that a foreigner seldom acquires that knowledge of a country at once flexible and profound, which may justify him in endeavoring to idealize its traits.
Italy, as the site of his romance, was chiefly valuable to him as affording a sort of poetic or fairy precinct, where actualities would not be so terribly insisted upon as they are, and must needs be, in America. No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily the case with my dear native land. It will be very long, I trust, before romance writers may find congenial and easily handled themes, either in the annals of our stalwart republic, or in any characteristic and probable events of our individual lives. Romance and poetry, ivy, lichens, and wall-flowers need ruin to make them grow.
In re-writing these volumes, the author was somewhat surprised to see the extent to which he had introduced descriptions of various Italian objects, antique, pictorial, and statuesque. Yet these things fill the mind everywhere in Italy, and especially in Rome, and cannot easily be kept from flowing out upon the page when one writes freely, and with self-enjoyment. And, again, while reproducing the book, on the broad and dreary sands of Redcar, with the gray German Ocean tumbling in upon me, and the northern blast always howling in my ears, the complete change of scene made these Italian reminiscences shine out so vividly that I could not find it in my heart to cancel them."~~~Nathaniel Hawthorne: THE MARBLE FAUN. Preface.

Red Square

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