Integral

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Prov.29:26
Many seek the ruler's favour; but every man's judgment cometh from the LORD. 

Lev.23:22 
"And when ye reap the harvest of your land, thou shalt not make clean riddance of the corners of thy field when thou reapest, neither shalt thou gather any gleaning of thy harvest: thou shalt leave them unto the poor, and to the stranger: I am the LORD your God."

The Sower, June 1888, Kröller-Müller Museum, Otterlo. Inspired byJean-François Millet Van Gogh made several paintings after The Sower by Millet

"Sheaves of Wheat" by Vincent Van Gogh

Definite integral example

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Wheat Fields (Van Gogh series)

 The Wheat Fields is a series of dozens of paintings by Vincent van Gogh, borne out of his religious studies and sermons, connection to nature, appreciation of manual laborers and desire to provide a means of offering comfort to others. The wheat field works demonstrate his progression as an artist from the drab Wheat Sheaves made in 1885 in the Netherlands to the colorful, dramatic paintings from Arles, Saint-Rémy and Auvers-sur-Oise of ruralFrance.

Spiritual significance

As a young man Van Gogh pursued what he saw as a religious calling, wanting to minister to working people. In 1876 he was assigned a post in Isleworth, England to teach Bible classes and occasionally preach in the Methodistchurch.

When he returned to the Netherlands he studied for the ministry and also for lay ministry or missionary work without finishing either field of study. With support from his father, Van Gogh went to Borinage in southern Belgium where he nursed and ministered to coal miners. There he obtained a six-month trial position for a small salary where he preached in an old dance hall and established and taught Bible school. His self-imposed zeal and asceticism cost him the position.^[5]

After a nine-month period of withdrawal from society and family; he rejected the church establishment, yet found his personal vision of spirituality, "The best way to know God is to love many things. Love a friend, a wife, something - whatever you like - (and) you will be on the way to knowing more about Him; this is what I say to myself. But one must love with a lofty and serious intimate sympathy, with strength, with intelligence."^[5] By 1879, he made a shift in the direction of his life and found he could express his "love of God and man" through painting.

Drawn to Biblical parables, Van Gogh found wheat fields metaphors for humanity's cycles of life, as both celebration of growth and realization of the susceptibility of nature's powerful forces.

• Of the Biblical symbolism of sowing and reaping Van Gogh taught in his Bible lessons: "One does not expect to get from life what one has already learned it cannot give; rather, one begins to see more clearly that life is a kind of sowing time, and the harvest is not here."
• The image of the sower came to Van Gogh in Biblical teachings from his childhood, such as:

"A sower went out to sow. As he sowed, some seed fell along the path, and the birds came and devoured it. Other seed fell on rocky ground, where it had not much soil, and immediately it sprang up, since it had no depth of soil; and when the sun rose it was scorched, and since it had no root it withered away. Other seed fell among thorns and the thorns grew up and choked it, and it yielded no grain. And other seeds fell into good soil and brought forth grain, growing up and increasing and yielding thirty fold, and sixty fold and a hundredfold.(Mark 4:3-8)^[7]

• Van Gogh used the digger and ploughman as symbols of struggle to reach the kingdom of God.
• He was particularly enamored with "the good God sun" and called anyone who didn't believe in the sun infidels. The painting of the haloed sun was a characteristic style seen in many of his paintings,^[9] representing the divine, in reference to the nimbus in Delacroix's Christ Asleep During the Tempest.^[10]
• Van Gogh found storms important for their restorative nature, symbolizing "the better times of pure air and the rejuvenation of all society." Van Gogh also found storms to reveal the divine.