Is it true?

I read in Books and Writers this:


"Literature gets heavily drawn upon in Miss Sayers's writings, and her attitude to it is revealing. She displays knowingness about literature without any sensitiveness to it or any feeling for quality—i.e. she has an academic literary taste over and above having no general taste at all." -Q.D Leavis 'The Case of Miss Dorothy Sayers: Gaudy Night and Busman's Honeymoon'

Is it the case?




Dorothy L. Sayers

Dorothy L(eigh) Sayers (1893-1957)



British novelist, essayist, medieval scholar and anthologist. Sayers is best-known for her stories about the amateur aristocratic detective hero Lord Peter Wimsey, who made his breakthrough in the novel WHOSE BODY? (1923), wearing a top hat like Fred Astaire. After the late 1930s, Sayers wrote no more detective novels, but concentrated on theological dramas, radio plays and verse.

"Lord Peter's library was one of the most delightful bachelor rooms in London. Its scheme was black and primrose; its walls were lined with rare editions, and its chairs and Chesterfield sofa suggested the embraces of the houris. In one corner stood a black baby-grand, and wood fire leaped on a wide old-fashioned hearth, and the Sevres vases on the chimney-piece were filled with ruddy and gold chrysanthemums." (from Whose Body?)

Dorothy Leigh Sayers was born in Oxford, the daughter of the Rev. Henry Sayers, the director of the Christchurch Cathedral Choir School, and Helen Mary (Leigh) Sayers. From the early age Sayers was very gifted in languages, learning Latin by the age of seven and French from her governess. In 1912 she won a scholarship to the Oxford women's college Somerville, and in 1916 she published her first book, a verse collection titled OP I.

In 1920 Sayers earned her M.A., among one of the first group of women to be granted degrees from Oxford University. She worked in Yorkshire and in France, where she was a secretary to a shell-shocked veteran, and as a reader for an Oxford publishing house. During these years Sayers went through a period she did not advertise much later. She had an illegitimate son, who was brought up by her cousin, Ivy Shrimpton. The father was Bill White, a motorcyclist and car salesman. Sayers rejected contraceptives, which caused a problem with her lover, the Russian born-novelist John Cournos, whom she met in 1921. Sayers wanted to marry him, but Cournos told her that he did not believe in marriage. Letters from this unhappy affair with him are now housed at Harvad University. Although her cousin took care of the child, Sayers followed closely his upbringing and supplied funds for this purpose. Sayers kept the child secret even from her parents.

In 1926 Sayers married the journalist, Captain Oswald Arthur Fleming, who was divorced and had two children. He died in 1950. Sayers's seven-year long job at Benson's advertising agency in London began in 1922. Soon after joining the agency she published the novel, Whose Body? in which Wimsey is the major character. In the story Lord Peter solves the puzzle of the body in the bath. Wimsey's prime criteria is to find out how the murder was done. "Once you've got the How, the Why drives it home," says the detective in BUSMAN'S HONEYMOON (1937). Wimsey appeared in 11 novels and 21 stories. In the beginning the young protagonist is a carefree war hero, whose character still is defined by the intellectual style of the Edwardian age and Wodehousian wit. Wimsey has money, free time and he knows the important people. His political views are crystallized in the contempt for "bosheviks". Wimsey's professional companion is Charler Parker. When Lord Peter is impulsive, Parker has cautious and solid character. Wimsey developed gradually into a man of conscience and moral responsibility, but humor prevailed throughout the novel series. "The essential Peter," Sayers once wrote, "is seen to be the familiar figure of the interpretative artists, the romantic soul at war with a realistic brain." Lord Peter Wimsey appeared for the first time on the screen in The Silent Passenger (1935). Peter Haddon portrayed the amateur sleuth.

In Busman's Honeymoon the monocled detective marries Harriet Vane, a writer of mystery books, Sayers's own alter ego. Vane was introduced in STRONG POISON (1930), in which Lord Peter saves her. She is accused of poisoning the novelist Philip Boyes, with whom she had lived for almost a year. The love interest started to build from HAVE HIS CARCASE (1932). In the story Vane discovers a dead body on the beach and she is again suspected of the murder. MURDER MUST ADVERTISE (1933) was full of observations of manner and mocked the superficial world of conspicuous consumption. The critic and awarded mystery writer H.R.F. Keating included THE NINE TAILORS (1934) in 1987 among the 100 best crime and mystery books ever published. The story is famous for its detailed account of the art of bell-ringing.

With such writers as G.K. Chesterton, Christie, and Fr. Ronald Knox, Sayers founded the Detection Club in 1929. She purchased a home at Witham in Essex, and from 1931 Sayers devoted herself entirely to writing and preparing radio plays for the BBC. In 1932 Sayers began to write memoirs of her childhood. She abandoned the project after thirty-six pages but used them later in the novel CAT O' MARY, which was never published.

After the appearance of Busman's Honeymoon Sayers turned from mystery fiction to other genres. Her only detective novel without Wimsey was THE DOCUMENT IN THE CASE (1930), co-written with Robert Eustace. She published also 11 short stories in which the commercial traveller Montague Egg solved crimes, and wrote with members of The Detection Club such composite novels as THE FLOATING ADMIRAL (1931), ASK A POLICEMAN (1933), and DOUBLE DEATH (1939).

A devout Anglo-Catholic, Sayers was for many years a friend of the Oxford writers known as the Inklings. In THE MIND OF THE MAKER Sayers tried to explain the Trinitarian nature of God, the Divine Creator, by analogy with the three-fold activity of the creative artist—involving idea, energy, and power. With few exceptions her plays were religious dramas, among them THE ZEAL OF THY HOUSE (1937), set in the twelfth century and based on an incident that had occurred during the burning and rebuilding of the choir at Canterbury, and THE DEVIL TO PAY (1939). The play-cycle THE MAN BORN TO BE KING (1942) was about the life of Christ. As a religious writer Sayers aimed for high literary quality, but she occasionally suffered hair loss when she got under stress.

In 1950 Sayers was awarded a Litt.D. by the University of Durham. Her last major work was translation of Dante's Divine Comedy. The result was a fast-paced text, in Victorian style verse, which takes many liberties with the original. The work was finished by Barbara Reynolds after Sayers's death on December 17, 1957 from a heart failure.

Sayers put aside her 13th full-length Lord Peter novel in 1938. The book, which was finished by Jill Paton Walsh, appeared in 1998 under the title THRONES, DOMINATIONS. Set in 1936, the story revolves around the murder of two beautiful young women. There's also a subplot involving the new King, Edward VIII, succeeded to the throne on the death of his father, King George V.

Sayers's mystery novels have received serious attention from academic critics, partly because of her other books. Q.D. Leavis attacked as early as in the 1930s this attitude in her article 'The Case of Miss Dorothy Sayers: Gaudy Night and Busman's Honeymoon' in Scrutiny, Vol. VI (1937): "Literature gets heavily drawn upon in Miss Sayers's writings, and her attitude to it is revealing. She displays knowingness about literature without any sensitiveness to it or any feeling for quality—i.e. she has an academic literary taste over and above having no general taste at all."