Dutch

The Storm on the Sea of Galilee, by Rembrandt
DUTCH
Vermont
Pino Silvestre 

Master Key
Duster
Rembrandt

John 14:16
“And I will pray the Father, and he shall give you another Comforter, that he may abide with you for ever;”

 

"Everybody dismounted, orderlies surged up to lead away the horses."~~~Winston Churchill

 

Matthew 25:23
“His lord said unto him, Well done, good and faithful servant; thou hast been faithful over a few things, I will make thee ruler over many things: enter thou into the joy of thy lord.”

Proverbs 18:21
“Death and life are in the power of the tongue: and they that love it shall eat the fruit thereof.”

 

 

 

 

 

 

Chess: "Dutch" "Vermont" "Pino Silvestre" "Duster" "Rembrandt" "Master Key"

Christ in the Storm on the Sea of Galilee is a 1633 oil-on-canvas painting by the Dutch Golden Age painter Rembrandt van Rijn. It is classified as a history painting and is among the largest and earliest of Rembrandt's works. It was purchased by Bernard Berenson for Isabella Stewart Gardner in 1869 and was displayed at the Isabella Stewart Gardner Museum in Boston before its theft in 1990; it remains missing. The painting depicts the biblical event in which Jesus calmed the storm on the Sea of Galilee, as is described in the fourth chapter of the Gospel of Mark. It is Rembrandt's only seascape.
The painting, in vertical format, shows a close-up view of Christ's disciples struggling frantically against the heavy storm to regain control of their fishing boat. A huge wave beats the bow and rips the sail. One of the disciples is seen vomiting over the side. Another one, looking directly at the viewer, is a self-portrait of the artist. Only Christ, depicted on the right, remains calm.
The painting depicts the event described in Luke 8:22–25 in which the disciples in charge of the vessel were scared by the sudden storm and awoke a sleeping Jesus in their panic. Rembrandt's version is considered among the more accurate depictions of the event as described in the Bible. The perspective is lowered, so that the sky occupies more space than the sea, but the boat, its crew and Christ remain the main focal point of the painting. The ship is similar to a hoeker, a North Sea fishing vessel. Rembrandt changed the hull to make it appear more asymmetrical, while the mast appears heavier than the classical square or triangular sail. Although Dutch artists of the time often strived for accuracy in their portrayal of ships in seascapes German art historian Christian Tümpel noted Rembrandt's tendency to use earlier Bible illustrations as a basis for adapting props, such as the disciples' ship, to fit his own imagination.
Rembrandt employed tenebrism (a style of dramatic illustration with stark contrasts of light and dark), as a way to emphasize visually Christ’s miracle in calming the sea. Light emanates from the upper left of the painting, and a glimpse of the blue sky may be seen through the storm. As the scene moves toward the right, the boat and the crew are thrown back into shadow.
The close-up treatment of the subject and the painting's overall composition are evocative of a Adriaen Collaert print after a design by the Flemish artist Maerten de Vos. The print was included in the 12-part Vita, passio et Resvrrectio Iesv Christ work published by Jan and Raphael Sadeler in Antwerp in 1583. Rembrandt's painting follows the portrait format of Collaert's print and also depicts the boat in a forward tilting position. As with the print, most of the space is consumed by the main motif of the disciples on the boat struggling against the elements.

Matthew 25:23
“His lord said unto him, Well done, good and faithful servant; thou hast been faithful over a few things, I will make thee ruler over many things: enter thou into the joy of thy lord.”

Proverbs 18:21
“Death and life are in the power of the tongue: and they that love it shall eat the fruit thereof.”