Showing posts with label Melbourne. Show all posts
Showing posts with label Melbourne. Show all posts

Monday, November 4, 2013

Swan: Inca

Swan Lake
Inca
Cisne 
Pluma
Feathers 
Bottle
Botella
Hampton
Buenos Aires
Melbourne
Estela
Leader
Initiative
Inlay
Ink

Prov.21:23
"Whoso keepeth his mouth and his tongue keepeth his soul from troubles."
 1Cor10:4
"And did all drink the same spiritual drink: for they drank of that spiritual Rock that followed them: and that Rock was Christ."







Tequileras argentinas






 
Gougane Barra, Co Cork, Ireland
The name Gougane Barra comes from Saint Finbarr, who is said to have built a monastery on an island in the lake nearby during the 6th century. The present ruins date from around 1700 when a priest called Denis O'Mahony retreated to the island. During the times of the Penal Laws, Gougane Barra's remoteness meant that it became a popular place for the celebration of the Roman Catholic Mass. The nineteenth century oratory which stands near the original monastery is famous for its picturesque location and richly decorated interior and is a popular place for weddings. 


Querétaro

Raining Feathers

"The sweeping definitions could be almost indefinetely extended" ~~~Penelope Houston

"Sin was yet very weet  to my flesh, and I was loath  to leave it" ~~~ Bunyan

"She made another sweeping gesture that...knocked over the coffee pot" ~~~Patrick Dennis






Cary Grant in London, 1940s ...who could wear a suit better?!?

Chess: "Swan" "Bottle" "Hampton" "Buenos Aires" "Melbourne" "Cisne" "Pluma" "Feather" "Botella" "Estela" "Leader" "Ink" "Inlay" "Initiative" "Inca"


Who built this Siberian summer palace… and why?

By Derek Lambie
12 November 2014
Experts still divided over mysterious 1,300-year-old fortress-like structure located on island in middle of lake.

1,300-year-old structure could be a fortress, summer palace, monastery, or even an astronomical observatory. Picture: gdehorosho.ru
With its island location and towering square walls that were once impenetrable, it looks at first glance to be an ancient fortress or kremlin to keep out enemies. Others believe the 1,300-year-old structure in rural Siberia has more mystical properties and might have been a summer palace, monastery, or even an astronomical observatory.
Whatever it is, more than a century after it was first explored, archaeologists are no further forward in discovering the secrets of Por-Bajin, who built it or why.
Most likely constructed in 757 AD, the complex has fascinated and frustrated experts in equal measure since it was located in the middle Tere-Khol, a high-altitude lake in Tuva, in the late 19th century.
First explored in 1891, with small-scale excavation work later carried out between 1957 and 1963, it was not until 2007 that proper research took place at the site.
Archaeologists found clay tablets of human feet, faded coloured drawings on the plaster of the walls, giant gates and fragments of burnt wood. But nothing yet has provided a definitive answer as to why the structure was built, and excavation work continues.
Por-Bajin map
Por-Bajin on the map of Uighur Kaganate. Picture: Irina Arzhantseva
'Por-Bajin is legally treated as one of the most mysterious archaeological monuments of Russia,' says the official website for the complex, about 3,800km from Moscow.
'Apparently it was built at the period of the Uighur Khagante nomadic empire (744-840 AD), but it’s not clear what they built a fortress for in such a solitary place, far from big settlements and trade routes. 'The architecture also produces many questions and it has reminders of a model of an ideal Chinese city-palace.'
Por-Bajin, which translates as 'clay house' in the Tuvan language, is located in the very centre of Eurasia, on the borders of Russia and Mongolia. It sits on a small island in a lake high in the mountains between the Sayan and Altai ranges, about five miles west of the isolated Kungurtuk settlement in southern Siberia.
Laser mapping of the site prior to the first major excavation in 2007 helped experts build a 3D model of what the community might have looked like. Despite its age, parts of the structure were well preserved when archaeologists arrived to examine the 3.5 hectare site, with walls clearly visible.
Outer walls standing 10 metres tall and 12 metres wide formed a rectangular shape, creating what many have interpreted as a protective kremlin-like fortress. A main gate was discovered, opening into two successive courtyards connected by another gate.
Walls on the inside were smaller, at about one metre-tall, forming the outline of buildings, with a large building in the centre of the site. Some of the walls and panels were covered with lime plaster painted with horizontal red striped.
The main complex in the inner courtyard had a two-part central structure, one behind the other linked by a covered walkway. It had a tiled roof and was supported by 36 wooden columns resting on stone bases.
Por-Bajin

Por-Bajin in winter

Por-Bajin reconstruction
Construction materials, and the way the site is laid out, told the experts it was built in a typically Chinese architectural tradition, most likely in the second half of the eight century. Pictures: gdehorosho.ru, Irina Arzhantseva
Construction materials, and the way the site is laid out, told the experts it was built in a typically Chinese architectural tradition, most likely in the second half of the eight century.
'The building was most likely of the post-and-beam construction characteristic of Chinese architecture from the T’ang Dynasty,' wrote head archaeologist Irina Arzhantseva in a report published in The European Archaeologist in 2011.
'Finds of burnt timber fragments point to the use of the typical Chinese technique of interlocking wooden brackets, called dou-gung. Ramps led down to the two flanking galleries which were roofed, open spaces looking onto the access to the main pavilion.'
While debate continues about the use of Por-Bajin, there is growing evidence it was a community or palace complex centred around a Buddhist monastery. Certainly, there is an argument that its layout is typical of the palaces of the Buddhist Paradises as depicted in T’ang paintings.
Books from the era also describe the existence of Uighur towns, extensive building activities, and a transition from a nomadic to sedentary lifestyle. Indeed, there may have been as many of 15 of these settlements in Tuva alone, all square of rectangular shaped and enclosed by walls with a main gate.
What puzzles the experts, however, is the lack of rudimentary heating systems, particularly given that Por-Bajin sits at 2,300metres above sea level and endures harsh Siberian weather.
Walls of Por-Bajin

Walls of Por-Bajin

Walls of Por-Bajin
Outer walls standing 10 metres tall and 12 metres wide formed a rectangular shape, creating what many have interpreted as a protective kremlin-like fortress. Pictures: 'Por-Bajin Fortress' foundation
If anything it suggests that the complex was only ever occupied for a brief period of time, or was used as a seasonal home in the warmer summer months. Some experts even say that the climate, or other natural occurrences in the region, brought occupation of the site to an early end in the 9th century.
Por-Bajin sits on a bed of permafrost with evidence that the melting of this ice – as a result of warmer temperatures over the past century - has caused not only a destruction of the walls, but a dramatic rise in the depth of the lake water.
In the 2011 research paper, Irina Arzhantseva wrote: 'This situation created a two-fold threat to the long-term survival of the site. Thermokarst (melting of the permafrost) seems to undermine the stability of the structures on the site, leading to collapse and decay; and frost fissures are causing constant erosion of the banks of the island to such an extent that it is estimated that the walls will start collapsing into the lake in about 80 years.
'Archaeological and geomorphological fieldwork revealed traces of at least two earthquakes which had accelerated the natural process of deterioration. The first of these seems to have happened already during the construction of the ‘fortress’ in the 8th century.
'It is not yet quite clear how long the buildings survived after the abandonment of the site in the 9th century, but some time after the abandonment there was another catastrophic earthquake which led to fires and to the collapse of the southern and eastern enclosure walls, and destroyed the north-western corner bastion.'
Chinese roof tile

Chinese roof tiles

Restoration on Por-Bajin
'The building was most likely of the post-and-beam construction characteristic of Chinese architecture from the T’ang Dynasty.' Pictures: Irina Arzhantseva, 'Por-Bajin Fortress' foundation
While debate on its origins will no doubt continue for decades, those who have seen Por-Bajin are all in agreement about its beauty. In fact, in many ways Russian president Vladimir Putin sums it up perfectly.
'I have been to many places, I have seen many things, but I have never seen anything of the kind,' he said, following a visit to the complex with Prince Albert of Monaco in 2007. Few could argue with that.

Wednesday, September 25, 2013

Melbourne

Melbourne
Lady Marmalade
Decoy
Decoct


“is it not an art to deceive a trout with an artificial fly?”~~~Walton

"language is continually being debased and reduced to nonspeech"~~~W. H. Auden
 
Prov. 20:1
"Wine is a mocker, strong drink is raging: and whosoever is deceived thereby is not wise."
Mark 10.52
"And Jesus said unto him, Go thy way; thy faith hath made thee whole. And immediately he received his sight, and followed Jesus in the way."
 Melbourne, Australia

Wayne Rooney, Manchester United


Abu Dhabi, United Arab Emirates

 Field Work in Romania
Chess: "Melbourne" "Lady Marmalade" "Decoy" "Decoct"

Monday, May 17, 2010

Plaza Víquez

Zapote
Reyes
Plaza Víquez
Melbourne

1Cor.3:13

"Every man's work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man's work of what sort it is."


Melbourne CBD and Yarra River from Princes Bridge
Melbourne Nights
Chess : "Víquez" "Zapote" "Reyes" "Vieques" "Melbourne"

El puente
Carlos Salazar Herrera: Cuentos de angustias y paisajes.


El tema musical de aquel puente de madera, era como una llamada amorosa al corazón de la Chela. ¡Un puente de madera que sonaba como una marimba! Cada vez que el trote de un caballo hacía sonar la tablazón, la Chela se conmovía y sus alegres palpitaciones se confundían con el tableteo. La muchacha, entonces, se asomaba por la ventana de su casa, y tan pronto reconocía a Marcial Reyes, echaba a correr por el cercado hacia la vuelta del camino, y allí esperabaal jinete. Ya el potro sabía que era cosa de detenerse y, como si quisiera lucirse en un desplante, se empinaba en dos patas y adornaba la cabriola con un relincho. La Chela era huérfana y por eso, vivía arrimada a su padrino. Su padrino le dijo un día: —Si Marcial Reyes te quiere... ¿por qué no viene a verte a la casa? Y la muchacha: —¿Acaso es novio mío? —Entonces... ¿qué es? —Pos... nada. Amigo. —¡Mm!... Una tarde de luna, Marcial Reyes dejó su caballo al cuidado de un árbol de güitite, saltó sobre el alambre de púas y caminó con la muchacha pastizal arriba. Ola iba como ceñida a unas riendas trenzadas con palabras... Y en el refugio confidencial de los pedrones negros que rematan la colina, Marcial Reyes besó a la Chela, y la besó, y la besó... El viento hacía ondas en las espigas moradas de los pastos de calinguero, y en el refugio confidencial, el constante caer y caer de los cuchillitos de un poro enorme, que había crecido junto a los pedrones. —¡Cuidao vas a contarle a naide nada! —dijo él. —No. —¿Me lo juras? —Sí. La Chela hizo con sus dedos el signo de la cruz, y lo selló con un beso más, con un último beso. A partir de aquella vez, Marcial Reyes no volvió a pasar sobre la marimba del puente. Ahora daba la vuelta por el camino de las lajas, y por el camino de las lajas siguió pasando para ir al pueblo. Por eso, cada vez que un caballo pasaba sobre el puente, el sonido de las tablas repercutía con dolor en el corazón de la muchacha. El caso de la pobre Chela era un asunto vulgar; y para que fuera más común, cierta mañana de domingo, Marcial Reyes salía de la iglesia y cogida de su brazo, con el velo y azahares de naranjo, la linda Rosario Víquez. Pasaron algunos meses. Ya no estaba el pastizal de calinguero, pero en el remate de la colina seguían cayendo, cayendo siempre los cuchillitos del poró, acolchando un lecho vacío, protegido por aquellos pedrones mudos, cómplices, inconmovibles. Aquellas extrañas piedras como dólmenes... o como menhires. Y aquel puente sonoro se había vuelto un martirio para la afligida muchacha. Un día, el cura párroco del lugar, halló a la Chela, mordiendo un cogollito de jocote, sobre el puente de madera. —Hace tiempos —le dijo— que no vas a confesarte, hija mía. La muchacha bajó la cabeza. El párroco insistió: —¿Por qué no te vas a confesar? La Chela se encogió de hombros y sin levantar la cabeza, miraba el entablado sonoro del puente. ¡Cómo iba a confesarse, si había jurado... “no contarle a naide nada”! Una noche tostada de verano, alguien, —nunca se supo quién— le prendió fuego al puente. ¡Qué lástima, un puente de madera que sonaba como una marimba!